Posted: January 29, 2015 Filed under: Art & Culture, Entertainment, Politics, War Room | Tags: Academy Award, Allies of World War II, American Sniper, Bradley Cooper, Chris Kyle, Clint Eastwood, EUROPE, Inglourious Basterds, Michael Moore, Nazi propaganda, Nazism, Quentin Tarantino, Seth Rogen, Twitter, World War II
What ‘American Sniper’ Tells You About Its Critics
A veteran reviews ‘American Sniper’
Matthew Braun writes: I am not at all surprised that Michael Moore and Seth Rogen don’t like American Sniper . For them, the idea of military sacrifice is absurd. We get an idea of how badly they understand the motivation of the modern American fighting man and woman when they can’t tell the difference between someone like me, with 15 years of experience in law enforcement, military intelligence, and counterterrorism, and a Nazi. No. Seriously.
That movie is “Nation’s Pride,” the faux Nazi propaganda film-within-a-film directed by Eli Roth that plays during the film’s climactic theater scene. Moore, for his part, offered these thoughts:
“The American Left has never been able to find the line between patriotism and jingoism.”
He later said, implausibly, he just happened to tweet this while “American Sniper ” was pulling in a massive $105 million opening weekend box-office haul and wasn’t talking at all about “American Sniper .”
An Oscar statuette earned by Frank Capra’s 1942 documentary “Prelude to War,” the first film in the United States Army Special Services’ seven-picture “Why We Fight” series, has been removed from the auction block and was returned to the care of the U.S. Army. Pictured: Frank Capra and John Ford
“Where John Ford and Frank Capra once did propaganda films during World War II, Hollywood today is irredeemably corrupted by a worldview that blames America for all the ills of the world.”
Moore’s experience with martial matters is exactly zero, and his understanding of snipers is based on a tragic anecdote from World War II. Moore never allows for the possibility that Nazi snipers might have been cowards, and that American snipers might be saving lives.
Newsflash: Like the Nazis, Al Qaeda Is Bad
War movies have changed a lot since the 1940s. War movies in the 1940s didn’t have to explain that the Nazis were bad. We take Nazis as evil for granted now; with 65 years of hindsight there are far more people around now who were never alive for Hitler’s Reich, but all of us understand that Nazis are bad.
“The American Left can’t imagine a person who actually fights to protect other Americans, who actually believes America is the greatest country on Earth, and who does it all with a Bible in his pocket. That’s a farce to them.”
Film has been, perhaps, the best teacher of this simple truth. Nazis were just Nazis in movies, even when their evil was supernatural or no longer based in reality.
“…It’s too far off from the people they have known and deal with every day to be real, so they think it’s propaganda for the Right, for America, for war.”
Unlike the war films of generations past, ‘American Sniper’ actually has to explain onscreen that al Qaeda insurgents were (and still are) bad.
The Left continues to think of the American military and foreign illegal fighters as basically being two sides of the same coin. Worse, they can’t seem to tell the difference between American service members and al Qaeda. Unlike the war films of generations past, “American Sniper” actually has to explain onscreen that al Qaeda insurgents were (and still are) bad. In explaining, and in depicting, Kyle’s firm and unflinching lack of remorse or understanding for the plight of the torturing, ambushing, child-murdering insurgent, we see a fun word on Twitter: Jingoistic.
The American Left has never been able to find the line between patriotism and jingoism. Read the rest of this entry »
Posted: January 20, 2015 Filed under: Art & Culture, Breaking News, Entertainment, War Room | Tags: Academy Award, American Sniper, Bradley Cooper, Chris Kyle, Clint Eastwood, Golden Globe Award, Iraq War, Jeremy Renner, Movies, Plano, Texas, The Hurt Locker, United States Navy SEALs, Warner Bros
Resonating With People in Smaller Cities, Military Film Has Huge $105.3 Million Debut Weekend
and Dan Molinski Steve Smith: an Army veteran and schoolteacher, walked out of a movie theater in Plano, Texas
, on Saturday with tears in his eyes. After years of movie studios getting the military experience wrong with films like “The Hurt Locker
,” the 33-year-old said, “American Sniper” had nailed it.
“’American Sniper’ garnered better reviews than ‘Lone Survivor’ or ‘Unbroken’ and, unlike the latter two, received multiple Academy Award nominations, including for best picture—helping to ensure it performed well across the country and wasn’t exclusively a ‘red state’ phenomenon.”
Based on the memoir of Chris Kyle, reputed to be the deadliest sniper in the American military during the Iraq war, “American Sniper” opened to a phenomenal $105.3 million in the U.S. and Canada over the four-day holiday weekend, according to an estimate from distributor Warner Bros., owned by Time Warner Inc.
“What these movies share is they’re utterly unironic. They treat American values honorably.”
— Michael Moses, Universal’s co-president of marketing
Its success was driven in large part by moviegoers like Mr. Smith who live in smaller cities and don’t regularly go to the multiplex.
“Chris Kyle was a fellow veteran, a fellow Texan. He’s very much a true legend,” Mr. Smith said while holding hands with his wife, Crystal. “So it was basically a foregone conclusion I’d be here as soon as it opened.”
“When the phone calls started coming in from exhibitors, I realized we had something special happening in the South and in small towns where our movies sometimes find it difficult to resonate.”
— Dan Fellman, president of domestic distribution for Warner Bros.
Such a massive opening for a mid-budget drama was perhaps Hollywood’s biggest surprise since “Avengers” blew away box-office records by opening to $207 million in 2012. “Sniper,” directed by Clint Eastwood and starring Bradley Cooper, enjoyed the largest opening ever for a drama or R-rated film and more than doubled the prior record for Martin Luther King Day weekend.
“Its success is the strongest evidence yet that audiences including veterans and cultural conservatives who are more concentrated in the South and Midwest feel underserved by Hollywood and will turn out in droves for movies that are inspiring, patriotic and sincere.”
Comcast Corp.’s Universal Pictures also had surprising success last month with the historical military drama “Unbroken” and last year with the Afghan war movie “Lone Survivor.”
“Opening-night audiences gave “Sniper” an average grade of A+, according to market-research firm CinemaScore.”
Eight of the top 10 markets for “American Sniper” were in the South or Midwest, including San Antonio, Oklahoma City, Houston, Nashville and Albuquerque. Typically, major cities like New York and Los Angeles dominate the top theater rankings for a successful film because they have larger concentrations of frequent moviegoers and higher ticket prices.
All five of the top theaters for “Lone Survivor” were in Texas, Oklahoma and New Mexico, while “Unbroken” performed extremely well in small cities such as Mesa, Ariz., and Lehi, Utah. Meanwhile, all three movies underperformed in the Northeastern U.S. and Canada, compared with the norm. Read the rest of this entry »