Top Chinese Director, People’s Daily Fight It Out Over Reality TV MoviesPosted: February 16, 2015
The spat began earlier this month, when director Feng Xiaogang lambasted the popularity of a spate of recent Chinese movies based on popular reality television shows
Lilian Lin reports: An unusual public spat between a famous director and the Communist party’s main propaganda arm is shining a light on the state of pop culture in China.
The spat began earlier this month, when director Feng Xiaogang lambasted the popularity of a spate of recent Chinese movies based on popular reality television shows. Such movies, he said on a local television program, are “shot in five or six days” yet make quick money. That hurts genuine filmmaking, he argued, because it draws investor money away from more serious movies.
The apparent target of his criticism was a new film called “Running Man,” which is based on a popular reality show of the same name. The TV show, which is based on a South Korean program and is similar to “The Amazing Race” series in the U.S., pits celebrities against each other in random tasks. (The losers face indignities such as being flung into a swimming pool.) The movie, which has a similar plot, has taken in over 400 million yuan ($64 million) in ticket sales after only two weeks, according to the local film research company EntGroup.
“Is film censorship really based on rule of law and letting the market call the shots? Of course not.”
— Zou Xiaowu, marketing director of theater chain Dadi Cinema
Another movie based on a hit Chinese reality show, “Dad, Where Are We Going?,” took in nearly 700 million yuan and was the country’s third highest-grossing domestic film last year.
Mr. Feng himself made his name initially with light-hearted comedic films that became major box office successes. But in recent years he has turned to more serious films, including 2010’s “Aftershock,” about a deadly 1976 earthquake, and “Back to 1942,” a 2012 film about a famine that killed up to three million people.
“The films that really should be criticized are those films that put people to sleep. At least ‘Running Man’ is logical.”
— Wang Zhengyu, a producer of “Running Man”
His critique of the new reality TV movies is a familiar one, and not just inside China. (A spokesman said Mr. Feng didn’t have more to add.) But the counterargument came from a surprising source: The People’s Daily newspaper.
In an editorial last week, the Communist party’s main newspaper said the films are “the choice of audiences and the market.” The challenge for filmmakers like Mr. Feng, it said, is to “complain less but make more good films.”
A separate, later editorial on the paper’s Weibo social-media account suggested such criticism is hypocritical. “Directors of commercial films looking down upon variety show film is kind of like a crow accusing a pig of being black,” it said.
Still, the People’s Daily arguments run counter to Chinese official comments about reality shows. China’s media minders are encouraging more wholesome and educational programming amid signs of disapproval of what they consider prurient matter in some shows.
Indeed, Mr. Feng responded that the authorities in China rely on their own rules, rather than the market, when they determine what people will see. “Is film censorship really based on rule of law and letting the market call the shots? Of course not,” he told local media.
He also said the paper was “ignorant of filmmaking principles.” People’s Daily representatives didn’t respond to a request for comment.
Wang Zhengyu, a producer of “Running Man,” last week defended the movie as entertaining….(read more)
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