It is Halloween which just possibly could be the highest point of the season at the newer one of Tokyo’s two different Disney parks, Tokyo Disney Sea. The whole park is decorated in a sort of hyper colorful Mexican Day of the Dead theme with fantastic looking skeletons entertaining the visitors throughout the park…(more)
Image ©Laurindo Feliciano
For nearly four decades, the Association of Illustrators has presented the most comprehensive and significant awards for illustration in the UK. Now, for the first time in it’s history, the organization welcomes an international partner, the Directory of Illustration, to create the World Illustration Awards.
“The Directory of Illustration is excited to be partnering with the AOI to support the World Illustration Awards. Honoring the most creative and inspiring commercial illustration from around the world will help everyone stay connected with new trends and ideas, and provide expanded opportunities for artists to promote their work to a global audience.”
Glen Serbin – President, Directory of Illustration
Work entered into the World Illustration Awards will be reviewed by a jury of distinguished and international industry professionals. The competition shortlist reflects exceptional work by illustrators currently making an outstanding contribution to visual culture…(more)
Color view of Hollywood Boulevard at night, 1950s
B.B. King – Crossroads Festival 2010
“She thought he was God and he thought he was God. The two of them were in love with him.”
– Barbara Rose
Carol Kino writes: Think of Picasso, and it’s impossible not to envision the women he loved, tormented and painted, like Fernande Olivier, whose distorted features are indelibly associated with early cubism, or Dora Maar, often depicted weeping, or Marie-Thérèse Walter, whose face and body the artist sundered so violently during his surrealist years.
“It began in 1952 when the 72-year-old artist, one of the most famous people in France, met the 27-year-old Roque at a pottery studio in Vallauris. He was making ceramics there, and she was a salesgirl.”
“For me, there are only two kinds of women—goddesses and doormats,” he told his postwar partner, Françoise Gilot, as she recounted in Life with Picasso, her 1964 memoir.
“Overall, however sexualized or aggressive Picasso’s characterization, there is also a serene, joyful quality to the work. Perhaps that’s because, as Duncan recalls today, the couple’s love for each other was abundantly evident.”
Since Picasso’s death in 1973, the works emerging from these liaisons—and the gripping tales behind them—have provided fodder for countless museum and gallery shows.
In the past three years alone, Gagosian Gallery, in conjunction with the Picasso biographer John Richardson, mounted two well-received New York exhibitions, Picasso and Marie-Thérèse: L’Amour Fou in 2011, and Picasso and Françoise Gilot in 2012. (On October 28, the gallery will open Picasso & the Camera, curated, like the others, by Richardson.)
“There are more portraits of Jacqueline than any other woman in Picasso’s life. The range of interpretation of her image is quite extraordinary.”
– Arne Glimcher, Pace’s founder
Now Pace Gallery, which has presented many Picasso shows of its own, will focus an extensive, two-gallery exhibitionaround the least celebrated and most controversial of the artist’s amours, Jacqueline Roque, a dark-haired divorcée 45 years the artist’s junior, who became his second wife in 1961.
“It is so free and full of love. Jacqueline created peace for him. That did not happen before.”
– Guggenheim Museum curator and Picasso scholar Carmen Giménez
Their relationship endured for more than 20 years, until Picasso’s death at 91, making Jacqueline, who took his name when they married, his longest-lasting consort and most persistent muse. Yet she has inspired only a few exhibitions. The last was in 2006, at the Kunst Museum Pablo Picasso in Münster, Germany. Read the rest of this entry »
Photos of Beijing Bride’s Anti-Pollution Lingerie Not Available
A woman wearing a wedding dress made out of 999 anti-pollution masks with a 10-meter long trail drew crowds recently in Beijing.
It was apparently in a move to bring more attention to environmental protection. The “bride” was a Chinese artist who had designed her wedding dress to ‘marry’ the sky, according to Chinanews.
Many Chinese on social media gave a thumbs-up to the artist’s creativity… (read more)
Wedding dress made of “cups, plates, and plastic utensils…”
[Best Day of the Dead Costume Ever, Oct 31st, 2013]
Originally posted on Variety:
Chuck Workman’s latest bouquet to cinematic history, “Magician,” provides [pmc_film_review_snippet]a solid overview of Orson Welles’ life and output[/pmc_film_review_snippet]. While little here will be news to cineastes, the mix of interviews and archival footage — particularly high-quality clips from the subject’s directorial features — should engage fans while providing a fine introduction for those whose knowledge doesn’t stretch beyond recognizing the words “Citizen Kane.” More a natural for ancillary formats (it’ll be a film-studies classroom perennial) than theatrical exposure, the documentary plans a theatrical launch on Dec. 12.
A straightforward, chronological approach in chaptered form starts with “1915-1941: The Boy Wonder,” charting Welles’ eccentric, transient childhood, and the thirst for artistic expression that led to adventuresome stage triumphs (like the all-black “Voodoo Macbeth”) in his early 20s. He also became a highly popular radio actor (notably as voice of “The Shadow” on that mystery serial), and it was in that medium…
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“La plus belle des ruses du diable est de vous persuader qu’il n’existe pas.”
― Charles Baudelaire
A giant inflatable sculpture that caused outrage in Paris for its resemblance to a sex toy will not be reinstalled after being reduced to a flaccid heap by vandals, its creator said Saturday.
American artist Paul McCarthy, 69, was slapped three times in the face by an outraged passer as “The Tree” was put up on the city’s ritzy Place Vendome on Thursday next to a column topped by a statue of Napoleon.
And on Saturday vandals cut a support cable to leave the 24-metre high work — which provoked a storm of mirth on social media for its resemblance to a “butt plug” — slumped on the pavement.
The FIAC contemporary art fair, which organised for the sculpture to be put up close to the Ritz Hotel, said in a statement that “the artist was worried about potential trouble if the work was put back up”.
“Instead of a profound reflection about objects as a mode of expression with multiple meanings, we have witnessed violent reactions.”
– Artist Paul McCarthy, pretending to be unhappy about the notoriety he’s enjoying as a result of his infantile ass-toy stunt
“Individuals waited until the security guard’s attention was elsewhere and cut the cable that kept the sculpture in place,” a police source told AFP on condition of anonymity. Read the rest of this entry »
Place Vendôme Hosts Giant Inflatable Buttplug
Ruth Bender reports: Not everyone in Paris appears to like contemporary art.
A massive, green, inflatable installation by U.S. artist Paul McCarthy was vandalized in central Paris in the night from Friday to Saturday, according to a police official, after the piece of art entitled “Tree” sparked outrage.
The artwork, set up last week on the famous Place Vendôme, ignited a wave of comments on social media for its resemblance to a sex toy. It attracted even more attention after the Los Angeles artist—known for his sometimes controversial and provocative work—was attacked by a person in the street Thursday as “Tree” was being set up on the square.
“Art has all its place on the streets of Paris and no one can hunt it away,”
– Paris Mayor Anne Hidalgo, in a tweet condemning the attack
According to French daily Le Monde, a man approached Mr. McCarthy as he was watching “Tree” being blown up and hit him in the face three times. According to the paper, which was interviewing the artist during the incident, the man shouted at Mr. McCarthy that “he wasn’t French” and that his artwork had “nothing to do in this square.”
A spokeswoman for Mr. McCarthy didn’t respond to requests for comment. The police official said no complaint had been filed on such an incident.
In the night from Friday to Saturday, a group of individuals cut through the cords that were holding up the artwork, the police official said. A person in charge of overseeing “Tree” then deflated it to limit any damage, the official said. Read the rest of this entry »
As often happens, I found this song on my way to look for something else. I was captivated by the scenic video, taken from a boat, apparently unrelated, but what a tasteful way to represent the feeling of listening to Astrud Gilberto‘s voice. I’m familiar with instrumental versions of this song, have rarely heard it with vocals, so I paused to take in the lyrics. I wasn’t aware that Astrid Gilberto recorded this 1949 classic song. She gives it her own signature sound. I swear, I could listen to Astrud Gilberto read the phone book, and think it’s musical, and romantic.
From Wikipedia, here’s some background on the song itself.
The music was composed by Victor Young and the lyric was written by Ned Washington. The song was introduced by the singer Martha Mears in the 1949 film of the same name. The song failed to escape critics’ general laceration of the film. Time wrote in its review that “nothing offsets the blight of such tear-splashed excesses as the bloop-bleep-bloop of a sentimental ballad on the sound track.” Nevertheless, the song was nominated for an Oscar, losing out to “Baby, It’s Cold Outside” by Frank Loesser.
The song was also a popular success, with two recordings of the song listed among the top 30 on the Billboard charts in 1950. Gordon Jenkins‘s recording of “My Foolish Heart”, Sandy Evans, vocal, reached the top ten on the charts. However, Billy Eckstine‘s version became a million seller, spending 19 weeks on the charts and peaking at number six. Read the rest of this entry »
Dozens of rock art sites in southern New Mexico, recently documented for the first time, are revealing unexpected botanical clues that archaeologists say may help unlock the meaning of the ancient abstract paintings.
“Every one of the sites where we find the tobacco, we also find El Paso ceramics, or we find other kinds of pots…that date generally in that same range.”
Over a swath of the Chihuahuan Desert stretching from Carlsbad to Las Cruces, at least 24 rock art panels have been found bearing the same distinctive pictographs: repeated series of triangles painted in combinations of red, yellow, and black.
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Hallucinogenic plants were found growing beneath the triangle designs, including a particularly potent species of wild tobacco and the potentially deadly psychedelic known as datura.
Researchers believe that the plants may be a kind of living artifact, left there nearly a thousand years ago by shamans who smoked the leaves of the plants in preparation for their painting.
“I think there’s a real good chance that they’re using tobacco in large enough amounts that they’re going into altered states of consciousness.”
“I think almost certainly that they’re trancing on this stuff,” said Dr. Lawrence Loendorf, president of the archaeological firm Sacred Sites Research, of the ancient artisans.
“I think there’s a real good chance that they’re using tobacco in large enough amounts that they’re going into altered states of consciousness, and I think that’s how [the hallucinogenic plants] are getting there.
“[They're] getting to those sites because they were used for special ceremonial purposes.”
The region that Loendorf and his colleagues have been exploring was once home to the Jornada Mogollon, a culture of foraging farmers similar to the early Ancestral Puebloans, who occupied the territory from about the 5th to the 15th centuries. Read the rest of this entry »