— Chris Buckley 储百亮 (@ChuBailiang) November 23, 2014
And that chocolate dates to Qin era?
Martyrdom of St. Ursula - Jean Bourdichon
Django Reinhardt, Stephane Grappelli and Dizzy Gillespie
Domenico di Bartolo c. 1443
Enlargement of the Hospital
Apple’s newest designer reimagines the shotgun http://t.co/DnCr6ihd8b
— WIRED (@WIRED) November 22, 2014
Claude Monet, born today in 1840, painted Water Lilies in the last decade of his life.
Claude Monet. Water Lilies. 1914-26. Photograph by John Wronn
Tantric Hindu painting: A meditation on the endless dance of energy
San Francisco-based artist Lizabeth Eva Rossof created a series of striking statues combining the warriors from China’s ancient Terracotta Army with comic book and cartoon characters from American pop culture. These Xi’an-American Warriors include Bart Simpson, Batman, Mickey Mouse, Spider-Man and Shrek.
Rossof says the series “playfully explores the concerns of American media’s global influence and China’s industry of counterfeiting the copyrighted properties held by said media.”
Each clay sculpture stand 18-inches tall. Their authentic appearance was achieved by using the same process that created the original warriors from Lintong District, Xi’an, Shaanxi province all the way back in the later third century BCE. Rossof worked with a Terracotta Warrior replica studio in Xi’an who make their clay sculptures using the same earth as the original statues.
Some of these awesome statues are currently available for purchase via Lizabeth Eva Rossof’s website.
Todd McCarthy writes: Mike Nichols is such a great talker, my first desire after reading The Hollywood Reporter’s current skipping-stone account of his theatrical directing career is to buy his own 20-disc recording of the autobiography he unfortunately hasn’t written yet.
My second desire is to see Death of a Salesman before it closes.
My third is to know: Who is Mike Nichols?
As Meryl Streep attests, he always is “the smartest and most brilliant person in the room.” I spent a couple of hours with him many years ago, a memorable encounter that directly led to my first job in Hollywood — as assistant to his former partner, Elaine May. At the time, Nichols was preparing to direct the film version of The Last Tycoon, a project that eventually passed to his self-proclaimed idol, Elia Kazan, while Nichols moved on to The Fortune. This sequence of events didn’t work out well for either of them; it was the end for Kazan, and Nichols didn’t direct another dramatic feature for nearly a decade.
Nichols’ best films, in order:
ANGELS IN AMERICA (2003) Nichols’ distinct talents for stage and screen merge perfectly in this superlative adaptation of one of the great American epic plays. Jeffrey Wright and Al Pacino are out of this world in it.
CARNAL KNOWLEDGE (1971) With a terrific Jules Feiffer script (originally written as a play) and a bold visual style, this bracing study of men’s attitudes toward women is probably the director’s most probing, self-revelatory film.
THE GRADUATE (1967) Still funny and sharp-edged after all these years, it’s one of the great zeitgeist films of the ‘60s or any other era, caricatured, perhaps, but with truth and insight to support it. Dustin Hoffman and Anne Bancroft are simply sensational.
WHO’S AFRAID OF VIRGINIA WOOLF? (1966) Richard Burton remains the standout in Nichols’ vibrant and vital adaptation of one of the seminal American plays, with Haskell Wexler’s mobile, unflattering black-and-white cinematography still a marvel.
WORKING GIRL (1988) This key female empowerment comedy is sheer enjoyment, plain and simple, with Nichols displaying his great skill with actors by making everyone in the variously talented cast look equally good.
And therein lies the first mystery. Why did this golden boy, who had conquered improv, recording, cabaret and Broadway by his early 30s, won an Oscar for his second film and batted .750 in his first four times up to the plate — with Who’s Afraid of Virginia Woolf?, The Graduate and Carnal Knowledge all going for extra bases while Catch-22 was a deep fly out to left — suddenly flatline, lose “The Knack” (also the title of a play he successfully directed in the early 1960s) and retreat to Broadway? Read the rest of this entry »
The Kunstmuseum Bern is expected to decide as early as Saturday to accept the estate of the late Cornelius Gurlitt.
BERN, Switzerland— MARY M. LANE reports: A small art museum in the Swiss capital is preparing to take possession of more than 1,000 artworks bequeathed to it by the son of one of Hitler’s main art dealers, unshackling Germany from an embarrassing burden that has weighed on it for a year.
Barring any last-minute legal objections, the Kunstmuseum Bern is expected to decide as early as Saturday to accept the estate of the late Cornelius Gurlitt, according to three people familiar with the museum board’s discussions.
‘When something like this falls into your lap of course you’re going to vote to take it.’
—A person at the Kunstmuseum Bern’s board meetings
That could expedite restitution for heirs of Holocaust victims, many of whom have seen their claims that the art was stolen from their families languish since the existence of the trove was publicly revealed a year ago. For some works, restitution could happen within days if the museum accepts the bequest.
Stuart Eizenstat, U.S. Secretary of State John Kerry ’s special adviser on Holocaust issues, called the prospect “tremendously welcome and wonderful.”
“It was obvious from the start, and a huge source of angst, that accepting the works would fundamentally change the identity of our museum forever.”
The collection includes masterpieces by Claude Monet, Henri Matisse and Pierre Auguste-Renoir and was amassed during and shortly after World War II by Mr. Gurlitt’s father, a museum director turned art dealer for Hitler. Historians and lawyers have already concluded the trove contains several pieces stolen from European Jews by the Nazis.
The German government has been quietly urging the museum to accept the art, according to the people familiar with the discussions. Since the existence of the trove was revealed a year ago, Berlin has been under pressure from Holocaust victims’ families as well as the U.S. and Israeli governments to return all stolen pieces to their original owners.
“One of the prime pieces is an Henri Matisse portrait of a creamy-skinned brunette that a German-government appointed group of experts has already determined is looted.”
Mr. Gurlitt unexpectedly bequeathed his estate to the museum shortly before he died May 6 at 81. According to the will Mr. Gurlitt signed on his deathbed, first reported by The Wall Street Journal, the Kunstmuseum Bern would be required to conduct this research and restitution. Museum director Matthias Frehner has pledged that it would do so if it accepts the bequest.
If the museum were to decline the collection, it would go to Mr. Gurlitt’s distant relatives, who are dispersed in and outside Germany. While his will stipulates that they also return Nazi-looted art, lawyers say there is no way to make sure the multiple heirs conduct such research properly or efficiently outside of going to court, meaning individual cases could drag on for years.
One of the prime pieces is an Henri Matisse portrait of a creamy-skinned brunette that a German-government appointed group of experts has already determined is looted. Read the rest of this entry »
‘Special Edition for Summer Vacation’