Posted: May 19, 2018 Filed under: Art & Culture, History, Mediasphere, Reading Room | Tags: Tom Wolfe
One of the preeminent chroniclers of the sociological circus that is New York City, Tom Wolfe recently spoke to The American Spectator at his Upper East Side apartment about the Big Apple’s most famous resident turned presidential candidate.
TAS: Having written so much about New York City, the rise of Donald Trump must be a subject of interest to you.
Tom Wolfe: It is. There is a lot of distress and contempt for government and he is capitalizing on that. He has also said a lot of things that are politically incorrect. He comes out and says things like, no more illegal immigrants from Mexico, no more immigrants from Islamic countries, and so on, and a lot of people say, “Hey, yeah, finally, someone has come out and said what I believe.”
Trump is not caught up in the whole ethos of politics. He goes from gaffe to gaffe and it only helps him. I have never seen anything quite like it.
You would think, for example, that his refusal to be on a television program with Megyn Kelly [at Fox News] would hurt him. My God, if you can’t debate Megyn Kelly, what are you going to do with Vladimir Putin? But it didn’t hurt him at all. That seemed to help him also.
I love the fact that he has a real childish side to him, saying things like: I am too worth ten billion! Most politicians would play that down, that they have all this money, but he is determined to let people know that. And he wants people to know that five billion of it comes from just his name—that you can start a hotel and call it Trump and it is going to be a success.
TAS: Do you see him as a New York original?
Wolfe: He is a lovable megalomaniac. People get a big kick out of going to his office and behind his desk is this wall of pictures of himself in the news. The childishness makes him seem honest. Read the rest of this entry »
Posted: May 16, 2018 Filed under: Art & Culture, History, Reading Room, Think Tank | Tags: Back to Blood, Tom Wolfe, Uncommon Knowledge, video
Author Tom Wolfe discusses the ideas and inspirations for Back to Blood, a story of decadence and the new America. In the book , Wolfe paints a story of a decaying culture enduring constant uncertainty. Heroes are spurned and abused, and values are dissolving; the message seems to be to stick with the good values.
Posted: May 7, 2018 Filed under: Art & Culture
THE REMODERN REVIEW
Graphically Dull: The Stilted Stylings of Turner Prize nominee Forensic Architecture
“The beginning of wisdom is the definition of terms.”
It’s that time again. Time for ruling class apparatchiks to announce the latest slate of non-artists to be nominated for what is advertised as a prestigious award for art:
THE GUARDIAN: Turner prize shortlist pits research agency against film-makers. “A research agency that investigates international crimes and injustice, and comprises architects, film-makers, archaeologists, investigative journalists, lawyers and scientists, has been nominated for the 2018 Turner prize. Forensic Architecture, which has about 16 members and is based at Goldsmiths, University of London, will compete for the 33rd edition of the prize against three solo artists – Naeem Mohaiemen, Charlotte Prodger and Luke Willis Thompson.The list is more overtly political than in previous years, featuring artists tackling issues of post-colonialism and migration, queer identity, human rights abuses…
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Posted: March 26, 2018 Filed under: Art & Culture, Mediasphere, Politics, Think Tank, White House | Tags: Barack Obama, Elitism, Fine Art, Illustration, Portrait
THE REMODERN REVIEW
In the Weeds: Kehinde Wiley’s Obama Portrait
.As the United States clips along at the speed of Trump, the news cycle races by in a dizzying blur. Events rapidly recede without any time for real analysis. Such was the case for the big reveal of the official portraits of former President Barack Obama and First Lady Michelle Obama. Although it just happened on February 12, it already feels like ancient history. Yet this regrettable image is going to be cluttering up the National Portrait Gallery forever, so it’s worth understanding just what the tax payers had to subsidize.
The Michelle Obama portrait is just sad. A tentative, pallid non-likeness. The apparatchiks at the museum assure us that it is so popular it had to be moved to a larger display space. Perhaps a pilgrimage to it gives the same solace that some progressives get from the plastic Obama…
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Posted: March 3, 2018 Filed under: Art & Culture, History, Think Tank | Tags: Francisco Goya, video
A closer look at Francisco Goya’s scariest painting.
Posted: February 4, 2018 Filed under: Art & Culture, France, Global, History, Mediasphere, War Room
View of the pyramid and the Louvre Museum building. January 22, 2005, Paris. AP
31 paintings stolen from Jewish families during World War II are put on permanent display in Louvre as it searches for its owners.
The Louvre Museum in Paris has put 31 Nazi-looted paintings on permanent display in an attempt to find their rightful owners.The works were installed in two showrooms last month, The Associated Press reported.
Some 296 Nazi-looted paintings are stored at the Louvre and remain unclaimed.
Sebastien Allard, the head of the paintings department at the Louvre, told AP on Tuesday that most of the artworks were stolen from Jewish families during World War II.
“Beneficiaries can see these artworks, declare that these artworks belong to them and officially ask for their return,” he said.
Ways to prove ownership include old family photos, receipts or testimonies.
The Louvre initiative is the latest effort by French authorities to find heirs of families who lost their artwork during World War II. The French Culture Ministry has formed a committee in charge of locating the original owners of the paintings. Only about 50 artworks have been returned since 1951. Read the rest of this entry »
Posted: November 27, 2017 Filed under: Art & Culture, Entertainment | Tags: 1970s, Billy Cobbham, Fusion, Jan Hammer, Jazz, Jerry Goodman, John McLaughlin, Miles Davis, Rick Laird, Rock, video, Walter Kolosky
Meet Walter Kolosky, author of “The Mahavishnu Orchestra Picture Book.” Walter has written three books about the Mahavishnu Orchestra and we’ discuss the history of John McLaughlin’s group.
To buy the iBook go to https://itunes.apple.com/us/book/maha…
To buy the Kindle Book go to https://www.amazon.com/Mahavishnu-Orc…
Posted: October 17, 2017 Filed under: Art & Culture, Entertainment, Politics, The Butcher's Notebook, White House | Tags: Art, Collage, Donald Trump, Fish, Portrait, Sashimi, Sushi
Posted: October 8, 2017 Filed under: Art & Culture, Entertainment, Mediasphere | Tags: Academy of Television Arts & Sciences, Acting, Jon Hamm, Mad Men, New Yorker Festival, Television
Sonia Saraiya writes: Navigating success after years as a working actor was a difficult part of the “Mad Men” experience for star Jon Hamm.
The actor reflected on the landmark 2007-2015 series and his performance as Don Draper in a wide-ranging Q&A Saturday night held as part of the New Yorker Festival.
Hamm told New Yorker articles editor Susan Morrison that the AMC drama was a transformational experience, personally and professionally.
“To have that kind of omnibus experience is once in a lifetime, if you’re lucky,” he said during the session held at SIR Stage37. “Navigating the success, what the show became. that was the trickiest part,” Hamm added.
Now that the series has ended, Hamm told Morrison, he’s looking to branch out.
“The fun of being an actor is getting to different things” after playing Don Draper for seven seasons. “It wasn’t that I wanted to react against and play the opposite, but I definitely wanted to do different things,” he said.
Morrison asked Hamm about his comedy chops, showing clips from “Bridesmaids,” “Saturday Night Live,” and “30 Rock.” A self-described comedy geek, Hamm credited his creative journey from losing his mother at the age of 10 and eventually finding a nurturing environment in his “wildly progressive” St. Louis high school, John Burroughs School.
[Read the full story here, at Variety]
“We didn’t have cable TV,” he said. “You had to like, read books and listen to albums and cassette tapes.” Hamm cited Spy magazine, Monty Python, and comedians including Bob Newhart, George Carlin, and Richard Pryor as inspirations. He even liked Cheech and Chong, adding ruefully, “My grandmother did not like that one. It literally had a car-sized joint on it.” Read the rest of this entry »
Posted: September 3, 2017 Filed under: Art & Culture, History, Mediasphere, U.S. News | Tags: 2015 Clinton Correctional Facility escape, Academy Award for Best Actress, Academy Award for Best Adapted Screenplay, Cinema, Millennials, Movies, Prison, Prison escape, Rob Reiner, Saving Private Ryan, Stephen King, The Shawshank Redemption, The Shining (film)
It appears that the “Golden Age of Cinema” has lost its sheen to the young over the years, as millennials are turning their back on classic movies.
A new study finds that less than a quarter of millennials have watched a film from start to finish that was made back in the 1940s or 50s and only a third have seen one from the 1960s.
Thirty percent of young people also admit to never having watched a black and white film all the way through – as opposed to 85 percent of those over 50 – with 20 percent branding the films “boring.”
Top 10 most common movies millennials have seen
- “The Lion King” 81.60 percent
- “Forrest Gump” 74.60 percent
- “Back to the Future” 66.80 percent
- “The Dark Knight” 66.50 percent
- “The Matrix” 63.20 percent
- “The Lord of the Rings: The Fellowship of the Ring” 60.90 percent
- “Terminator 2: Judgement Day” 59.20 percent
- “The Lord of the Rings: Return of the King” 59 percent
- “The Silence of the Lambs” 54.90 percent
- “The Godfather” 55 percent
Top 10 most common movies over-50’s have seen
- “Forrest Gump” 84.30 percent
- “Back to the Future” 80 percent
- “The Silence of the Lambs” 71 percent
- “It’s a Wonderful Life” 70.50 percent
- “The Godfather” 69.90 percent
- “Raiders of the Lost Ark” 69.30 percent
- “Saving Private Ryan” 68.30 percent
- “One Flew Over the Cuckoo’s Nest” 66.40 percent
- “The Good, the Bad and the Ugly” 65.90 percent
- “The Green Mile 65.60 percent
A new survey polling 1,000 millennials and 1,000 Americans over the age of 50 conducted by FYE.com, reveals that looking back into the history of cinema isn’t the preference of youth today, with millennials exponentially more likely to have binged on films of the last 15 years than on classics from bygone eras.
Less than half of millennials have seen the likes of “Gone with the Wind,” “The Sound of Music,” “To Kill a Mockingbird,” or even “The Shawshank Redemption” — rated the greatest film of all time on IMDB.
Only 28 percent have seen “Casablanca,” 16 percent have watched “Once Upon a Time in the West” and only a measly 12 percent have seen the Hitchcock classic “Rear Window” – though the director’s “Psycho” fares moderately better at a rate of 38 percent.
On the other side of things, some over-50s appear to have the tendency to stick to their old classics and ignore new cinema altogether with one in ten admitting they aren’t sure if they have seen a film newer than 2010 – and eight percent straight up saying no, they have not. Read the rest of this entry »
Posted: July 31, 2017 Filed under: Art & Culture, Entertainment, History, Mediasphere | Tags: 1940s, 1950s, Radio, technology, vintage
Great website focusing on the design and history of pocket transistor radios manufactured between 1954 and 1965.
Source: ROCKET RADIO MG-306
Posted: June 14, 2017 Filed under: Art & Culture, Entertainment, Food & Drink, Mediasphere | Tags: Bette Midler, Claire Underwood, Frank Underwood (House of Cards), House of Cards (U.S. TV series), Kevin Spacey, List of House of Cards episodes, Netflix
Frank Underwood is many things: A husband. A politician. A duplicitous, machiavellian psychosexual deviant with a bloodlust for power. A purveyor of fine Carolinian barbecue. Opening just for him at 7:30AM is Freddy’s Ribs, a southern barbecue joint that we can surmise is serving ‘cue up in the style of Underwood’s hometown of Gaffney, South Carolina. Just in time for Father’s Day, here’s three different means by which to achieve that genuine Southern barbecue, even from the confines of a 4th-story walkup. Read the rest of this entry »
Posted: June 8, 2017 Filed under: Art & Culture, Entertainment, Humor, Law & Justice, Mediasphere, Photography, Politics | Tags: Apple Music, Bad Boy Records, Bedford–Stuyvesant, Brooklyn, Brooklyn Navy Yard, Comey, New York City, Photography
More more more!
Posted: June 7, 2017 Filed under: Art & Culture, U.S. News | Tags: Arturo Di Modica, Bill de Blasio, Boston, Charging Bull, International Women’s Day, Modica, New York City, Norman Siegel, State Street Global Advisors, Wall Street
The financial company that installed the “Fearless Girl” statue on Wall Street to help market a female mutual fund originally wanted to commission the bronze in the shape of a cow, according to an email exchange between the company’s rep and City Hall obtained by The Post.
Moo-cifully, three months before having it cast and installed opposite the existing “Charging Bull” sculpture for International Woman’s Day, it dawned on State Street Global Advisors a heifer might be misconstrued as sexist. Read the rest of this entry »
Posted: May 30, 2017 Filed under: Art & Culture, Entertainment, Humor, Mediasphere, U.S. News | Tags: Arturo Di Modica, Bill de Blasio, Charging Bull, International Women’s Day, Modica, New York City, Norman Siegel, State Street Global Advisors, Statue, Wall Street
Gee whiz, artists are so sensitive!
Nick Fugallo and Max Jaeger report: City sculptor Alex Gardega — seething over the “Fearless Girl” statue being placed across from Wall Street’s “Charging Bull” — has decided to retaliate with a work of his own.
Gardega created a statue of a small dog, titled “Pissing Pug,” and his sloppily crafted pooch takes direct aim at “Fearless Girl” — or, at least, at her left leg.
“This is corporate nonsense,” Gardega told The Post of “Fearless Girl,” saying it was put opposite artist Arturo Di Modica’s famed bull as a publicity stunt by a Boston-based financial firm.
Alex Gardena next to “Fearless Girl” and his “Pissing Pug”Gabriella Bass
“It has nothing to do with feminism, and it is disrespect to the artist that made the bull,” he said. “That bull had integrity.”
The Upper West Side artist sniffed that he even made his dog particularly poorly just to stick it to “Fearless Girl” even more.
“I decided to build this dog and make it crappy to downgrade the statue, exactly how the girl is a downgrade on the bull,” said Gardega, who has never met the other statues’ creators. Read the rest of this entry »
Posted: March 7, 2017 Filed under: Art & Culture, Entertainment, Mediasphere | Tags: 1970s, A. O. Scott, Cinema, Francis Ford Coppola, Movies, The Conversation
A. O. Scott discusses Francis Ford Coppola’s 1974 masterpiece and the end of privacy.
Posted: February 25, 2017 Filed under: Art & Culture, Entertainment, Mediasphere, Politics | Tags: Academy Award for Best Actor, Academy Award for Best Actress, Academy Award for Best Picture, Academy Awards, Austin Bragg, Circular reasoning, Emmy Award, Golden Globe Award, Hollywood, Meryl Streep, New York City, Parody, satire, video, Viola Davis
Forget the Oscars, the Golden Globes, and the Emmys: the stars are all out for the Hollywood Awards. But who will take home the prize for Best Political Speech by an Entertainment Celebrity?
Written and produced by Austin Bragg. Performed by Andrew Heaton and Austin Bragg
Posted: February 14, 2017 Filed under: Art & Culture, Entertainment | Tags: Academy of Motion Picture Arts and Sciences, B Movie, Cinema, Mamie Van Doren, Movies, Peter Bogdanovich, Pulp, Science fiction, SciFi, Scout Paget, Thriller, video, vintage, Voyage to the Planet of Prehistoric Women, YouTube
‘B’ Sci-Fi Cult Entertainment – Astronauts land on Venus and discover prehistoric monsters and a race of beautiful women.
Directed by …Peter Bogdanovich? Yep, that’s Peter Bogdanovich!
Read the rest of this entry »
Posted: February 7, 2017 Filed under: Art & Culture, Humor, Mediasphere, Science & Technology, Space & Aviation | Tags: Arizona, Artist, Desert, Jack Millard, media, news, Space Capsule, The Arizona Republic, University of Arizona, video
Brainchild of artist and actor Jack Millard causes stir along highway in Arizona
Posted: February 6, 2017 Filed under: Art & Culture, Breaking News, Entertainment, Japan, Mediasphere | Tags: documentary, floating water world, Hostess, Japanese nightclub, mizu shobai, Penelope Buitenhuis, Tokyo Girls, video
This feature documentary is a candid journey into the world of 4 young Canadian women who work as well-paid hostesses in exclusive Japanese nightclubs. Lured by adventure and easy money, these modern-day geisha find themselves caught up in the mizu shobai – the complex “floating water world” of Tokyo clubs and bars.
Drawn by fast money, some women become consumed by the lavish lifestyle and forget why they came. One hostess calls it “losing the plot.” With a pulsating visual style, Tokyo Girls captures the raw energy of urban Japan and its fascination with the new. Read the rest of this entry »
Posted: February 6, 2017 Filed under: Art & Culture, History, Politics, White House | Tags: Democratic Party (United States), Donald Trump, Edward Sorel, European Union, George H.W. Bush, Mikhail Gorbachev, President of the United States, Ronald Reagan, The New Yorker, United States, Vladimir Putin, White House
From 2004: A behind-the-scenes look back at the man himself—detached yet accessible, astute and prophetic, colorful and complex.
rr’s birth zodiac—feb. 6, 1911” to “rr dies of pneumonia—june 5, 2004.” In between these two extremes, some eighteen thousand cards document whatever I was able to find out about thirty-four thousand of Ronald Reagan’s days. Which leaves sixteen thousand days unaccounted for. Lost leaves. “The leavings of a life,” as D. H. Lawrence might say.
June 28, 2004 Issue: There they lie in their guttered drawers, projecting from the rosewood desk I had specially made for them: four yards of cards, each eight inches wide, five inches tall, most of them with his initials handwritten, headline style, in the top left-hand corner, from “
“All the rhetorical arts—gesture, timing, comedy, pathos—were at his command.”
I once planned to show Reagan this card file, just to see him react as drawer after drawer rolled out yard by yard, green tabs demarcating his years, yellow tabs his careers, blue tabs his triumphs and disappointments. He could have looked down, as it were, on the topography of his biography, and seen the shoe salesman’s son moving from town to town across northern Illinois, in the teens of the last century; the adolescent achieving some sort of stability at Dixon High School in 1924; the Eureka College student and summer lifeguard through 1933; then, successively—each divider spaced farther from the next, as he grew in worldly importance—the Des Moines sportscaster and ardent New Dealer; the Hollywood film star; the cavalry officer and Air Corps adjutant; the postwar union leader and anti-Communist; the television host and corporate spokesman for General Electric; the governor of California, 1967-75; the twice-defeated, ultimately successful candidate for his party’s Presidential nomination; and, last, the septuagenarian statesman, so prodigiously carded that the nine tabs “1981” through “1989” stand isolated like stumps in snow.
He never visited my study, however, and on reflection I am glad he did not, because he might have been disturbed to see how far he had come in nearly eighty years, and how few more cards he was likely to generate after leaving the White House. Besides, I would have had to keep my forearm over a file more than a foot long, practically bristling with tabs descriptive of “rr the man.” Now that the man is no more, and subject to the soft focus of sentimental recall, a riffle through some of these tabs might help restore his image in all its color and complexity.
The first subsection deals with Ronald Reagan’s body. In 1988, at seventy-seven years of age, the President stood six feet one and weighed a hundred and ninety pounds, none of it flab. He boasted that any punch aimed at his abdomen would be jarringly repulsed. After a lifetime of working out with wheels and bars, he had broadened his chest to a formidably walled cavern forty-four inches in circumference. He was a natural athlete, with a peculiarly graceful Algonquin gait that brought him into rooms almost soundlessly. No matter how fast he moved (that big body could turn on a dime), he was always balanced.
One recalls how elegantly he choreographed Mikhail Gorbachev up the steps at the 1985 Geneva summit: an arabesque of dark blue flowing around awkward gray. Reagan loved to swim, ride, and foxtrot. (Doris Day remembers him as “the only man I ever knew who really liked to dance.”) Eleven weeks after nearly dying in the assassination attempt of 1981, he climbed onto the springboard at the Camp David swimming pool and threw a perfect half pike before anybody could protest.
[Read more here, at The New Yorker]
Gorbachev once remarked on Reagan’s “balance” to me in an interview. But he used the Russian word ravnovesie in its wider sense, of psychological equilibrium. The President’s poised body and smooth yet inexorable motion telegraphed a larger force that came of a lifetime of no self-doubt (except for two years of despair in 1948-49, after Jane Wyman, his first wife, left him for boring her). Reagan redux did not care whom he bored, as long as nobody tried to stop him. His famous anecdotes, recounted with a speed and economy that were the verbal equivalent of balance, were persuasive on the first, and even the fourth, telling. But when you heard them for the fourteenth, or the fortieth, time, always with exactly the same inflections and chuckles and glances, you realized that he was a bore in the sense that a combine harvester is boring: its only purpose is to bear down upon and thresh whatever grain lies in its path. Reagan used homilies to harvest people.
He was always meticulously dressed in tailored suits and handmade shoes and boots. But he was neither a dandy nor a spendthrift. In 1976, he still stepped out in a pair of high-cut, big-tongued alligator pumps that predated the Cold War: “Do you realize what I paid for these thirty years ago?” His personal taste never advanced beyond the first affectations of the nouveau riche. Hence the Corum twenty-dollar-face wristwatch, the Countess Mara ties, the Glen checks too large or too pale, and a weekend tartan blazer that was, in Bertie Wooster’s phrase, “rather sudden, till you got used to it.” Yet Reagan avoided vulgarity, because he sported such things without self-consciousness. And he wore the plainer suits that rotated through his wardrobe just as unpretentiously. No man ever looked better in navy blue, or black tie.
On a card inscribed “alcohol”—his father’s cross—appears the comment of an old Hollywood friend: “Ronnie never had a booze problem, but once every coupla years, he wasn’t averse to a lot of drink. Its only effect was to make him more genial.” His face would flush after a mere half glass of Pinot Noir, giving rise to repeated rumors that he used rouge.
Actually, Reagan never required makeup, even when he was a movie actor. He didn’t sweat under hot lights: he basked in them. A young photographer who did a cover portrait of him in 1984 for Fortune told me, “When I walked into the Oval Office, I thought my career was made. He was just back from a long campaign swing, and looked terrible, all drained and lined. I hit him with every harsh spot I had, and etched out those wrinkles, figuring I’d do what Richard Avedon did to Dottie Parker. Know what? When my contacts came back from the darkroom, the old bastard looked like a million bucks. Taught me a real lesson. Ronald Reagan wasn’t just born for the camera. There’s something about him that film likes.”
Several of my cards itemize the President’s deafness. People who sat to his right imagined that they were privileged. In fact, he heard nothing on that side, having blown an eardrum during a shoot-out scene in one of his old movies. His left ear was not much better, so he relied increasingly on hearing aids, although their distortion pained him. One learned not to sneeze in his presence. When the room was crowded and voice levels rose, he would furtively switch off his sound box. I could tell from a slight frown in his gaze that he was lip-reading.
The quietness that insulated him was accentuated by severe myopia. As a boy, “Dutch” Reagan assumed that nature was a blur. Not until he put on his mother’s spectacles, around the age of thirteen, did he perceive the world in all its sharp-edged intricacy. He did not find it disorienting, as somebody who had been blind from birth might. Perhaps his later, Rothko-like preference for large, luminous policy blocks (as opposed to, say, Bill Clinton’s fly’s-eye view of government as a multifacetted montage, endlessly adjustable) derived from his unfocussed childhood.
[Read the full story here, at The New Yorker]
Or perhaps the novelist Ray Bradbury, who also grew up four-eyed in small-town Illinois, has a more informed theory. “I often wonder whether or not you become myopic for a physical reason of not wanting to face the world,” Bradbury says in an oral history. Like Dutch, he competed with a popular, extrovert elder brother by “making happy things for myself and creating new images of the world for myself.” Reagan was not introverted, yet from infancy he had the same kind of “happy” self-centeredness that Bradbury speaks of, the same need to inhabit an imaginative construct in which outside reality was refracted, or reordered, to his liking. “I was completely surrounded by a wall of light,” Reagan wrote of his first venture onto a movie set. It was clear that the sensation was agreeable. Read the rest of this entry »
Posted: February 5, 2017 Filed under: Art & Culture, Entertainment, Mediasphere | Tags: 84 Lumber, Alto's Adventure, Amazon Video, New England Patriots, Super Bowl, Super Bowl commercials, Super Bowl LI, Teaser campaign, Trailer (promotion), YouTube
Hang up your Christmas lights, fill up your isolation tanks, and hold on to your Eggo waffles, the “Stranger Things” Season 2 teaser trailer just dropped.
While many watch the Super Bowl because there’s a football game going on or because their favorite artist is performing at halftime, others tune in for the trailers, and perhaps none caused more excitement this year than the teaser trailer for Season 2 of Netflix’s “Stranger Things.”
The spot featured Dustin (Gaten Matarazzo), Mike (Finn Wolfhard), and Lucas (Caleb McLaughlin) in full Ghostbusters costumes, presumably for Halloween, and teased even more trouble for the ’80s kids. Read the rest of this entry »
Posted: February 5, 2017 Filed under: Art & Culture, History, Mediasphere, Politics, White House | Tags: 1960s, American exceptionalism, Barry Goldwater, Democratic Party (United States), Freedom, JFK, Liberty, Malcom X, Martin Luther King, Republican Party, RFK, Ronald Reagan, United States, USA, video, White House
A video crash-up covering the political landscape of the 1960’s, featuring MLK, RFK, JFK, Malcom X, Ronald Reagan, and Barry Goldwater.
Posted: February 4, 2017 Filed under: Art & Culture, Crime & Corruption, France, Global, History, Mediasphere, Terrorism | Tags: 2024 Summer Olympics, Bataclan Theatre, Bruno Le Roux, François Hollande, Islamic terrorism, Louvre, Paris, President of France, Reuters, Soldier, Takbir
PARIS (AP) — The Louvre Museum reopened to the public Saturday, less than 24 hours after a machete-wielding assailant shouting “Allahu akbar!” attacked French soldiers guarding the sprawling building and was shot by them.
The worldwide draw of the iconic museum in central Paris, host to thousands of artworks including the “Mona Lisa,” was on full display on a drizzly winter day as international tourists filed by armed police and soldiers patrolling outside the site, which had been closed immediately after Friday’s attack.
The attacker was shot four times after slightly injuring a soldier patrolling the nearby underground mall but his injuries on Saturday were no longer life-threatening, the Paris prosecutor’s office said.
French President Francois Hollande said there is “no doubt” the suspect’s actions were a terror attack, and he will be questioned as soon as that is possible.
An Egyptian Interior Ministry official confirmed to The Associated Press on Saturday that the attacker is Egyptian-born Abdullah Reda Refaie al-Hamahmy, who is 28, not 29 as widely reported.
The official said an initial investigation in Egypt found no record of political activism, criminal activity or membership in any militant group by him. The official spoke on condition of anonymity because he was not authorized to brief the media.
French authorities said they are not yet ready to name the suspect, but confirmed they thought he was Egyptian.
The suspect was believed to have been living in the United Arab Emirates and came to Paris on Jan. 26 on a tourist visa, prosecutor Francois Molins said. The suspect bought two military machetes at a gun store in Paris and paid 1,700 euros ($1,834) for a one-week stay at a Paris apartment in the chic 8th arrondissement, near the Champs-Elysees Avenue.
On the Twitter account of an “Abdallah El-Hamahmy,” a tweet was posted about a trip from Dubai to Paris on Jan. 26. In the profile photo, Hamahmy is seen smiling and leaning against a wall in a blue-and-white sports jacket. Read the rest of this entry »
Posted: February 2, 2017 Filed under: Art & Culture, Entertainment, Mediasphere | Tags: Cinema, Film, Ghost in the Shel, Movies, Scarlett Johansson, Science fiction, SciFi, Super Bowl
Posted: February 2, 2017 Filed under: Art & Culture, Comics, Entertainment | Tags: design, Illustration, Mystery, Paperback, Science fiction, SciFi, Thriller, typography, vintage
Source: Sci-fi Covers
Posted: February 2, 2017 Filed under: Art & Culture, Entertainment, Mediasphere | Tags: 1980s, Frank Zappa, Jazz, Live Music, Live Performance, Music, Rock, video, Whippin' Post