The Quotable Al Pacino
Posted: December 1, 2016 Filed under: Art & Culture, Entertainment, Humor | Tags: Al Pacino, Hair, Hollywood, Parody, quotes, satire, Show Business, Style, The Godfather, Vanity, Washington Post Leave a comment‘I Understand You Found Paradise in America’
Posted: November 12, 2015 Filed under: Art & Culture, Entertainment, Mediasphere | Tags: 1970s, Al Pacino, Cinema, Don Corleone, Films, Francis Ford Coppola, Hollywood, Marlon Brando, Michael Corleone, Paramount Studios, Robert Duvall, The Godfather, The Mafia, Tumblr, vintage, Vito Corleone Leave a comment[PHOTO] Wrong Movie Quotes
Posted: March 7, 2015 Filed under: Art & Culture, Entertainment, Humor | Tags: 1970a, Al Pacino, Chinatown, Cinema, Francis Ford Coppola, Godfather, Marlon Brando, Movies, Roman Polanski Leave a comment
[PHOTOS] Actors John Cassavetes and Gena Rowlands, Diane Keaton and Al Pacino
Posted: August 31, 2014 Filed under: Art & Culture, Entertainment, Mediasphere | Tags: Al Pacino, Diane Keaton, Gena Rowlands, John Cassavetes Leave a commentJohn Cassavetes and Gena Rowlands
Staging: Michael Corleone’s Pistol of Destiny
Posted: August 12, 2014 Filed under: Art & Culture, Entertainment, Mediasphere | Tags: Al Lettieri, Al Pacino, Cinema, Film, Francis Ford Coppola, Godfather, Marlon Brando, McCluskey, Michael, Michael Corleone, Movies, The Godfather, Virgil Sollozzo Leave a commentA photograph from the set of The Godfather (1972) Actors Al Lettieri (left) and Al Pacino (right). With an unidentified stage hand, or property master, seen here preparing for the scene where Michael Coreleone avenges his father’s assassination attempt. Leaving behind any chance of a legitimate life, free from the family’s criminal empire, Michael embraces his true destiny: heir to his father’s throne.
How did the good son become the ambitious, cold-blooded fratricidal killer and criminal mastermind we all know and love? First, by volunteering to shoot these two guys.
Besides great cinematography, the sound design in this scene is fantastic, the way it amplifies the tension. The audible train sounds, contributing to the suspense, right before Michael exits the bathroom, after retrieving the hidden weapon, never fails to impress me.
Killing Sollozzo and McCluskey
From this one audacious murderous act, Michael Corleone‘s dark ascendance begins. Brilliantly staged by Francis Ford Coppola, not only one of America’s most celebrated film directors, but also one of the great dramatists of the 20th century.
Historic New York’s Catalogue of Crime and Decline: ‘Back to the Future’ Film Festival
Posted: November 7, 2013 Filed under: Art & Culture, Entertainment, History, Mediasphere | Tags: Al Pacino, David Dinkins, French Connection, Gene Hackman, Jack Lemmon, John Lindsay, Manhattan, Martin Scorsese, Midnight Cowboy, New York, New York City, NYC, Robert De Niro, Sidney Lumet, Travis Bickle 1 CommentFor CITY JOURNAL, Michael Anton writes: The times in New York are about to get, as they say, “interesting.” Having elected a liberal dopier than David Dinkins and John Lindsay combined, New Yorkers are in for a wild ride. It’s been pointed out that fully one-third of the city’s population is under age 24 and another third between 25 and 44. That means that at least a third has no memory of the Dinkins or Lindsay eras at all—and well over half have no memory of the financial crisis, the welfare spike, the crime wave, the crack epidemic, the Crown Heights riots, the “vibrant” old Times Square, and the whole panoply of scum and villainy that for the better part of two decades made New York so gosh-darn “colorful.” And that’s only if you assume that everyone who lives here was born here. But New York’s fantastic run over the last 20 years has attracted a lot of out-of-towners, so the actual number of ignorant rubes in for the shock of their lives is higher. Well, all these transplants are about to discover, the hard way, that they aren’t in Kansas anymore.
For anyone wishing to get acclimated ahead of time, New York’s colorful past has been amply recorded on film. What follows is a short tour through some of the most memorable, classic films of Old New York—not Edith Wharton’s but Travis Bickle’s.
Three caveats: first, please don’t consider this list exhaustive. It’s meant merely to be representative. Second, I’m including only films that were actually shot on location in New York. Hollywood back lots just can’t provide the same flavor. Third, I’m not including period pieces. Only films actually set and shot during New York’s Rust Age will be considered.
So, in chronological order, here we go…