For over half a century, New York City’s Four Seasons restaurant has been a place where Picasso meets the power lunch.
“I’ve seen a tremendous amount of reservations, a tremendous number of people coming to see the Picasso for the final time.”
But the pairing between one of the artist’s biggest paintings and one of New York’s most illustrious eateries is due to end Sunday. The unusual artwork – a painted stage curtain – is to be eased off its wall and moved to a museum.
“It’s spectacular. It’s huge, it’s colorful, it’s meaningful. I mean, it’s an outstanding artist.”
- BOOKS: A True Picture of Picasso (punditfromanotherplanet.com)
- Picasso’s Unmovable Feast: Pablo Picasso’s most readily accessible painting isn’t in a museum… (punditfromanotherplanet.com)
- Picasso Painting Reveals Hidden Man (punditfromanotherplanet.com)
- Comrade Picasso: The man and the political myth (punditfromanotherplanet.com)
- The Picasso Effect (punditfromanotherplanet.com)
There’s no room in Long Island for this pregnant Virgin Mary
A 33-foot-tall bronze statue of a naked, pregnant woman that stands on real estate mogul Aby Rosen’s luxurious Old Westbury property has been covered in black after neighbors complained that the artwork was disrupting their “bucolic views.”
“It’s out of character with the neighborhood.”
— Mayor Fred Carillo
The immaculate piece was conceived by British artist Damien Hirst and features a walking woman whose skin has been ripped away from the right side of her body, exposing skull, muscles and her fetus.
Old Westbury Mayor Fred Carillo said residents were “up in arms” about the statue.
He’s received half a dozen letters of complaint about the statue, and the village is considering a new height restriction for statues that would boot Mary out of sight. Read the rest of this entry »
“I don’t want to be the judge who has a Picasso destroyed”
“Le Tricorne” is a 19-foot-tall canvas that Picasso painted in 1919 for Sergei Diaghilev‘s Ballets Russes. It was originally used as a curtain for “The Three-Cornered Hat,” a now-classic ballet composed by Manuel de Falla and choreographed by Léonide Massine for which Picasso designed the sets and costumes. John Richardson, Picasso’s biographer, considers the décor for the ballet to be his “supreme theatrical achievement,” and the curtain is a priceless relic, one of the last surviving souvenirs of the most influential ballet company of the 20th century. Forty years after Picasso painted it, Philip Johnson incorporated “Le Tricorne” into his plans for the Four Seasons Restaurant, which is located in Mies van der Rohe‘s Seagram Building, a 38-story skyscraper that is itself a classic of modern architecture. Ever since the Four Seasons opened in 1959, “Le Tricorne” has hung in the entryway, where it can be seen not only by patrons but by passers-by. The interior of the Four Seasons was designated as a landmark in 1989, meaning that it can’t be altered without official approval.
End of story…right? Not even close.