Frank Underwood is many things: A husband. A politician. A duplicitous, machiavellian psychosexual deviant with a bloodlust for power. A purveyor of fine Carolinian barbecue. Opening just for him at 7:30AM is Freddy’s Ribs, a southern barbecue joint that we can surmise is serving ‘cue up in the style of Underwood’s hometown of Gaffney, South Carolina. Just in time for Father’s Day, here’s three different means by which to achieve that genuine Southern barbecue, even from the confines of a 4th-story walkup. Read the rest of this entry »
The financial company that installed the “Fearless Girl” statue on Wall Street to help market a female mutual fund originally wanted to commission the bronze in the shape of a cow, according to an email exchange between the company’s rep and City Hall obtained by The Post.
Moo-cifully, three months before having it cast and installed opposite the existing “Charging Bull” sculpture for International Woman’s Day, it dawned on State Street Global Advisors a heifer might be misconstrued as sexist. Read the rest of this entry »
Gee whiz, artists are so sensitive!
Nick Fugallo and Max Jaeger report: City sculptor Alex Gardega — seething over the “Fearless Girl” statue being placed across from Wall Street’s “Charging Bull” — has decided to retaliate with a work of his own.
Gardega created a statue of a small dog, titled “Pissing Pug,” and his sloppily crafted pooch takes direct aim at “Fearless Girl” — or, at least, at her left leg.
“This is corporate nonsense,” Gardega told The Post of “Fearless Girl,” saying it was put opposite artist Arturo Di Modica’s famed bull as a publicity stunt by a Boston-based financial firm.
“It has nothing to do with feminism, and it is disrespect to the artist that made the bull,” he said. “That bull had integrity.”
The Upper West Side artist sniffed that he even made his dog particularly poorly just to stick it to “Fearless Girl” even more.
“I decided to build this dog and make it crappy to downgrade the statue, exactly how the girl is a downgrade on the bull,” said Gardega, who has never met the other statues’ creators. Read the rest of this entry »
A. O. Scott discusses Francis Ford Coppola’s 1974 masterpiece and the end of privacy.
Written and produced by Austin Bragg. Performed by Andrew Heaton and Austin Bragg
‘B’ Sci-Fi Cult Entertainment – Astronauts land on Venus and discover prehistoric monsters and a race of beautiful women.
Directed by …Peter Bogdanovich? Yep, that’s Peter Bogdanovich!
Brainchild of artist and actor Jack Millard causes stir along highway in Arizona
This feature documentary is a candid journey into the world of 4 young Canadian women who work as well-paid hostesses in exclusive Japanese nightclubs. Lured by adventure and easy money, these modern-day geisha find themselves caught up in the mizu shobai – the complex “floating water world” of Tokyo clubs and bars.
Drawn by fast money, some women become consumed by the lavish lifestyle and forget why they came. One hostess calls it “losing the plot.” With a pulsating visual style, Tokyo Girls captures the raw energy of urban Japan and its fascination with the new. Read the rest of this entry »
From 2004: A behind-the-scenes look back at the man himself—detached yet accessible, astute and prophetic, colorful and complex.
June 28, 2004 Issue: There they lie in their guttered drawers, projecting from the rosewood desk I had specially made for them: four yards of cards, each eight inches wide, five inches tall, most of them with his initials handwritten, headline style, in the top left-hand corner, from “rr’s birth zodiac—feb. 6, 1911” to “rr dies of pneumonia—june 5, 2004.” In between these two extremes, some eighteen thousand cards document whatever I was able to find out about thirty-four thousand of Ronald Reagan’s days. Which leaves sixteen thousand days unaccounted for. Lost leaves. “The leavings of a life,” as D. H. Lawrence might say.
“All the rhetorical arts—gesture, timing, comedy, pathos—were at his command.”
I once planned to show Reagan this card file, just to see him react as drawer after drawer rolled out yard by yard, green tabs demarcating his years, yellow tabs his careers, blue tabs his triumphs and disappointments. He could have looked down, as it were, on the topography of his biography, and seen the shoe salesman’s son moving from town to town across northern Illinois, in the teens of the last century; the adolescent achieving some sort of stability at Dixon High School in 1924; the Eureka College student and summer lifeguard through 1933; then, successively—each divider spaced farther from the next, as he grew in worldly importance—the Des Moines sportscaster and ardent New Dealer; the Hollywood film star; the cavalry officer and Air Corps adjutant; the postwar union leader and anti-Communist; the television host and corporate spokesman for General Electric; the governor of California, 1967-75; the twice-defeated, ultimately successful candidate for his party’s Presidential nomination; and, last, the septuagenarian statesman, so prodigiously carded that the nine tabs “1981” through “1989” stand isolated like stumps in snow.
He never visited my study, however, and on reflection I am glad he did not, because he might have been disturbed to see how far he had come in nearly eighty years, and how few more cards he was likely to generate after leaving the White House. Besides, I would have had to keep my forearm over a file more than a foot long, practically bristling with tabs descriptive of “rr the man.” Now that the man is no more, and subject to the soft focus of sentimental recall, a riffle through some of these tabs might help restore his image in all its color and complexity.
The first subsection deals with Ronald Reagan’s body. In 1988, at seventy-seven years of age, the President stood six feet one and weighed a hundred and ninety pounds, none of it flab. He boasted that any punch aimed at his abdomen would be jarringly repulsed. After a lifetime of working out with wheels and bars, he had broadened his chest to a formidably walled cavern forty-four inches in circumference. He was a natural athlete, with a peculiarly graceful Algonquin gait that brought him into rooms almost soundlessly. No matter how fast he moved (that big body could turn on a dime), he was always balanced.
One recalls how elegantly he choreographed Mikhail Gorbachev up the steps at the 1985 Geneva summit: an arabesque of dark blue flowing around awkward gray. Reagan loved to swim, ride, and foxtrot. (Doris Day remembers him as “the only man I ever knew who really liked to dance.”) Eleven weeks after nearly dying in the assassination attempt of 1981, he climbed onto the springboard at the Camp David swimming pool and threw a perfect half pike before anybody could protest.
Gorbachev once remarked on Reagan’s “balance” to me in an interview. But he used the Russian word ravnovesie in its wider sense, of psychological equilibrium. The President’s poised body and smooth yet inexorable motion telegraphed a larger force that came of a lifetime of no self-doubt (except for two years of despair in 1948-49, after Jane Wyman, his first wife, left him for boring her). Reagan redux did not care whom he bored, as long as nobody tried to stop him. His famous anecdotes, recounted with a speed and economy that were the verbal equivalent of balance, were persuasive on the first, and even the fourth, telling. But when you heard them for the fourteenth, or the fortieth, time, always with exactly the same inflections and chuckles and glances, you realized that he was a bore in the sense that a combine harvester is boring: its only purpose is to bear down upon and thresh whatever grain lies in its path. Reagan used homilies to harvest people.
He was always meticulously dressed in tailored suits and handmade shoes and boots. But he was neither a dandy nor a spendthrift. In 1976, he still stepped out in a pair of high-cut, big-tongued alligator pumps that predated the Cold War: “Do you realize what I paid for these thirty years ago?” His personal taste never advanced beyond the first affectations of the nouveau riche. Hence the Corum twenty-dollar-face wristwatch, the Countess Mara ties, the Glen checks too large or too pale, and a weekend tartan blazer that was, in Bertie Wooster’s phrase, “rather sudden, till you got used to it.” Yet Reagan avoided vulgarity, because he sported such things without self-consciousness. And he wore the plainer suits that rotated through his wardrobe just as unpretentiously. No man ever looked better in navy blue, or black tie.
On a card inscribed “alcohol”—his father’s cross—appears the comment of an old Hollywood friend: “Ronnie never had a booze problem, but once every coupla years, he wasn’t averse to a lot of drink. Its only effect was to make him more genial.” His face would flush after a mere half glass of Pinot Noir, giving rise to repeated rumors that he used rouge.
Actually, Reagan never required makeup, even when he was a movie actor. He didn’t sweat under hot lights: he basked in them. A young photographer who did a cover portrait of him in 1984 for Fortune told me, “When I walked into the Oval Office, I thought my career was made. He was just back from a long campaign swing, and looked terrible, all drained and lined. I hit him with every harsh spot I had, and etched out those wrinkles, figuring I’d do what Richard Avedon did to Dottie Parker. Know what? When my contacts came back from the darkroom, the old bastard looked like a million bucks. Taught me a real lesson. Ronald Reagan wasn’t just born for the camera. There’s something about him that film likes.”
Several of my cards itemize the President’s deafness. People who sat to his right imagined that they were privileged. In fact, he heard nothing on that side, having blown an eardrum during a shoot-out scene in one of his old movies. His left ear was not much better, so he relied increasingly on hearing aids, although their distortion pained him. One learned not to sneeze in his presence. When the room was crowded and voice levels rose, he would furtively switch off his sound box. I could tell from a slight frown in his gaze that he was lip-reading.
The quietness that insulated him was accentuated by severe myopia. As a boy, “Dutch” Reagan assumed that nature was a blur. Not until he put on his mother’s spectacles, around the age of thirteen, did he perceive the world in all its sharp-edged intricacy. He did not find it disorienting, as somebody who had been blind from birth might. Perhaps his later, Rothko-like preference for large, luminous policy blocks (as opposed to, say, Bill Clinton’s fly’s-eye view of government as a multifacetted montage, endlessly adjustable) derived from his unfocussed childhood.
Or perhaps the novelist Ray Bradbury, who also grew up four-eyed in small-town Illinois, has a more informed theory. “I often wonder whether or not you become myopic for a physical reason of not wanting to face the world,” Bradbury says in an oral history. Like Dutch, he competed with a popular, extrovert elder brother by “making happy things for myself and creating new images of the world for myself.” Reagan was not introverted, yet from infancy he had the same kind of “happy” self-centeredness that Bradbury speaks of, the same need to inhabit an imaginative construct in which outside reality was refracted, or reordered, to his liking. “I was completely surrounded by a wall of light,” Reagan wrote of his first venture onto a movie set. It was clear that the sensation was agreeable. Read the rest of this entry »
A video crash-up covering the political landscape of the 1960’s, featuring MLK, RFK, JFK, Malcom X, Ronald Reagan, and Barry Goldwater.
PARIS (AP) — The Louvre Museum reopened to the public Saturday, less than 24 hours after a machete-wielding assailant shouting “Allahu akbar!” attacked French soldiers guarding the sprawling building and was shot by them.
The worldwide draw of the iconic museum in central Paris, host to thousands of artworks including the “Mona Lisa,” was on full display on a drizzly winter day as international tourists filed by armed police and soldiers patrolling outside the site, which had been closed immediately after Friday’s attack.
The attacker was shot four times after slightly injuring a soldier patrolling the nearby underground mall but his injuries on Saturday were no longer life-threatening, the Paris prosecutor’s office said.
French President Francois Hollande said there is “no doubt” the suspect’s actions were a terror attack, and he will be questioned as soon as that is possible.
An Egyptian Interior Ministry official confirmed to The Associated Press on Saturday that the attacker is Egyptian-born Abdullah Reda Refaie al-Hamahmy, who is 28, not 29 as widely reported.
The official said an initial investigation in Egypt found no record of political activism, criminal activity or membership in any militant group by him. The official spoke on condition of anonymity because he was not authorized to brief the media.
French authorities said they are not yet ready to name the suspect, but confirmed they thought he was Egyptian.
The suspect was believed to have been living in the United Arab Emirates and came to Paris on Jan. 26 on a tourist visa, prosecutor Francois Molins said. The suspect bought two military machetes at a gun store in Paris and paid 1,700 euros ($1,834) for a one-week stay at a Paris apartment in the chic 8th arrondissement, near the Champs-Elysees Avenue.
On the Twitter account of an “Abdallah El-Hamahmy,” a tweet was posted about a trip from Dubai to Paris on Jan. 26. In the profile photo, Hamahmy is seen smiling and leaning against a wall in a blue-and-white sports jacket. Read the rest of this entry »
Source: Sci-fi Covers
More theater chains are installing bars to pad profits as states relax liquor laws.
Pamela McClintock reports: The drinking song “99 Bottles of Beer” has nothing on Dan Aykroyd‘s Crystal Head Vodka — at least at AMC Theatres. By Aykroyd’s count, the cinema chain has sold 110,000 special Ghostbusters cocktails since last summer using the vodka, part of a campaign by AMC to boost earnings by hundreds of millions of dollars with increased alcohol sales. “It’s been amazing,” says Aykroyd. “Overall, they’ve bought 7,200 bottles from us.”
Forget popcorn and Milk Duds. Booze is the next step in cinemas’ fight against flagging attendance. For decades, local and state laws prevented movie chains from offering alcoholic beverages in regular auditoriums. Only dine-in theaters could offer booze by securing a restaurant liquor license, while some high-end cinemas — including the Landmark and ArcLight in L.A. — offered beer and wine in designated 21-and-over auditoriums. During the past two years, 32 states have relaxed their laws, allowing theaters to serve alcohol in any auditorium.
“It is the fastest-growing amenity in our industry,” says George Patterson, senior vp food and beverage at AMC. Read the rest of this entry »
— IMDb (@IMDb) February 2, 2017
NYU Steinhardt Jazz Interview Series with Dr. David Schroeder interviews legendary guitarist, composer and bandleader John McLaughlin. December 5, 2016
[VIDEO] REWIND ‘Frederick Douglass’: Drunk History Vol. 5, with Will Ferrell, Don Cheadle & Zooey DeschanelPosted: February 1, 2017
“Talking to Myself”: A segment from The Dick Van Dyke Show, Season 3, Episode 29, 1964, “Dear Mrs. Petrie, Your Husband Is in Jail“, displaying Dick Van Dyke‘s talent for solo comedic acting. Who needs dialogue? Who needs other actors, when you can get laughs by talking to yourself? A classic moment from TV sitcom history. Directed by Jerry Paris, writing credits: Jerry Belson, Garry Marshal, Carl Reiner….(more)
BEIJING (AP) — Chinese are heading to temples and fairs to wish for an auspicious start to the Lunar New Year.
Thousands gathered at Beijing’s major temples on Saturday, the first day of the Year of the Rooster. Wearing heavy winter coats, they lit incense sticks and bowed as they prayed for good fortune and health. As many as 80,000 people were expected at the Lama Temple in central Beijing, state television reported.
Beijing’s sprawling spring festival temple fair opened at Ditan Park, where empty tree branches were festooned with red lanterns and traditional goods and foods were for sale. Read the rest of this entry »
An association of astronomers has convened to listen to the plan of Professor Barbenfouillis, their president, to fly to the moon. With the one dissenting voice quashed by Barbenfouillis and the other members, the plan is approved with Barbenfouillis choosing five others to accompany him. Most of the preparation for the trip is in building the vessel and launching mechanism, which resemble a large bullet and a large gun respectively.
Hitting the moon in the eye, the six land safely at their destination. They find that much about the moon is wonderful and fantastical, but also that much is not what they would have liked to encounter as it is life threatening. They have to find a way to get out of their alien predicament to get back home safely.
Tony Stark‘s support of government oversight for the Avengers Team can be traced to the grieving mother, Miriam. After a speech at M.I.T., Stark met Miriam who lost her son in the Sokovia. Miriam puts a face to collateral damage the Avengers leave in their wake. She indicated that her son was planning to help the world but was killed in an Avengers mission gone wrong.
Miriam suggests that Stark has innocent blood on his hands. Following the encounter, Stark works with General Thaddeus Ross to develop and sign a bill, the Sokovia Accords. Read the rest of this entry »