Universal Studios has just released the first trailer for the upcoming Steve Jobs biopic. The trailer gives us our first on-screen look at star Michael Fassbender as the Apple co-founder, along with Seth Rogen as Steve Wozniak, Kate Winslet as Mac engineer Joanna Hoffman, and Jeff Daniels as John Sculley….(read more)
Sorkin Movie Quotes Steve Jobs: ‘If a fire causes a stampede to the unmarked exits, it will have been worth it to those who survive’Posted: April 3, 2015
While we haven’t gotten many details about the Aaron Sorkin-penned screenplay based on Walter Isaacson’s Steve Jobs biography, we have previously learned that it will focus on three separate days in the life of the Apple co-founder, with each 30-minute act taking place just before a major product announcement. We also know that Michael Fassbender will star alongside Seth Rogen, Michael Stuhlbarg, Kate Winslet, Perla Haney-Jardine, and Jeff Daniels.
Today we got our hands on a copy of the screenplay (or at least a February 2014 draft of it) which reveals what many already may have already suspected based on previous reports: the three products Jobs will unveil during the biopic are the original Macintosh, the NeXT Cube, and the iMac.
[The movie hits theaters on October 9th]
The film opens with the launch of the Macintosh and a key scene in which Andy Hertzfeld and Joanna Hoffman attempt to convince Steve Jobs to cut the iconic “Hello, I am Macintosh” moment from the computer’s demo due to a voice synthesizer problem. “The first rule of a launch is nothing can crash,” Hoffman says.
That’s followed up by a humorous moment in which Jobs tries to convince his team to turn off the exit signs above the doors to totally darken the room during the event. He even offers to pay whatever fines the fire marshal imposes. “If a fire causes a stampede to the unmarked exits, it will have been worth it to those who survive,” Jobs quips. Read the rest of this entry »
‘I lost track of how many soldiers and Marines told me of their frustration with an American media that so often describes them as either nuts or victims’
Michael J. Totten writes: Clint Eastwood’s new film, American Sniper, is a blisteringly accurate portrayal of the American war in Iraq. Unlike most films in the genre, it sidesteps the politics and focuses on an individual: the late, small-town Texan, Chris Kyle, who joined the Navy SEALs after 9/11 and did four tours of duty in Fallujah, Ramadi, and Baghdad. He is formally recognized as the deadliest sniper in American history, and the film, based on his bestselling memoir, dramatizes the war he felt duty-bound to fight and his emotionally wrenching return home, with post-traumatic stress.
“All psychologically normal people feel at least some hatred for the enemy in a war zone. It’s not humanly possible to like or feel neutral toward people who are trying to kill you. Race hasn’t the faintest thing to do with it.”
The movie has become a flashpoint for liberal critics. Documentary filmmaker Michael Moore dismissed the film out-of-hand because snipers, he says, are “cowards.” “American Sniper kind of reminds me of the movie that’s showing in the third act of Inglorious Basterds,” comic actor Seth Rogen tweeted, referring to a fake Hitler propaganda film about a Nazi sniper, though he backtracked and said he actually liked the film, that it only reminded him of Nazi propaganda. Writing for the Guardian, Lindy West is fair to Eastwood and the film but cruel to its subject. Kyle, she says, was “a hate-filled killer” and “a racist who took pleasure in dehumanizing and killing brown people.”
The Navy confirms that Kyle shot and killed 160 combatants, most of whom indeed had brown skin. While he was alive, he said that he enjoyed his job. In one scene in the movie, Kyle, played by a bulked-up Bradley Cooper, refers to “savages,” and it’s not clear if he means Iraqis in general or just the enemies he’s fighting.
“What would you think of a man who kills a kid with a power drill right in front of you? Would you moderate your language so that no one at a Manhattan dinner party would gasp? Maybe you would, but Kyle wasn’t at a Manhattan dinner party.”
But let’s take a step back and leave the politics aside. All psychologically normal people feel at least some hatred for the enemy in a war zone. This is true whether they’re on the “right” side or the “wrong” side. It’s not humanly possible to like or feel neutral toward people who are trying to kill you. Race hasn’t the faintest thing to do with it.
“Here’s a medical fact: psychopaths don’t suffer from post-traumatic stress or any other kind of anxiety disorder. And cowards don’t volunteer for four tours of duty in war-torn Iraq.”
Does anyone seriously believe Kyle would have felt differently if white Russians or Serbs, rather than “brown” Arabs, were shooting at him? How many residents of New York’s Upper West Side had a sympathetic or nuanced view of al-Qaida on September 11, 2001? Some did—inappropriately, in my view—but how many would have been able to keep it up if bombs exploded in New York City every day, year after year?
Kyle had other reasons to hate his enemies, aside from their desire to kill him. In American Sniper, we see him in Fallujah and Ramadi fighting Abu Musab al-Zarqawi’s Al Qaeda in Iraq, the bloody precursor to ISIS. Read the rest of this entry »
Matthew Braun: ‘Unlike the War Films of Generations Past, ‘American Sniper’ Actually Has to Explain Onscreen That al Qaeda Insurgents Were (and Still Are) Bad’Posted: January 29, 2015
What ‘American Sniper’ Tells You About Its Critics
A veteran reviews ‘American Sniper’
Matthew Braun writes: I am not at all surprised that Michael Moore and Seth Rogen don’t like American Sniper . For them, the idea of military sacrifice is absurd. We get an idea of how badly they understand the motivation of the modern American fighting man and woman when they can’t tell the difference between someone like me, with 15 years of experience in law enforcement, military intelligence, and counterterrorism, and a Nazi. No. Seriously.
American Sniper kind of reminds me of the movie that’s showing in the third act of Inglorious Basterds.
— Seth Rogen (@Sethrogen) January 18, 2015
My uncle killed by sniper in WW2. We were taught snipers were cowards. Will shoot u in the back. Snipers aren’t heroes. And invaders r worse
— Michael Moore (@MMFlint) January 18, 2015
“The American Left has never been able to find the line between patriotism and jingoism.”
He later said, implausibly, he just happened to tweet this while “American Sniper ” was pulling in a massive $105 million opening weekend box-office haul and wasn’t talking at all about “American Sniper .”
“Where John Ford and Frank Capra once did propaganda films during World War II, Hollywood today is irredeemably corrupted by a worldview that blames America for all the ills of the world.”
Moore’s experience with martial matters is exactly zero, and his understanding of snipers is based on a tragic anecdote from World War II. Moore never allows for the possibility that Nazi snipers might have been cowards, and that American snipers might be saving lives.
Newsflash: Like the Nazis, Al Qaeda Is Bad
War movies have changed a lot since the 1940s. War movies in the 1940s didn’t have to explain that the Nazis were bad. We take Nazis as evil for granted now; with 65 years of hindsight there are far more people around now who were never alive for Hitler’s Reich, but all of us understand that Nazis are bad.
“The American Left can’t imagine a person who actually fights to protect other Americans, who actually believes America is the greatest country on Earth, and who does it all with a Bible in his pocket. That’s a farce to them.”
Film has been, perhaps, the best teacher of this simple truth. Nazis were just Nazis in movies, even when their evil was supernatural or no longer based in reality.
“…It’s too far off from the people they have known and deal with every day to be real, so they think it’s propaganda for the Right, for America, for war.”
Unlike the war films of generations past, ‘American Sniper’ actually has to explain onscreen that al Qaeda insurgents were (and still are) bad.
The Left continues to think of the American military and foreign illegal fighters as basically being two sides of the same coin. Worse, they can’t seem to tell the difference between American service members and al Qaeda. Unlike the war films of generations past, “American Sniper” actually has to explain onscreen that al Qaeda insurgents were (and still are) bad. In explaining, and in depicting, Kyle’s firm and unflinching lack of remorse or understanding for the plight of the torturing, ambushing, child-murdering insurgent, we see a fun word on Twitter: Jingoistic.
The American Left has never been able to find the line between patriotism and jingoism. Read the rest of this entry »
Rorke Denver: ‘Liberals’ Criticism of My SEAL Teammate Chris Kyle Has Had the Ironic Effect of Honoring Him’Posted: January 26, 2015
The United States of ‘American Sniper’
Rorke Denver writes: ‘American Sniper,” the new movie about Navy SEAL Chris Kyle, has opened to staggering box-office success and garnered multiple Academy Award nominations. But not all the attention has been positive. The most vocal criticism came in the form of disparaging quotes and tweets from actor-director Seth Rogen and documentary-maker Michael Moore . Both have since attempted to qualify their ugly comments, but similarly nasty observations continue to emanate from the left.
“The very term ‘sniper’ seems to stir passionate reactions on the left. The criticism misses the fundamental value that snipers add to the battlefield. Snipers engage individual threats. Rarely, if ever, do their actions cause collateral damage.”
The bulk of Chris Kyle’s remarkable exploits took place in the Al Anbar province of Iraq in the summer of 2006. He and I were teammates at SEAL Team Three. Chris had always been a large figure in the SEAL teams. He became a legend before our eyes in Ramadi.
My fellow special-operations brothers might be shocked, but I think the comments by Messrs. Rogen and Moore have had the ironic effect of honoring Chris Kyle’s memory. They inadvertently paid Chris a tribute that joins the Texas funeral procession and “American Sniper” book sales and box office in testifying to the power of his story. I’ll get to the punch line shortly, but first please let me lay the groundwork.
“Snipers may be the most humane of weapons in the military arsenal. The job also takes a huge emotional toll on the man behind the scope. The intimate connection between the shooter and the target can be hard to overcome for even the most emotionally mature warrior. The value of a sniper in warfare is beyond calculation.”
The very term “sniper” seems to stir passionate reactions on the left. The criticism misses the fundamental value that snipers add to the battlefield. Snipers engage individual threats. Rarely, if ever, do their actions cause collateral damage. Snipers may be the most humane of weapons in the military arsenal. The job also takes a huge emotional toll on the man behind the scope. The intimate connection between the shooter and the target can be hard to overcome for even the most emotionally mature warrior. The value of a sniper in warfare is beyond calculation.
“My fellow special-operations brothers might be shocked, but I think the comments by Messrs. Rogen and Moore have had the ironic effect of honoring Chris Kyle’s memory. “
I witnessed the exceptional performance of SEAL, Army and Marine snipers on the battlefields of Iraq and Afghanistan. They struck psychological fear in our enemies and protected countless lives. Chris Kyle and the sniper teams I led made a habit of infiltrating dangerous areas of enemy-controlled ground, established shooting positions and coordinated security for large conventional-unit movement. Read the rest of this entry »
Drop ‘The Interview’ on Pyongyang
Sony might fear retribution if it did this, but an alternative would be for the U.S. government to buy the movie rights from Sony and release it into the public domain.
U.S. officials are saying they think North Korea is responsible for the hacking of Sony Pictures, and perhaps also the threats that led the studio to cancel release of “The Interview.” Outsiders aren’t so sure, but the U.S. presumably has evidence others don’t. If the Obama Administration believes the evidence, the question is what it will do about it.
“Chinese netizens love to mock Kim, and North Koreans like to watch movies smuggled across the border from China. Perhaps the CIA could dub the movie into Korean to make sure it gets to its target audience.”
Park Sang Hak, a North Korean defector now living in the South, has an idea. Mr. Park, whom we profiled last year, puts information about the outside world along with movies and television programs on USB drives, which he floats into the North on balloons. The Kim Jong Un regime has labeled him “enemy zero” and sent an assassin to kill him with a poison-tipped pen. For real.
— Carol Costello (@CarolCNN) December 19, 2014
Mr. Park wants to include “The Interview” on future balloon launches. But there is another way to make sure that the movie gets the giant audience that Kim fears, even in North Korea: Make it free. Read the rest of this entry »
“For something like this to happen, it had to happen over a long period of time. You cannot just exfiltrate one terabyte or 100 terabytes of data in a matter of weeks.”
WASHINGTON (CBSDC/AP) — A former hacker for Anonymous doesn’t believe North Korea has the infrastructure to be behind the Sony hack attack.
“Do you really think a bunch of nerds from North Korea are going to fly to New York and start blowing up movie theaters? No. It’s not realistic. It’s not about ‘The Interview.’ It’s about money. It’s a professional job.”
Hector Monsegur told “CBS This Morning” that the communist regime doesn’t have the technical capabilities to pull off the hack.
“In my personal opinion, it’s not. Look at the bandwidth going into North Korea. I mean, the pipelines, the pipes going in, handling data, they only have one major ISP across their entire nation. That kind of information flowing at one time would have shut down North Korean Internet completely…They don’t have the technical capabilities.”
— Hector Monsegur
He continued, “They do have state-sponsored hackers very similar to China, very similar to Russia and very similar to our good, old USA.”
Sony Pictures Entertainment took the unprecedented step of canceling the Dec. 25 release of the Seth Rogen comedy “The Interview.”
A former CIA official, though, believes that North Korea could pull of this type of cyberattack.
“North Korea has significant cyber capabilities. They use them quite frequently against South Korea. For a backwards state that might be a little surprising but they also have a nuclear weapon. They are capable of achieving things when they focus on them.”
— Mike Morell, a former deputy director of the CIA
The cancellation announced Wednesday was a startling blow to the Hollywood studio that has been shaken by hacker leaks and intimidations over the last several weeks by an anonymous group calling itself Guardians of Peace.
“This attack went to the heart and core of Sony’s business — and succeeded. We haven’t seen any attack like this in the annals of U.S. breach history.”
— Avivah Litan, a cybersecurity analyst at research firm Gartner
A U.S. official said Wednesday that federal investigators have now connected the Sony hacking to North Korea and may make an announcement in the near future. The official spoke on condition of anonymity because the official was not authorized to openly discuss an ongoing criminal case.
“It doesn’t tell me much. I’ve seen Russian hackers pretending to be Indian. I’ve seen Ukrainian hackers pretending to be Peruvian. There’s hackers that pretend they’re little girls. They do this for misinformation, disinformation, covering their tracks.”
Monsegur stated that Sony’s hacking had to have happened over a long period of time. Read the rest of this entry »
Ramis’ serious health struggles began in May 2010 with an infection that led to complications related to the autoimmune disease, his wife said. Ramis had to relearn to walk but suffered a relapse of the vaculitis in late 2011, said Laurel Ward, vice president of development at Ramis’ Ocean Pictures production company.
Ramis leaves behind a formidable body of work, with writing credits on such enduring comedies as “National Lampoon’s Animal House” (which upon its 1978 release catapulted the film career of John Belushi, with whom Ramis acted at Second City), “Stripes” (1981) and “Ghostbusters” (in which Ramis also co-starred) plus such directing efforts as”Caddyshack” (1980), “National Lampoon’s Vacation” (1983), “Groundhog Day” and “Analyze This.”
Previously he was the first head writer (and a performer) on Second City’s groundbreaking television series “Second City Television (SCTV)” (1976-79). More recently he directed episodes of NBC’s “The Office.”
His wife, Erica Mann Ramis, tells the Chicago Tribune that her husband, who lived in Chicago, “was surrounded by family when he died at 12:53 a.m. [Monday] from complications of autoimmune inflammatory vasculitis, a rare disease that involves swelling of the blood vessels.”
The Associated Press also confirmed the news with Ramis’ attorney, Fred Toczek.
As the Tribune says:
“Ramis leaves behind a formidable body of work, with writing credits on such enduring comedies as National Lampoon’s Animal House (which upon its 1978 release catapulted the film career of John Belushi, with whom Ramis acted at Second City), Stripes (1981) and Ghostbusters (in which Ramis also co-starred) plus such directing efforts as Caddyshack(1980), National Lampoon’s Vacation (1983), Groundhog Day andAnalyze This….
“Ramis’ comedies were often wild, silly and tilting toward anarchy, but they also were cerebral and iconoclastic, with the filmmaker heeding the Second City edict to work at the top of one’s intelligence.”
In 2005, Ramis talked with Fresh Air‘s Terry Gross about his work. Of Caddyshack, he said, “I had this notion of [it] being like a Marx Brothers movie and Rodney [Dangerfield] was the Groucho of the team.”
Tribune: Ramis’ comedies were often wild, silly and tilting toward anarchy, but they also were cerebral and iconoclastic, with the filmmaker heeding the Second City edict to work at the top of one’s intelligence.