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‘SEX CULT!’ New York Post Cover for April 21, 2018

Source: New York Post

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[VIDEO] MONTAGE: Zuckerberg Promises ‘More AI Tools’

Amber Athey reports: Facebook founder and CEO Mark Zuckerberg has a simple solution for most of the problems presented to him by Congress: “more AI tools.”

Zuckerberg repeatedly stressed Facebook’s growing focus on artificial intelligence during his testimony Read the rest of this entry »


[VIDEO] MONTAGE: Zuckerberg Doesn’t Know — His ‘Team’ Will ‘Follow Up’ 

During Mark Zuckerberg’s appearance before two Congressional committees, it was unclear whether the Facebook CEO knew the answer to ANYTHING. Don’t worry though, his ‘team’ will be sure to follow-up.


‘WE OWN YOU: Pay Us For Your Privacy’: New York Post Cover for April 7, 2018

Source: New York Post


Kyle Smith’s Movie Review: Ted Kennedy Exposed, Finally 

The movie isn’t a hit piece, but the history it tells is infuriating.

Kyle Smith writes: Chappaquiddick must be counted one of the great untold stories in American political history: The average citizen may be vaguely aware of what happened but probably has little notion of just how contemptible was the behavior of Senator Ted Kennedy. Mainstream book publishers and Hollywood have mostly steered clear of the subject for 48 years.

“If Chappaquiddick had been released in 1970, it would have ended Kennedy’s political career.”

Chappaquiddick the movie fills in an important gap, and if it had been released in 1970, it would have ended Kennedy’s political career. (It was only a few weeks ago that a sitting senator resigned over far less disturbing behavior than Kennedy’s.) Yet this potent and penetrating film is not merely an attack piece. It’s more than fair to Kennedy in its hesitance to depict him as drunk on the night in question, and it also pictures him repeatedly diving into the pond on Chappaquiddick Island, trying to rescue his brother Bobby’s former aide Mary Jo Kopechne (Kate Mara). He may or may not have made such rescue attempts. Moreover, as directed by John Curran (The Painted Veil), the film is suffused with lament that a man in Kennedy’s position could have been so much more than he was. Yet Ted, the last and least of four brothers, was shoved into a role for which he simply lacked the character. That the other three were dynamic leaders who died violently while he alone lived on to become the Senate’s Jabba the Hutt is perhaps the most dizzying chapter of the century-long Kennedy epic. Read the rest of this entry »


[VIDEO] REWIND: Ambassador John Bolton – The President of Red Eye


Michael Moore, Russian Tool

Derek Hunter reports: Progressive director Michael Moore participated in an anti-Trump protest in New York that was organized by Russians, according to information released Friday by Deputy Attorney General Rod Rosenstein.

Rosenstein announced indictments from Special Counsel Robert Mueller Friday against 13 Russian nationals for meddling in the 2016 election, highlighting how the Russians used social media to stir up strife and anger on social media using memes and unwitting Americans to do their bidding. One Russia-sponsored event was a protest of then President-Elect Donald Trump on Nov. 12, 2016, called “Trump is NOT my President,” and it involved Moore.

Read the rest of this entry »


‘The Twilight Zone,’ from A to Z 

J.W. McCormack writes: The planet has been knocked off its elliptical orbit and overheats as it hurtles toward the sun; the night ceases to exist, oil paintings melt, the sidewalks in New York are hot enough to fry an egg on, and the weather forecast is “more of the same, only hotter.” Despite the unbearable day-to-reality of constant sweat, the total collapse of order and decency, and, above all, the scarcity of water, Norma can’t shake the feeling that one day she’ll wake up and find that this has all been a dream. And she’s right. Because the world isn’t drifting toward the sun at all, it’s drifting away from it, and the paralytic cold has put Norma into a fever dream.

[Watch how many times J.W. McCormack packs this discussion of Twilight Zone history with unrelated partisan political whining, pro-FDR, anti-GOP revisionist history, and Paul Krugmanesque drooling, navel gazing, and various unrelated anti-Trump nonsense. Is this really about the Twilight Zone? Or just another Op-Ed column?]

This is “The Midnight Sun,” my favorite episode of The Twilight Zone, and one that has come to seem grimly familiar. I also wake up adrift, in a desperate and unfamiliar reality, wondering if the last year in America has been a dream—I too expect catastrophe, but it’s impossible to know from which direction it will come, whether I am right to trust my senses or if I’m merely sleepwalking while the actual danger becomes ever-more present. One thing I do know is that I’m not alone: since the election of Donald Trump, it’s become commonplace to compare the new normal to living in the Twilight Zone, as Paul Krugman did in a 2017 New York Times op-ed titled “Living in the Trump Zone,” in which he compared the President to the all-powerful child who terrorizes his Ohio hometown in “It’s a Good Life,” policing their thoughts and arbitrarily striking out at the adults. But these comparisons do The Twilight Zone a disservice. The show’s articulate underlying philosophy was never that life is topsy-turvy, things are horribly wrong, and misrule will carry the day—it is instead a belief in a cosmic order, of social justice and a benevolent irony that, in the end, will wake you from your slumber and deliver you unto the truth.

Elizabeth Allen and her mannequin double in “The After Hours,” 1960

The Twilight Zone has dwelt in the public imagination, since its cancellation in 1964, as a synecdoche for the kind of neat-twist ending exemplified by “To Serve Man” (it’s a cookbook), “The After Hours” (surprise, you’re a mannequin), and “The Eye of the Beholder” (everyone has a pig-face but you). It’s probably impossible to feel the original impact of each show-stopping revelation, as the twist ending has long since been institutionalized, clichéd, and abused in everything from the 1995 film The Usual Suspects to Twilight Zone-style anthology series like Black Mirror.Rewatching these episodes with the benefit of Steven Jay Rubin’s new 429-page book, The Twilight Zone Encyclopedia, (a bathroom book if ever I saw one), the punchlines are actually the least of the show’s enduring hold over the imagination; rather its creator Rod Serling’s rejoinders to the prevalent anti-Communist panic that gripped the decade: stories of witch-hunting paranoia tend to end badly for everyone, as in “The Monsters Are Due on Maple Street,” in which the population of a town turns on each other in a panic to ferret out the alien among them, or in “Will the Real Martian Please Stand Up?” which relocates the premise to a diner in which the passengers of a bus are temporarily stranded and subject to interrogation by a pair of state troopers.

Leah Waggner and Barry Atwater in “The Monsters Are Due on Maple Street ,” 1960

The show’s most prevalent themes are probably best distilled as “you are not what you took yourself to be,” “you are not where you thought you were,” and “beneath the façade of mundane American society lurks a cavalcade of monsters, clones, and robots.” Serling had served as a paratrooper in the Philippines in 1945 and returned with PTSD; he and his eventual audience were indeed caught between the familiar past and an unknown future.

[Read the full story here, at The New York Review of Books]

They stood dazed in a no-longer-recognizable world, flooded with strange new technologies, vastly expansionist corporate or federal jurisdictions, and once-unfathomable ideologies. The culture was shifting from New Deal egalitarianism to the exclusionary persecution and vigilantism of McCarthyism, the “southern strategy” of Goldwater and Nixon, and the Cold War-era emphasis on mandatory civilian conformity, reinforced across the board in schools and the media. Read the rest of this entry »


The Woke Police Have Ruined Entertainment

Johnny Oleksinski When Tina Fey’s film “Mean Girls” came out in 2004, the comedy was lauded as a silly, satirical excoriation of modern high-school life and its cliques, cafeteria antics and materialism. “Mean Girls” was a “Clueless” for the millennial age. And it was so fetch.

Fast forward to 2018. “Mean Girls” is about to begin a new life as a Broadway musicalin March. But some Broadway watchers believe the subject matter is too mean for these kinder, gentler times.

“It just might not be the moment for ‘Mean Girls,’ ” one Broadway insider told me on the condition of anonymity. “It might feel stale and tone-deaf to the critics. And while this is something that could be critic-proof, maybe not.”

The fear of offending audiences isn’t limited to musicals about bratty teens. In this oversensitive era, TV shows, Oscar-worthy movies and pop music are all under pressure to be as nice as Betty Crocker. For millennia the best art has offended, tantalized, frightened, riled up and, of course, been life-affirming. But today the American public, looking more than ever like Soviet Russia, has just one rule for entertainers: Don’t rock the boat.

During last Sunday’s Super Bowl halftime show, singer Justin Timberlake barely rocked his hips. The former boybander is responsible for the most famous sex stunt in the history of the event — Janet Jackson’s 2004 nipple-baring “wardrobe malfunction.” Read the rest of this entry »


2018 Grammy Ratings Sink From Recent Years

It’s a demo low for the telecast, as it still skews young and the audience drops by 24 percent.

Michael O’Connell reports: Sunday’s Bruno Mars-loving Grammy Awards took a dramatic ratings spill, fetching the smallest demo audience in the show’s history.

The telecast, which ran a bloated three-and-a-half hours, was off by 24 percent from 2017 with adjusted numbers. With time zone adjustments taken into account, the telecast averaged 19.8 million viewers and a 5.9 rating among adults 18-49. The second stat marked a low for the show. Among total viewers, that number was down even more than overnight returns from Nielsen Media that it a 12.7 rating among households. It’s the biggest drop for the Grammys since the 2013, the year after the show swelled following the death of Whitney Houston.

The 2017 overnight ratings for the Grammy Awards didn’t paint the most accurate portrait of their year-over-year performance. The 16.0 rating among households, steady with 2016, ended up translating to a not-insignificant gain of 1 million viewers. Those Grammys were the best in two years, averaging just north of 26 million viewers and earning a 7.8 rating among adults 18-49. Read the rest of this entry »


Harvey Weinstein Sells Hamptons House at $1.4 Million Loss Amid Divorce from Georgina Chapman 

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Weinstein Loses $1.4 Million on Hamptons Estate.

Disgraced producer Harvey Weinstein settled on a $10 million sale price for a Hamptons mansion he bought three years ago for $11.4 million

The hits just keep coming for publicly pilloried and legally embattled film and television super-producer Harvey Weinstein and his red carpet gown designer soon-to-be-ex-wife Georgina Chapman who took a staggering $1.4 million loss, not counting carrying costs, improvement expenses and real estate fees, on the sale of a bay front mansion in the sleepy Hamptons community of Amagansett, New York.

The May-December former couple, he’s nearly 25 years her senior, settled on a sale price of $10 million for the estate they purchased in June 2014 for $11.4 million from nine-time Tony winning Broadway producer Roy Furman (“Spamalot,” “The Book of Mormon” and the recent revival of “Hello, Dolly”). Read the rest of this entry »


‘OH, CRAP!’: New York Post Cover for January 13, 2018


‘There Are More Than Two Genders,’ Tortured Employee Forced To Say In Darkened Room At Google Headquarters

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MOUNTAIN VIEW, CA—In a darkened room labeled “101” deep within Google’s Mountain View headquarters, an outed conservative employee was forced to say there are more than two genders after a long period of torture.

The man was tortured for hours, arguing the objective reality of two genders, being told he was “mentally deranged” and suffering from “a defective worldview” before finally giving in.

“Do you remember writing in an email that there are only two genders?” he was asked while strapped to a table. “What if Google says there are three?”

“How can I help it? How can I help but see what is in front of my eyes? Two genders are two genders!” the man cried through tears as his torturer, a Google project lead, held up a picture of a man and a woman, according to surveillance footage.

“Sometimes. Sometimes there are two. Sometimes there are three. Sometimes there are any number of them at once. You must try harder. It is not easy to become sane,” the project lead replied coldly before administering another round of electric shocks into the man’s brains. Read the rest of this entry »


BANNONOCALPYSE: Bannon Booted from Breitbart

 


‘NOPRAH! Do We Really Need Another Celeb President?’ NY Post Cover for Jan 9, 2018

Source: Covers | New York Post


Standing Up to Sexism: Iliza Shlesinger Sued Over Women’s Only Comedy Show 

Tyler McCarthy reports: Former “Last Comic Standing” winner Iliza Shlesinger is reportedly being sued after hosting a comedy show in Los Angeles that didn’t allow men to attend. Now, she’s facing rhetoric likening one man’s incident to the Civil Rights movement.

The Hollywood Reporter obtained legal documents in which a man named George St. George alleges he purchased two tickets to the comedian’s Nov. 13 show, titled “Girls Night In WIth Iliza — No Boys Allowed.” When he arrived to pick them up at will call, he was told that he would have to sit in the back of the theater because of his gender. He and a friend went to get food and, when they returned, were told that Shlesinger and the theater had decided that no men would be admitted to the show, and they were offered a refund for their ticket.

“Girls’ Night In is a hybrid stand up show and interactive discussion between Iliza and the women in the audience aimed at giving women a place to vent in a supportive, fun and inclusive environment,” the event’s description reads. “She invites women of all walks of life to come, laugh with her and at her and be ready to share and feel safe for an awesome night of comedy and love.” Read the rest of this entry »


Rose Marie Dies; Actress Had Career Spanning Film, TV, Broadway, Radio & Nightclubs

Bruce Haring reports: Actress Rose Marie, whose trademark hair bow is in the Smithsonian and who had a long career spanning TV, Broadway, films, nightclubs and as a Hollywood Square, has died. She was 94 and passed away in Van Nuys, CA.

She was best known for her role as comedy writer Sally Rogers on TV’s The Dick Van Dyke Show, trading barbs with the boys club in quick-witted fashion after joining the show in 1961. After five seasons, she moved on to The Doris Day Show.

She received a star on the Hollywood Walk of Fame in October of 2001, later releasing a best-selling memoir, Hold the Roses, in 2006.

Born Rose Marie Mazzetta on Aug. 15, 1923, the same day when Broadway musical Rose-Marie opened, she started her career at age 3 by winning an amateur talent show as Baby Rose Marie.

She later segued to radio, becoming a popular guest star and eventually getting her own program on NBC. She also was a recording artist for Mercury Records. The popularity led her to a film career, where she appeared in some of the earliest talkies, including the 1929 short Baby Rose Marie the Child Wonder. 

Marie appeared in several Paramount pictures, including International House and Big Broadcast of 1935.

Read the rest of this entry »


NORAD’s Crazy Santa Cause 

An inside look at the single largest public outreach program for the Department of Defense — and the Pentagon’s most elaborate propaganda operation.

But the number printed in the newspaper in December 1955 had a digit wrong — and was instead the direct line into the secret military nerve center in Colorado Springs, Colo., where the Pentagon was on the lookout to prevent nuclear war. The Air Force officer and World War II fighter pilot who took the first call that day for Father Christmas thought it was a crank — and Col. Harry Shoup sternly said so.

“The little kid started crying,” Shoup’s daughter, Terri Van Keuren, recalled in an interview. “So Dad went into his ‘Ho ho ho’ and got the kid’s list.”

Sixty-two years later, the Continental Air Defense Command is now the North American Aerospace Defense Command, and its interactive NORAD Tracks Santa has become the largest single public outreach program for the Defense Department. It’s also, you might say, the Pentagon’s most elaborate propaganda operation.

Air Force Lt. Col. David Hanson, of Chicago, takes a phone call from a youngster in Florida at the Santa Tracking Operations Center at Peterson Air Force Base near Colorado Springs, Colo., on Friday, Dec. 24, 2010. Volunteers take as many as 80,000 phone calls from youngsters and adults around the world with questions about Santa and his travels. Lots of military secrets are hidden behind the gleaming walls of NORAD’S headquarters building, including this one: Just how do they get Santa’s flight path onto their computer screens every Christmas Eve?Tracking Santa’s travels is a celebrated tradition at the North American Aerospace Command, and it unfolds Friday for the 55th year. (AP Photo/Ed Andrieski)

On Christmas Eve, while monitoring the heavens for North Korean missile launches or Russian military aircraft flying too close to the U.S. or Canada, NORAD will also be reporting the progress of Santa and his reindeer as they travel from the North Pole around the world delivering presents and holiday cheer. It will correlate the jolly elf’s journey with its network of 47 radar stations, spy satellites in “geosynchronous” orbit 22,300 miles above the earth, fighter jets and a suite of special high-tech “SantaCams.” Or so the publicity stunt’s plan goes.

“The moment our radar tells us that Santa has lifted off, we begin to use the same satellites that we use in providing warning of possible missile launches aimed at North America,” says NORAD’s detailed 14-page internal handbook for the operation, which is replete with Santa stats (first flight believed to be Dec. 24, 343 A.D.) and even talking points for that uncomfortable question many parents also confront: “Is there a Santa Claus?”

[Read the full story here, at POLITICO]

It’s all part of the ornamented script that more than 1,500 volunteers — including the four-star general in charge of defending North America — are using to field an anticipated 150,000 calls and an avalanche of emails and social media posts (2 million Facebook followers so far) who are all seeking to locate Ole St. Nick on his starlight odyssey.

“As soon as you’re hanging up there’s another kid wanting to talk to you,” Preston Schlachter, NORAD’s Track Santa program manager and its director of community outreach, said of the 23-hour period leading up to Christmas when volunteers work in two-hour shifts, backed up by dozens of sponsors ranging from Microsoft to the National Defense Industrial Association, Taco Bell and the local Amy’s Donuts in Colorado Springs.

In the past, VIPs like former first lady Michelle Obama have also taken a turn at the phones.

“It is the best two hours you’ll ever experience,” Schlachter added in an interview. “You are getting these calls from all over the world. One of the coolest things I like about the program is the multi-generational aspect of it. We are seeing feedback on social media, people who call in and tell us they tracked Santa when they were kids and they’ve introduced it to their kids and now they’re introducing it to their grandkids.” Read the rest of this entry »


OH YES SHE DID: Meryl Streep Targeted by Street Artists With ‘She Knew’ Posters

The posters appeared in several locations in Los Angeles.

In posters that appeared in several locations in Los Angeles on Tuesday, Meryl Streep was seemingly depicted as a Harvey Weinstein enabler by anonymous street artists.

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Posters hung early in the morning, before the sun came up, feature an image of Streep next to Weinstein with a red strip across her face with the text “She knew,” an apparent reference to Weinstein’s alleged sexual abuse of women over the course of decades.

The posters are a riff on the work of artist Barbara Kruger, whose signature text in red banners has been adapted and copied for decades.

unnamed-embed_1 Read the rest of this entry »


[VIDEO] ‘The Simpson’s’ Predicted 19 Years Ago That Disney Would Buy 20th Century Fox 

Did an episode of ‘The Simpsons’ from 19 years ago predict the future? It shows the entrance to 20th Century Fox’s movie studios with fine print below the logo that reads “A Division Of Walt Disney Company.” The episode is coming to light after Disney purchased 21st Century Fox for $52.4 billion Thursday morning. The deal includes Fox’s 39 percent stake in satellite broadcaster Sky and the 20th Century Fox film studio, Disney announced. It’s not the first time the show has had a crystal ball.


[VIDEO] #NetNeutrality Sign Falls Down and Knocks Democratic Congressman Off Stage 


PERVOCALYPSE: Dustin Hoffman Accused of Exposing Himself to a Minor, Assaulting Two Women

Cori Thomas was in high school when she says Dustin Hoffman exposed himself to her in a hotel room.

“He came out of the bathroom with a towel at first wrapped around him, which he dropped. He was standing there naked. I think I almost collapsed, actually. It was the first time I had ever seen a naked man. I was mortified.”

Speaking to Variety, the women described predatory incidents involving Hoffman that fit into a pattern of alleged behavior that has emerged in the wake of previous sexual-misconduct claims against the now 80-year-old actor.

“I didn’t know what to do. And he milked it. He milked the fact that he was naked. He stood there. He took his time.”

— Cori Thomas

Representatives for Hoffman did not make him available to provide comment for this story. In a letter to Variety’s owner Penske Media Corp., Hoffman’s attorney Mark A. Neubauer of Carlton Fields Jordan Burt called the accusations against the actor “defamatory falsehoods.”

Thomas was 16 years old and a high-school classmate of Hoffman’s daughter Karina at the United Nations International School in New York when she met the actor in 1980. An aspiring actor, she had spent a Sunday afternoon with Karina and Hoffman walking in Manhattan — visiting the Drama Bookshop, where, she said, Hoffman bought her a copy of Edward Albee’s “The Zoo Story,” and eating dinner at Jim McMullin’s on the Upper East Side, where she had veal piccata for the first time. They also visited the San Remo on Central Park West, where Hoffman, in the midst of a divorce from his first wife, Anne Byrne, was buying an apartment. Hoffman showed Thomas and Karina the apartment, which was being renovated while Hoffman stayed at a hotel near the house that he and Byrne had shared.

Photo by Invision/AP/REX/Shutterstock. Actor Dustin Hoffman poses for photographers upon arrival at the premiere of the film 'The Meyerowitz Stories' during the London Film Festival

Photo by Invision/AP/REX/Shutterstock. Actor Dustin Hoffman poses for photographers upon arrival at the premiere of the film ‘The Meyerowitz Stories’ during the London Film Festival

“This was at first one of the greatest days of my life,” she said. “One of my idols was spending time with me and talking with me respectfully.”

[Read the full story here, at Variety]

Thomas’ parents — her father was the U.N. ambassador from Liberia — were supposed to pick her up at the restaurant. But, according to Thomas, Hoffman suggested that the three of them wait at the hotel where he was staying and leave a note for Thomas’ parents with the maitre d’ saying they had gone to the hotel. After the three arrived at Hoffman’s hotel room, “Either Karina or Dustin suggested that [Karina] should go home” to Hoffman and Byrne’s house nearby, Thomas said, “because it was a school night and she had homework. So she left, and I was left in the hotel room with him alone.”

Shortly after Karina departed, according to Thomas, Hoffman went to the restroom. She heard the shower turn on. “I was just sitting there waiting for my parents,” Thomas said.

After several minutes, “He came out of the bathroom with a towel at first wrapped around him, which he dropped,” Thomas said. “He was standing there naked. I think I almost collapsed, actually. It was the first time I had ever seen a naked man. I was mortified. I didn’t know what to do. And he milked it. He milked the fact that he was naked. He stood there. He took his time.” Read the rest of this entry »


[VIDEO] ‘The 15:17 to Paris’ Trailer [HD]


VOUGE: HRC TEENOCALYPSE


‘Perv Moore Loses in Alabama’: New York Post Cover for December 13, 2017

Source: New York Post


‘Woke Barbie’ Torches Mattel Profits, Company Anticipates ‘Margin Deterioration’ During Disappointing Christmas Holiday 

Chloe Aiello reports: Mattel anticipates “gross margin deterioration,” during what is typically the biggest shopping season of the year.

Struggling to stay afloat, Mattel released updated full year and fourth quarter guidance, anticipating a disappointing holiday season. The toy maker predicts “gross margin deterioration,” during what is typically the biggest shopping season of the year.

“The unfavorable year-over-year gross margin experienced during the first nine months of 2017 is expected to continue throughout the fourth quarter of 2017, as a result of unfavorable product mix, higher freight and logistics expense, and lower fixed cost absorption,” the company said in a filing with the Securities and Exchange Commission. “In addition, continued negative trends in top line performance for the balance of the year could result in additional gross margin deterioration as a result of higher inventory write-downs and discounts offered to clear inventory.”

Mattel said it expects its fourth quarter operating income margin to be significantly lower year-over-year, and anticipates 2017 full-year gross sales will decline by the mid-to-high single digits compared to 2016.

The revised guidance hints at worsening conditions within Mattel, which has watched its margins suffer for years from cheaper imports, competition from big box retailers and the impact of technology on toys.

“Based on preliminary quarter-to-date data for the fourth quarter, Mattel currently anticipates its gross sales during the fourth quarter of 2017 will continue to be negatively impacted by key retail partners moving toward tighter inventory management and by challenges in the Toy Box and certain under performing brands,” Mattel said in the filing. Read the rest of this entry »


Mark Hemingway: Why Liberals Have Such A Hard Time With Monstrous Men And Their Art

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While it’s not a universal truism, more often than not, bad morals make for bad art, and the unwillingness to say so produces even worse criticism.

Specifically, there’s no getting around Allen’s celebrated film “Manhattan.” Allen’s character in the film dates a 17 year-old Mariel Hemingway, as if an older man having a sexual relationship with a teenager is a perfectly normal thing to do. It certainly doesn’t seem so normal when you consider that Allen later started dating, and eventually married, the adopted teenage daughter of his then-wife Mia Farrow.

[Read the full story here, at thefederalist.com]

Dederer’s essay is worth reading for the thoughtful and self-aware things she has to say. Specifically, the downfall of others is always an invitation to look inward at our own flaws. “Even in the midst of my righteous indignation when I b-tch about Woody and Soon-Yi, I know that, on some level, I’m not an entirely upstanding citizen myself,” she writes. However, Dederer’s essay also unintentionally reveals a great many troubling blind spots about the explicitly political nature of the relationship that liberal America has with popular entertainment.

The False Choice of Bad Habits Justifying Good Art

By way of a discursive explanation, there’s this Bill Hicks bit — he can be a creative, even brilliant comedian, but I used to like Hicks a lot more when I was in high school and immature enough to think that being transgressive and angry passed for funny — about how if you had a problem with drug use you should probably just burn your record collection because drug use was so inspirational for so many musicians. The explicit point here was to force acceptance of the idea drug use is a good thing to some extent. Read the rest of this entry »


#Wheredidmattgo? Matt Lauer Apparently Quits Social Media Amid Firestorm 

#Wheredidmattgo? A day after Matt Lauer was fired by NBC the now-former Todayhost appears to have deleted all of his social media accounts and been excised from those of his ex-employer.

The online world quickly noticed today that the disgraced morning-show stalwart’s Twitter, Instagram and Facebook accounts have gone inactive. Read the rest of this entry »


[VIDEO] All About The Mahavishnu Orchestra with author Walter Kolosky

Meet Walter Kolosky, author of “The Mahavishnu Orchestra Picture Book.” Walter has written three books about the Mahavishnu Orchestra and we’ discuss the history of John McLaughlin’s group.

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To buy the iBook go to https://itunes.apple.com/us/book/maha…

To buy the Kindle Book go to https://www.amazon.com/Mahavishnu-Orc…


‘HUFF DADDY’: New York Post Cover for Sunday, November 21, 2017

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‘PERVNADO HITS ALBANY’: New York Post Cover for Sunday, November 19, 2017

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SJW Marvel No More? Disney Fires Editor in Chief; Instead of Promoting Also-an-SWJ Second in Command …

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… Disney Goes Outside the Leadership Chain to Put the “Talent Liaison” in .

AceofSpades writes: Oh, don’t believe the “SJW Marvel No More.” It’s my theory that Disney is responding to SJW attacks on its profitable movies by giving the SJWs its not-very-profitable stupid comic books.

The comics are being sacrificed on the Bonfire of the Social Justice Vanities so that the movies can keep having those damnably cisnormative, toxically-masculine straight males playing the heroes.

Men who like icky things like hammers and heavy-metal tech and vaginas and stuff.

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If you remember, Marvel Comics president Ira Perlmutter appeared with Trump to give him a check for “the veterans” when he did that counter-programming stunt, appearing at “for the vets” fundraiser in a broadcast competing with the debate he was boycotting. Ira Perlmutter does not seem then like the kind of guy to give the order to turn every straight superhero gay and replace every male superhero with a female version.

No, I’m pretty sure this is Disney. Pure corrupt leftwing Disney.

[Read the full post here, at AceofSpadesHQ]

While this transgenders-are-superheroes-if-you-think-about-it initiative was greeted by many of Marvel’s hard leftist “creators,” this really wasn’t Marvel Comics’ corporatedecision. I think the word came down from the real Corporate Masters, the leftwing ideologues of Disney, to placate the hard left by setting the comics on fire with stupidity and leftist politics. Read the rest of this entry »


‘FRANKEN SLIME’: New York Post Cover for November 17, 2017

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[VIDEO] Jonathan Haidt: The Globalist Blind-Spot

Jonathan David Haidt (born October 19, 1963) is an American social psychologist and Professor of Ethical Leadership at New York University’s Stern School of Business. His academic specialization is the psychology of morality and the moral emotions. Haidt is the author of two books: The Happiness Hypothesis: Finding Modern Truth in Ancient Wisdom (2006) and The Righteous Mind: Why Good People are Divided by Politics and Religion (2012). Read the rest of this entry »


‘Justice League’: Film Review

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Wonder Woman bails out a battle-fatigued Batman and Superman in Warner Bros.’ latest DC Comics-derived extravaganza.

Todd McCarthy writes: The increasingly turgid tales of Batman and Superman — joined, unfortunately for her, by Wonder Woman — trudge along to ever-diminishing returns in Justice League. Garishly unattractive to look at and lacking the spirit that made Wonder Woman, which came out five months ago, the most engaging of Warner Bros.’ DC Comics-derived extravaganzas to date, this hodgepodge throws a bunch of superheroes into a mix that neither congeals nor particularly makes you want to see more of them in future. Plainly put, it’s simply not fun. Batman v Superman: Dawn of Justice grossed $872.7 million worldwide last year, apparently about enough to justify its existence, and the significant presence of Gal Gadot as Wonder Woman in this one might boost its returns a bit higher than that.

Fatigue, repetition and a laborious approach to exposition are the keynotes of this affair, which is also notable for how Ben Affleck, donning the bat suit for the second time, looks like he’d rather be almost anywhere else but here; his eyes and body language make it clear that he’s just not into it. For his part, Henry Cavill’s Superman, left for dead and buried in 2016’s Batman v Superman: Dawn of Justice (we see the grave of Clark Joseph Kent more than once), isn’t resurrected until the second half, and it takes considerably more time for him to snap into action.

That leaves things mostly in the capable hands of Wonder Woman, who’s just as kick-ass as she was this summer but in a less imaginative, one-note way. The good news is that Jesse Eisenberg’s embarrassingly misguided Lex Luthor from the previous outing is nowhere to be seen.

So what are we left with here? With all the characters that need to be introduced, the virtually humor-free script by Chris Terrio and Joss Whedon (who was brought on to complete directing duties after Zack Snyder had to leave for family reasons) less resembles deft narrative scene-setting than it does the work of a bored casino dealer rotely distributing cards around a table. Everyone is very downcast in the wake of Superman’s unimaginable fate and there’s naturally a new villain threatening to bring the world to an end, a big meanie named Steppenwolf (voiced by Ciaran Hinds). So Bruce Wayne, with Diana Prince’s assistance, must put together a new team to save the world yet again. Read the rest of this entry »


‘People Are Wondering How Harvey Can Live with Himself … The Answer is … a Lot of Drugs’

” …people are wondering how Harvey can live with himself after all he’s done — the years of sexually predatory behavior. The answer is: with the help of a lot of drugs.”

Emily Smith writes: Movie mogul Harvey Weinstein was spotted aboard a commercial flight in first class with a huge haul of prescription drugs.

As revealed exclusively on “Page Six TV” Thursday, Weinstein was photographed opening a sturdy silver case filled with an astonishing amount of prescription pill bottles and medications as he sat in first class on a plane at New York’s John F. Kennedy International Airport in December last year before his sexual harassment scandal broke — in full view of other passengers and the flight crew.

The source, who gave the picture exclusively to Page Six, said, “Many people are wondering how Harvey can live with himself after all he’s done — the years of sexually predatory behavior. The answer is: with the help of a lot of drugs.”

The source said that when another passenger on the plane who recognized Weinstein asked about his impressive pharmaceutical stash, Weinstein explained, “Oh, I’ve got a cold.”

A different source familiar with Weinstein over the years told us, “He always had that briefcase of drugs. He carries his whole medicine cabinet with him — even stuff he isn’t taking at the time.” Read the rest of this entry »


38 Women Have Come Forward to Accuse Director James Toback of Sexual Harassment 

Director James Toback told women that he could put them in movies. But then, they say, he sexually harassed them.

 reports: He prowled the streets of Manhattan looking for attractive young women, usually in their early 20s, sometimes college students, on occasion a high schooler. He approached them in Central Park, standing in line at a bank or drug store or at a copy center while they worked on their resumes.

His opening line had a few variations. One went: “My name’s James Toback. I’m a movie director. Have you ever seen ‘Black and White’ or ‘Two Girls and a Guy’?”

Probably not. So he’d start to drop names. He had an Oscar nomination for writing the Warren Beatty movie “Bugsy.” He directed Robert Downey Jr., in three movies. The actor, Toback claimed, was a close friend; he had “invented him.” If you didn’t believe him, he would pull out a business card or an article that had been written about him to prove he had some juice in Hollywood. That he could make you a star.

But first, he’d need to get to know you. Intimately. Trust him, he’d say. It’s all part of his process.

NEW YORK, NY – JUNE 11: (L-R) Producer, writer and director Michael Moore and writer, director and actor James Toback attend Museum of the Moving Image Inaugural Envision Award Gala Dinner at Museum of the Moving Image on June 11, 2013 in New York City. (Photo by Monica Schipper/Getty Images)

Then, in a hotel room, a movie trailer, a public park, meetings framed as interviews or auditions quickly turned sexual, according to 38 women who, in separate interviews told the Los Angeles Times of similar encounters they had with Toback.

During these meetings, many of the women said, Toback boasted of sexual conquests with the famous and then asked humiliating personal questions. How often do you masturbate? How much pubic hair do you have? He’d tell them, they said, that he couldn’t properly function unless he “jerked off” several times a day. And then he’d dry-hump them or masturbate in front of them, ejaculating into his pants or onto their bodies and then walk away. Meeting over.

The women’s accounts portray James Toback as a man who, for decades, sexually harassed women he hired, women looking for work and women he just saw on the street. The vast majority of these women — 31 of the 38 interviewed — spoke on the record. The Times also interviewed people that the women informed of the incidents when they occurred.

Actor Alec Baldwin, left, speaks with director James Toback during a photo call for the film Seduced and Abandoned at the 66th international film festival, in Cannes, southern France, Tuesday, May 21, 2013. (AP Photo/Lionel Cironneau)

As is often the case, none of them contacted the police at the time. When contacted by The Times, Toback denied the allegations, saying that he had never met any of these women or, if he did, it “was for five minutes and have no recollection.” He also repeatedly claimed that for the last 22 years, it had been “biologically impossible” for him to engage in the behavior described by the women in this story, saying he had diabetes and a heart condition that required medication. Toback declined to offer further details.

The women interviewed during The Times’ investigation offered accounts that differed from Toback’s recollections.

“The way he presented it, it was like, ‘This is how things are done,’” actress Adrienne LaValley said of a 2008 hotel room encounter that ended with Toback trying to rub his crotch against her leg. When she recoiled, he stood up and ejaculated in his pants. “I felt like a prostitute, an utter disappointment to myself, my parents, my friends. And I deserved not to tell anyone.”

“In a weird sense, I thought, ‘This is a test of whether I’m a real artist and serious about acting,’” remembered Starr Rinaldi, who was an aspiring actress when Toback approached her in Central Park about 15 years ago. Read the rest of this entry »


Judgment Day: Harvey Weinstein Scandal Could Finally Probably Won’t Change Hollywood’s Culture of Secrecy

(Photo by Ray Tamarra/GC Images)

and report:  Harvey Weinstein’s implosion has been cathartic for Lauren Sivan, one of the dozens of women who have come forward in recent days alleging that the once-celebrated mogul was a serial sexual harasser and abuser. It’s a moment of justice and public condemnation that seemed all but impossible to imagine mere weeks ago when Weinstein enjoyed a position as one of the most powerful figures in media, a skilled operator whose connections stretched from Capitol Hill to Wall Street and whose sense of entitlement knew no bounds.

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“You reap what you sow,” says Sivan. “I know that he believed for years that he was untouchable, and a lot of people helped him be untouchable.”Weinstein’s precipitous fall has been stunning, if not a long time coming. He’s been fired from his own company, ostracized by his longtime friends and collaborators in the entertainment industry, transformed from power player to butt of late-night talk-show jokes, ditched by his wife and abandoned by the Democratic political leaders who once coveted his endorsement. The Weinstein Co. is weighing a sale to Colony Capital.

Along with Bill Cosby, Roger Ailes, Bill O’Reilly and L.A. Reid, Weinstein is a sign that the old methods that stars and top executives used to cover up their sins isn’t working. Their praetorian guards of lawyers and spin-makers, their penchant for paying hush money to victims and making them sign draconian nondisclosure agreements that prevent them from going public, can no longer buy silence.

[Read the full story here, at Variety]

Hollywood’s veil of secrecy has been pierced, and such complicity and enabling may no longer be tolerated in a company town that has long protected its own.

“We are shining a bright light on aggressors and powerful offenders as an example to every other employee out there,” says TV commentator Wendy Walsh, one of O’Reilly’s accusers.

CREDIT: PETER STRAIN FOR VARIETY

As the chorus of accusers grows daily and as Weinstein finds himself isolated and abandoned by the A-list stars and directors he once claimed as friends, the conversation in Hollywood is pointing to a major shift. The hope in the industry is that the alleged abhorrent behavior by Weinstein and the other perpetrators will trigger some genuine soul-searching across the entertainment business and beyond.

Instead of simply inspiring big names in the industry to release anodyne statements that are light on substance and heavy on synonyms for deplorable, there’s an urge to have a deeper conversation about how to improve the climate and culture in Hollywood so whistle-blowers are supported and predators aren’t rewarded with corner offices, private jets and a license to operate with impunity. Read the rest of this entry »


The Dead Parrot Flaccid Penis Caper: ‘It’s Garry Shandling’s Show’ Writer Janis Hirsch

Comedy Writer Reveals Lurid Details of Harassment on Set — and Why It Cost Her a Job.

Janis Hirsch writes: In 1986, after only three or four years in Los Angeles, Garry Shandling called to offer me a job on his new show. I don’t remember how I knew Garry well enough for him to call me, but whenever I’d run into him at Hugo’s, we’d share a laugh or two, and once he asked me if I could help him find a snake man. Even though I lived in a snake-free condo, I found him one. And not to brag, but this was before Google.

Anyway, he offered me a job on Showtime’s It’s Garry Shandling’s Show, and even though all I knew was the title, that was enough for me. It started out as a lot of fun. A bunch of cool, smart guys and me working on a show where Garry didn’t just break the fourth wall but rode around behind it in a golf cart.

Once we got on the air, we were golden. I was, at any rate; I wrote two of first six episodes, both of which got a nice write-up in the L.A. Times, both of which said nice things about me, the writer, the only woman on staff. What could possibly go wrong?

The guys started excluding me from meetings: “Oh, we couldn’t find you”…at my desk. Then they started excluding me from the table, instead assigning me “the slit scenes” to write. Even though these scenes were the ones that featured the only female castmember, it didn’t occur to me exactly what slit they were referring to until one day in the ladies room.

[Read the full story here, at Hollywood Reporter]

My mantra became, “I won’t cry until I get home.” It was amended to “I won’t cry until I get into the parking lot,” which became “I won’t cry until I get into the stairwell,” which morphed into “Fuck, I’m crying.’

One day, I was sitting in Garry’s office across the desk from him. A few of the writers and one of the actors were in the room, too. I felt a tap on my shoulder, I turned, and there was that actor’s flaccid penis draped on it like a pirate’s dead parrot. Riotous laughter ensued from all but one of us. Read the rest of this entry »


[PHOTO] RAW: Trump Sashimi