‘Justice League’: Film ReviewPosted: November 15, 2017 Filed under: Cinema, Comics, Entertainment | Tags: Batman, DC Comics, Justice League, Superhero, Superman Leave a comment
Wonder Woman bails out a battle-fatigued Batman and Superman in Warner Bros.’ latest DC Comics-derived extravaganza.
Todd McCarthy writes: The increasingly turgid tales of Batman and Superman — joined, unfortunately for her, by Wonder Woman — trudge along to ever-diminishing returns in Justice League. Garishly unattractive to look at and lacking the spirit that made Wonder Woman, which came out five months ago, the most engaging of Warner Bros.’ DC Comics-derived extravaganzas to date, this hodgepodge throws a bunch of superheroes into a mix that neither congeals nor particularly makes you want to see more of them in future. Plainly put, it’s simply not fun. Batman v Superman: Dawn of Justice grossed $872.7 million worldwide last year, apparently about enough to justify its existence, and the significant presence of Gal Gadot as Wonder Woman in this one might boost its returns a bit higher than that.
Fatigue, repetition and a laborious approach to exposition are the keynotes of this affair, which is also notable for how Ben Affleck, donning the bat suit for the second time, looks like he’d rather be almost anywhere else but here; his eyes and body language make it clear that he’s just not into it. For his part, Henry Cavill’s Superman, left for dead and buried in 2016’s Batman v Superman: Dawn of Justice (we see the grave of Clark Joseph Kent more than once), isn’t resurrected until the second half, and it takes considerably more time for him to snap into action.
That leaves things mostly in the capable hands of Wonder Woman, who’s just as kick-ass as she was this summer but in a less imaginative, one-note way. The good news is that Jesse Eisenberg’s embarrassingly misguided Lex Luthor from the previous outing is nowhere to be seen.
So what are we left with here? With all the characters that need to be introduced, the virtually humor-free script by Chris Terrio and Joss Whedon (who was brought on to complete directing duties after Zack Snyder had to leave for family reasons) less resembles deft narrative scene-setting than it does the work of a bored casino dealer rotely distributing cards around a table. Everyone is very downcast in the wake of Superman’s unimaginable fate and there’s naturally a new villain threatening to bring the world to an end, a big meanie named Steppenwolf (voiced by Ciaran Hinds). So Bruce Wayne, with Diana Prince’s assistance, must put together a new team to save the world yet again.
First it’s off to Iceland to recruit Arthur Curry/Aquaman (Jason Momoa), a half-human/half underwater creature who resembles a giant viking of legend. He’s yet another split personality, as is Cyborg (Ray Fisher), who’s half-man/half-machine much in the manner of Steppenwolf. These two personalities seem like pretty standard-issue DC characters, but then there’s The Flash/Barry Allen (Ezra Miller), an incredibly annoying kid whose one attribute is that he can run really, really fast. Since the character isn’t very helpful in a fight, his main function is to provide comic relief, at which he is also spectacularly unuseful.
So that’s the team, which is called upon time and again to thwart the evil designs of Steppenwolf to unleash devastating destruction upon Earth … (read more)