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Barbie Legacy Preservation Effort Scores Success: Amy Schumer Exits ‘Barbie’ Movie 

Barbie Fans Breathe Sigh of Relief

Justin Kroll reports:Amy Schumer has parted ways with Sony’s live-action “Barbie” over a scheduling conflict, Varietyhas learned.

“Sadly, I’m no longer able to commit to Barbie due to scheduling conflicts,” the actress said in a statement to Variety. “The film has so much promise, and Sony and Mattel have been great partners. I’m bummed, but look forward to seeing Barbie on the big screen.”

The big screen adaptation of Mattel’s iconic toy line was expected to start production this summer on June 23, but Schumer’s busy schedule includes a lengthy promotional tour for her new Fox comedy “Snatched,” which opens in May, as well as an upcoming shoot for Rebecca Miller’s “She Came to Me” opposite Steve Carell.

[Read the exclusive story here, at Variety]

Sony needed to stick to its June 29, 2018 release date since Mattel already has merchandise and product cycles in motion–shifting the production to accommodate Schumer would have put on a strain on other partners on the film, according to insiders. Read the rest of this entry »

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[VIDEO] ‘I Hurt People for a Reason’: Milo Yiannopoulos Spars with Bill Maher

The liberal talk show host and conservative Breitbart editor tried to find common ground during an 11-minute discussion, which made national headlines earlier this week after previously scheduled Real Time guest The Intercept co-founder Jeremy Scahill dropped out of the show to protest Yiannopoulos’ booking.

“The Democrats are the party of Lena Dunham. These people are mental, hideous people, and the more that America sees of Lena Dunham, the fewer votes that the Democratic Party is going to get.”

 reports: Bill Maher and Milo Yiannopoulos had their controversial showdown on HBO’s Real Time on Friday night, though there were fewer sparks than some had perhaps expected.

“I wrote a bad review of the movie. I said she look like a dude, she does. I said she’s barely literate, she is.”

The liberal talk show host and conservative Breitbart editor tried to find common ground during an 11-minute discussion, which made national headlines earlier this week after previously scheduled Real Time guest The Intercept co-founder Jeremy Scahill dropped out of the show to protest Yiannopoulos’ booking.

“And I simply don’t accept that the star of a Hollywood blockbuster is sitting in a Hollywood mansion crying over mean words on the internet; get over it. Mean words on the internet don’t hurt anyone,”

“The reason [liberals] want to police humor is they can’t control it — because the one thing all authoritarians hate is the sound of laughter,” Yiannopoulos said.

real-time

“Nothing annoys people like the truth. Policing humor for racism and sexism is utterly wrongheaded. Not because normally it’s not there, but because that’s how we build bridges and not how we break them.”

“And also because when people laugh they know it’s true,” Maher agreed. “… You are so helped by the fact that liberals always take the bait.”

“I hurt people for a reason. I like to think of myself as a virtuous troll.”

“Nothing annoys people like the truth,” Yiannopoulos concurred. “Policing humor for racism and sexism is utterly wrongheaded. Not because normally it’s not there, but because that’s how we build bridges and not how we break them.”

[Read the full story here, at ew.com]

Yet Yiannopoulos made blatant sexist comments during the interview, criticizing Amy Schumer and Sarah Silverman as people who “used to be funny before they contracted feminism.” Read the rest of this entry »


Here’s Your Head, What’s Your Hurry?

cele

It’s not just Amy Schumer…

Source: Catherine Dunn – townhall.com


[VIDEO] Amy Schumer & the Creepy Politically Correct Police

Recently, comedian Amy Schumer came under fire for some of the more incendiary jokes she’s told in the past. Schumer isn’t the only one who is being targeted by social justice warriors hell bent on erasing comedy from public life. This new brand of censorship is getting completely out control.

[NRO – YouTube]


Amy Schumer’s Heartbreak: Folks, it’s Legit!

Legit!


Amy Schumer: We Feel Her Pain!

feel-pain!


[VIDEO] Violating Taboos on LIVE Television: Louis CK’s SNL Opening Monologue

‘Louis CK’s SNL Opening Monologue Was Awesomely Offensive’

editor-commen-deskIn a late-night post involving Louis CK, and Mollie Hemingway, we find ourselves in familiar territory. Testing the limits of good taste, defending freedom of expression, and witnessing fallout from violating powerful social taboos. In the current edition of The Federalist, it’s gratifying to see one of my favorite media writers stand up for one of my favorite comedians. As we see in the video above, Louis CK goes where few comedians would dare to tread.

“It was actually quite disgusting and completely offensive. I can not possibly characterize how tasteless it was. It was also hilarious.”

— Mollie Hemingway

If you’ve ever heard Louis C.K. talk about SNL preparation–as I did recently, listening to a recent radio an interview–you know he seeks out difficult audiences rather than easy ones. He described testing his SNL monologue material in unfavorable environments, on disinterested audiences, intentionally, in order to find weaknesses in the material, and win over tough crowds.

Unlike his usual hip New York audiences, he discovered, SNL audience are comprised mostly of non-New Yorkers. Tourists, regular folks from the heartland. Edgy material he might normally do doesn’t necessarily connect here. After one disappointing performance on SNL, he worked harder at it the next time—testing, calibrating, rehearsing more. And coming better prepared, in his subsequent appearance, he succeeded. (it’s a good interview, if I find the audio clip or transcript of it, I’ll link it) Which is why his recent appearance on SNL surprised me. Because even if the now-infamous controversial material seemed risky, or misguided, you can be sure that the choices made were not arrived at casually.

louis

Likewise for Lorne Michaels. SNL is shot live, the material is vetted in advance. I can’t imagine anything was performed that wasn’t approved. (or at least not disapproved) Knowing Louis C.K.’s work habits (more disciplined than they appear) it’s likely that he rehearsed his monologue for weeks, in front of difficult audiences, in different settings. And then, on live TV, Louis said exactly what he wanted to say. Knowing the risks. Expecting to offend people. But reasonably confident that it was funny. 

When asked, in the interview, about his willingness to make people uncomfortable, referring to his frequent run-ins with authority figures in childhood, Louis C.K. said, “I’m used to getting in trouble”. It doesn’t bother him, the experience of being in trouble. He’s often talked about the challenge, and joy, of taking audiences to uneasy places, to explore what’s there, and find what’s funny about it.

To me, this is classic Louis C.K. There’s something about his frankness, sincerity, and delivery, that allows him to get away with things other comics would get crucified for. There’s more here than meets the eye.

In I’ve Seen The Future. It’s Comedy SpeakeasiesHemingway writes:

The social justice warriors are creating a culture where comedians can’t make most jokes about race, sex, sexual choices, or any of the things that used to be staples of the comedy circuit. One joke in a stand-up set bombs for being over the line and the social media mobs come forth with pitchforks and your career is over or your comedy is seriously proscribed. It’s a free country, though, which means, in these cases, that if a bunch of coddled children can’t handle transgressive comedy without losing their minds, they can make life for a comic a living hell. Just because you’re trying something out in an intimate setting with a particular group of people doesn’t keep them from blasting it on the internet for a global audience that couldn’t possibly understand what you were going for. Comedians such as Chris Rock say it’s just not fun any more….(more)

Photo By Dan Nguyen @ New York City

Photo By Dan Nguyen @ New York City

“It’s a free country, though, which means, in these cases, that if a bunch of coddled children can’t handle transgressive comedy without losing their minds, they can make life for a comic a living hell.” 

— Mollie Hemingway

While not exactly endorsing the content of Louis C.K.’s queasy monologue, The Federalist‘s Mollie Hemingway defends it, describing it as “refreshing — and ballsy”, and links to an earlier article discussing the necessity of tolerance. Comedy will suffer if comics are threatened and stop taking risks. Enforcing current PC-orthodoxy with online shaming campaigns, social justice warriors provoke and exploit social media hysteria to keep violators in line. Thus, the idea of Comedy Speakeasies.

The problem with comedy is that people can share what happens in the club with anyone in the world. In the future, when comedy speakeasies are the only way for people to hear transgressive jokes about race and sex, people will have to have the password. But they’ll also have to be patted down for recording equipment. No phones. No audio recorders. No pens and pads. Any recitation of the bits will be fully denied…

In her current column, Mollie continues…

…Louis CK knew he’d be met with social justice warrior outrage — and he was — and he went ahead with the monologue anyway. Not in a speakeasy but on network television. No trigger warnings. No concerns about punching all the way down

Read more of MZHemingway’s comments here, and also read I’ve Seen The Future. It’s Comedy Speakeasies.