Just weeks after Debbie Reynolds’ death at age 84, the legendary entertainer’s most famous movie is dancing back onto the silver screen for a limited engagement. Singin’ in the Rain will screen Sunday, Jan. 15, and Wednesday, Jan. 18, in theaters nationwide as the first film in this year’s TCM Big Screen Classics series.
Reynolds landed her breakout role in the 1952 musical, playing a budding actress caught up in Hollywood’s transition from the silent era to the talkies. Though she had no dancing experience at the time, then-18-year-old Reynolds held her own with the likes of Gene Kelly and Donald O’Connor in numbers like “Good Morning” and “You Were Meant for Me.”
Media artist Akinori Goto designed this fun 3d-printed zoetrope that when lit from the side reveals walking people. The piece was just on view at the Spiral Independent Creators Festival where it won both the Runner-up Grand Prix and the Audience Award. Video above from Tokyo Art Beat. (via Prosthetic Knowledge)
In honor of the holiday for the Year of the Rooster, the resort is presenting a spectacular series of entertainment programs, seasonal food and beverage offerings, lucky bags and holiday-themed shopping experiences, it said.
The Chinese Lunar New Year, or the Spring Festival, falls on Jan. 28. Chinese have a weeklong holiday for the most important festival of the year.
Throughout the Spring Festival season, the highlight in Shanghai Disneyland will be the nightly program, “Ignite the Dream: A Nighttime Spectacular of Magic and Light” followed by a special event featuring new year wishes from tourists. Read the rest of this entry »
It would have A. driven his opponents, haters, and enemies crazy. What did he mean? Is that all? What will Meryl Streep say now? Better still, it would have neutralized the controversy, tempered the division, honored her contribution to entertainment, confirmed that both of them are winners, while demonstrating non-newsworthy, off-the-rack, standard-issue presidential courtesy.
STATE OF CULTURE: 36,500,000 Watched NFL Wild Card Game On FOX Last Night. 16,800,000 Watched The ‘GOLDEN GLOBES’… pic.twitter.com/ouNDqT7ee9
— MATT DRUDGE (@DRUDGE) January 9, 2017
The social critic and academic blames 1960s disruptions of gender roles (and not the entertainment industry) for Madonna’s and J. Lo’s difficulty letting go of their youth as she chastises them to “stop cannibalizing the young.”
Camille Paglia writes: In December, at the Billboard Women in Music Awards in New York City, Madonna was given the trophy for Woman of the Year. In a rambling, tearful acceptance speech that ran more than 16 minutes, she claimed to be a victim of “blatant misogyny, sexism, constant bullying and relentless abuse.”
It was a startling appropriation of stereotypical feminist rhetoric by a superstar whose major achievement in cultural history was to overthrow the puritanical old guard of second-wave feminism and to liberate the long-silenced pro-sex, pro-beauty wing of feminism, which (thanks to her) swept to victory in the 1990s.
Madonna’s opening line at the awards gala was edited out of the shortened official video: “I stand before you as a doormat — oh, I mean a female entertainer.” Merciful Minerva! Can there be any woman on Earth less like a doormat than Madonna Louise Ciccone? Madonna sped on with shaky assertions (“There are no rules if you’re a boy”) and bafflingly portrayed the huge commercial success of her 1992 book, Sex, as a chapter of the Spanish Inquisition, in which she was persecuted as “a whore and a witch.”
I was singled out by name as having accused her of “objectifying” herself sexually (prudish feminist jargon that I always have rejected), when in fact I was Madonna’s first major defender, celebrating her revival of pagan eroticism and prophesying in a highly controversial 1990 New York Times op-ed that she was “the future of feminism.”
Crawford exhibits “crazed willpower and misery in her facial muscles,” says Paglia. Getty Images
But I want to focus here on the charge of ageism that Madonna, now 58, leveled against the entertainment industry and that received heavy, sympathetic coverage in the mainstream media. Her grievances about the treatment of women performers climaxed with this: “And finally, do not age, because to age is a sin. You will be criticized, you will be vilified and you will definitely not be played on the radio.”
First of all, lack of radio airplay may indeed hamper new or indie groups, but in this digital age, when songs go viral in a flash, rich and famous performers of Madonna’s level fail to get airplay not because of their age, but because their current music no longer is attracting a broad audience. When was the last time Madonna released hit songs of the brilliant quality of her golden era of the 1980s and ’90s? Lavish, lucrative touring rather than sustained creative work in the studio has been her priority for decades. Read the rest of this entry »
Donald Trump has made no secret of the fact that he intends to rip up Barack Obama’s legacy when he takes office – ending the Trans-Pacific Partnership, redrawing Obamacare and loading up Guantanamo with “some bad dudes”.
However, one expected action is likely to be less controversial, certainly in Britain: that of restoring the bust of Winston Churchill to the Oval Office.
Mr Trump, who has frequently professed his admiration for Britain’s wartime leader, was asked earlier this week whether he was considering returning the bust, sculpted by Jacob Epstein, to the White House.
“I am, indeed, I am,” he said, during an interview at the New York Times, at which he was sitting in front of a picture of Churchill.
Mr Obama replaced the Churchill bust with one of Martin Luther King in the Oval Office in 2009, soon after he took over the presidency, causing outrage on both sides of the Atlantic.
Boris Johnson controversially wrote earlier this year, while he was Mayor of London, that Mr Obama’s decision to send the bust back to the British embassy in Washington had been a “snub to Britain”.
Mr Johnson, who is now Foreign Secretary, suggested it might have been linked to Mr Obama’s “ancestral dislike of the British Empire”.
However, Mr Obama later explained that he had a second sculpture of Churchill, who had an American mother and was the only person ever granted an honourary US passport, in his private quarters.
The revenue from the world’s second-largest movie market accounted for 13 percent of the $13.5 billion generated by the top 20 movies from U.S. studios.
The revenue from the world’s second-largest movie market accounted for 13 percent of the $13.5 billion generated by the top 20 movies from U.S. studios, according to a Reuters analysis of data from tracking firm Box Office Mojo. That was triple the 4 percent level five years ago.
The numbers illustrate China’s growing importance to U.S. studios such as Walt Disney Co’s (DIS.N) Disney Studios, Time Warner Inc‘s (TWX.N) Warner Bros. and Comcast Corp’s (CMCSA.O) Universal Pictures.
While China’s booming box office growth stalled this year in single digits, the country remains vital for Hollywood studios, box office analysts said. In 2016, China overtook the United States as the country with the largest number of movie screens.
Most of the top Hollywood movies would have reached the top of the film charts without China. But the additional revenue is significant, especially for blockbuster films that can cost $200 million or more to make.
“You can grab an extra hundred million (dollars) of revenue from the Chinese market,” said Jonathan Papish, film industry analyst for China Film Insider. “You can’t do that anywhere else in the world.”
Walt Disney Co’s (DIS.N) animated “Zootopia,” known in China as “Crazy Animal City,” was Hollywood’s biggest hit there, with $236 million in ticket sales, and ranked as the third-highest-grossing movie worldwide. China’s film authorities extended the movie’s theatrical run by two weeks beyond the typical 30 days for foreign films. Read the rest of this entry »
When I go to the cinema lately, I’ll admit, it does feel nostalgic, almost as if I’m doing something like they did “in the old days”– and my local cinema isn’t even a charming independent one. Should we blame it on Netflix? From our smartphones to internet-abled TV, today we have more entertainment options at our fingertips all the time, than ever before. Netflix has over 85 million members and operates in more than 190 countries worldwide. You’d like to think that cinemas will never disappear, but are you sure they really won’t?
If it did happen, at least German-born photographer Stephan Zaubitzer will have documented most of what we lost. In an ongoing archive of photographs, Stephan has been taking pictures of cinemas in city centers around the world, endlessly fascinated by their dark interiors and outlandish architecture that always stands out from their urban surroundings.
It all started in Morocco in 2003 when his flight was delayed in Burkina Faso and so he went out into the city to explore and began photographing the city’s movie theatres. The rest is history– and a lot of its fascinating old cinemas….(read more)