The Intellectual Decline of The LeftPosted: March 9, 2014
A dumbed-down Democratic party runs out of ideas.
The Stupid Party
Kevin D. Williamson‘s current NRO article is extra pithy this week (or “wonderfully bold’, as Jay Nordlinger says) it’s more like a long, funny, sarcastic email from a friend, or an energetic barstool rant — if the guy on the barstool is a National Review Online roving reporter — than a scholarly essay. It’s also the first I’ve seen to take on The Daily Show head-on, exposing it and mocking it without mercy. Because for many conservatives, the Daily Show is a guilty pleasure. Right? Conservatives watch The Daily Show, or watch clips that circulate…
[UPDATE: Don’t miss Jay Nordlinger‘s response to Kevin D. Williamson’s essay in the Corner. It begins: Kevin’s piece “The Stupid Party” — a typically and wonderfully bold piece — awakened many thoughts in me. I’m sure it has done that in others…]
…Just like liberals — though they pretend they don’t — watch Fox News shows like The Kelly File, The Factor, or Red Eye. The viewership for these shows is not as segregated as members of their loyal fan base would have us think. Video clips from The Daily Show are often linked (on those rare ‘friendly fire’ occasions when Stewart takes shots at Democrat targets) at right-wing watering holes like Hot Air, and hipster libertarians dig Stewart’s humor, think Jon Stewart is “one of us”. Make no mistake. He’s not.
“…for the Left the point of journalism is not to criticize politics or to analyze politics but to be a servant of politics, to “destroy” such political targets as may be found in one’s crosshairs.”
As Williamsons’ rant illustrates, The Daily Show‘s predictable, sanctimonious, echo-chamber humor is not brilliant satire. It doesn’t speak “truth to power”. For its low-information fan base, it’s what passes for “journalism” and “hard-hitting reporting”. And accurately represents the vacancy of the Left’s bankrupt world view.
Kevin D. Williamson writes:
Here is a selection of recent headlines: “Jon Stewart Destroys Megyn Kelly,” “Jon Stewart Destroys Fox News’ ‘Spite-Driven Anger Machine,’” “Jon Stewart Destroys What’s Left of Peggy Noonan’s Credibility,” “Jon Stewart Destroys Fox News Over Syria Coverage,” “Jon Stewart Destroys Glenn Beck’s Utopia,” “Jon Stewart Destroys Bill O’Reilly” — there are about 520,000 more — and, not to be missed, “Jon Stewart Destroys Chicago-Style Pizza.”
The sound of terrors is in his ears at 11 p.m. on Comedy Central, and in prosperity the destroyer cometh upon him.
Mr. Stewart is the host of a fake news show, the genesis of which probably was a conversation that went approximately like this: Brother-in-Law: “There’s nothing funny on Saturday Night Live except the ‘Weekend Update.’ They should really just do that for the whole show.” Jon Stewart: “Hey . . . !” Mr. Stewart is among the lowest forms of intellectual parasite in the political universe, with no particular insights or interesting ideas of his own, reliant upon the very broadest and least clever sort of humor, using ancient editing techniques to make clumsy or silly political statements sound worse than they are and then pantomiming outrage at the results, the lowbrow version of James Joyce giving the hero of Portrait of the Artist as a Young Man the unlikely name of Stephen Dedalus and then having other characters in the novel muse upon the unlikelihood of that name.
“I do not much blame the Left for hesitating to talk about Big Ideas. The Left has been losing the Big Idea debate for a generation or more, in no small part because its last Big Idea killed 100 million people.”
His shtick is a fundamentally cowardly one, playing the sanctimonious vox populi when it suits him, and then beating retreat into “Hey, I’m just a comedian!” when he faces a serious challenge. It is the sort of thing that you can see appealing to bright, politically engaged 17-year-olds……His audience is not made up of bright, politically engaged 17-year-olds. But Mr. Stewart has pulled off a pretty neat trick: He has, as the half-million or so headlines mentioned above indicate, made fake news into real news, and it is not an accident that the verb “destroys” so often follows his name. Mr. Stewart is the leading voice of the half-bright Left because he is a master practitioner of the art of half-bright vitriolic denunciation. His intellectual biography is that of a consummate lightweight — a William and Mary frat boy who majored in psychology, which must have been a disappointment to his father, a professor of physics — and his comedy career has been strictly by-the-numbers, from the early days on the New York City comedy-club scene to changing his name (Mr. Stewart began life as Mr. Leibowitz) and a career-boosting stint on MTV, where he was second only to Beavis and Butt-Head in the ratings. He subsequently may have matched Beavis and Butt-Head’s popularity, but he has never risen to comparable heights of social insight.
The thing is, people actually get their news from his show. Fans, many of whom cannot quite spell his name, swear that the program is “more accurate than any other news show.” Ignore, for the moment, the judgment exhibited in that quotation and focus on the word “other.” In the minds of many of his admirers — and in the minds of those news-site editors who report on Mr. Stewart’s fake news as part of the real news — there is no substantive difference between what Mr. Stewart does and what, e.g., Ezra Klein does (“Ezra Klein Destroys Romney,” “Ezra Klein Destroys David Brooks,” “Ezra Klein Destroys Republican Opposition to Temporary Payroll Tax Cut,” etc.) because for the Left the point of journalism is not to criticize politics or to analyze politics but to be a servant of politics, to “destroy” such political targets as may be found in one’s crosshairs. For the Left, the maker of comedy and the maker of graphs perform the same function. It does not matter who does the “destroying,” so long as it gets done …Read the rest >>>