Candace Taylor reports: The former Andy Warhol estate in Montauk—a collection of white-shingled cottages overlooking the ocean—has sold for $50 million, believed to be a record for the former fishing village.
The buyer of the roughly 5.7-acre oceanfront compound, called “Eothen,” was Adam Lindemann, founder of the gallery Venus Over Manhattan. The property had been listed together with a 24-acre horse farm for $85 million, but Mr. Lindemann wasn’t interested in the horse farm, and it is still available, said Paul Brennan of Douglas Elliman Real Estate, who listed the property with Sotheby’s International Realty. The seller was J.Crew CEO Millard “Mickey” Drexler, who bought the property for $27.5 million in 2007, according to public records.
The deal closed Monday, according to Mr. Brennan, who said the property is the most expensive home ever to sell in Montauk.
A few weeks ago, Mr. Lindemann put another oceanfront Montauk home he owns on the market for $29.5 million, according to Rylan Jacka of Sotheby’s, who is listing the property with Compass. Read the rest of this entry »
Model wearing a shoulder baring short black ball gown of silk paper taffeta with a large pink bow at one shoulder and an asymmetrical hooped skirt, made to order at Henri Bendel; pictured in front of a Jackson Pollock painting at the Betty Parsons Gallery. Photo Cecil Beaton
LOS ANGELES (CBSLA.com) — Police are looking for the thief who stole most of a collection of Andy Warhol prints and switched them out with phonies.
The thefts were discovered recently when a member of the owner’s family took the silkscreens to be reframed, according to the entertainment website TMZ.
The stolen prints were part of a series Warhol called “Ten Portraits of Jews of the 20th Century.” The subjects were the Marx Brothers, George Gershwin, Golda Meir, Albert Einstein, Franz Kafka, Louis Brandeis, Gertrude Stein, Sarah Bernhardt, Martin Buber and Sigmund Freud.
Only 200 silkscreens of the series were made.
A new exhibit at the Jewish Museum in New York looks at modern art’s influence on the early days of TV
Margaret Rhodes writes: As far as song-and-dance TV shows go, American Bandstand and Soul Train could hardly have been more different. Bandstand, which originally aired in 1952, showcased poodle skirt–wearing teenagers singing along to Top 40 radio hits, while Soul Train, which debuted two decades later, had a funkier repertoire of R&B, jazz, soul, and gospel acts.
“The pioneers of early television understood the medium’s innate power, and they mined the aesthetic, stylistic, and conceptual possibilities of a new and powerful technology.”
— Curator Maurice Berger
But the shows did have one surprising thing in common: set designs heavily influenced by modern art. The abstracted platforms, stepped risers, and colored spotlights were lifted straight from the world of minimalist art, according to Abbott Miller, a Pentagram partner and one of the designers of a new exhibition up in New York titled Revolution of the Eye: Modern Art and the Birth of American Television.
The advent of premium cable channels may have ushered in a golden age of TV, but the experimentalism of TV’s early days shouldn’t be underestimated. Today we praise shows that meticulously and authentically re-create a look or moment, like the 1960s-era New York we watch on Mad Men, or the meth labs and Albuquerque homes of Breaking Bad.
But when TV was just getting started, executives and creatives saw it differently, as a place where the art world and mass media could intersect. “The pioneers of early television understood the medium’s innate power, and they mined the aesthetic, stylistic, and conceptual possibilities of a new and powerful technology,” writes curator Maurice Berger. Television executives of the time, Berger says, were fascinated by avant-garde artists and saw television as not just a way to entertain the masses but as a vehicle for ideas about modern art.
If you ever thought TV pre-HBO was the fast food of entertainment, Revolution of the Eye, now open at the Jewish Museum in New York City, has more than 250 artifacts to prove otherwise. The exhibit is all about the early days of network programming—from the 1940s to the 1970s—and spotlights the ways networks were influenced by the aesthetics of high art and clever design in a way they haven’t been since….(read more)
Take the titles from Laugh-In, for example: “It was trafficking in this Pop, almost psychedelic, language that is pretty concurrent with the psychedelic poster explosion on the West Coast, but they were using it to signify that this was a different kind of media,” Miller says. Read the rest of this entry »
‘Involved in a Sexual Act with a Dog on a Bed of SS Helmets’: MACBA Barcelona Show Canceled Over Pornographic Artwork Ridiculing Spanish King Juan CarlosPosted: March 22, 2015
“It’s a work of art inscribed in the great tradition of works about art and power.”
— Valentín Roma, one of the curators of the exhibition
MACBA director Bartomeu Marí proposed that the sculpture be removed. When the artist and the curators declined, he canceled the exhibition.
Lorena Muñoz-Alonso and Brian Boucher report: An artwork depicting the former Spanish king Juan Carlos and Bolivian Labor leader Domitila Chúngara involved in a sexual act with a dog on a bed of SS helmets has led the Barcelona Museum of Contemporary Art (MACBA) to cancel the exhibition “La Bestia y el soberano” (The Beast and the Sovereign) on the day it was meant to open (see After 20 Years, Portrait of Spain’s Royal Family Is (Nearly) Finished). The offending artwork, Not Dressed for Conquering, is a sculpture by Austrian artist Ines Doujak.
“I don’t want to spend time describing the piece, which I consider inappropriate and contradictory to the museum’s line.”
“It’s a work of art inscribed in the great tradition of works about art and power,” Valentín Roma, one of the curators of the exhibition told El País.
“Art has been caricaturing the archetypes of power for centuries, which is what Doujak’s work is doing” (see Why Self-Censorship of Controversial Artwork is Wrong).
“I have always fought to defend contemporary art and its role in the reality that surrounds us, but in this case, I completely disagree with the inclusion of this work in an exhibition that reflects on the concept of sovereignty in all its aspects.”
— MACBA director Bartomeu Marí
The exhibition was to include more than two dozen artists and artist duos or teams, including Juan Downey, León Ferrari, Genesis Breyer P-Orridge, Mary Reid Kelley, and Wu Tsang. In an open letter, the curators assert that the museum management was fully informed of the show’s theme and contents:
The curators never hid any information about the exhibition to the director of the museum: he was informed by Paul B. Preciado and Valentín Roma of the concept and the full list of works of the exhibition. The director had validated the project and not only its text and description but also the list of artists were already published in the MACBA’s internet page months ago.
MACBA director Bartomeu Marí claims he had not seen the artwork until Monday.
“I don’t want to spend time describing the piece, which I consider inappropriate and contradictory to the museum’s line,” Marí told El País. “I have always fought to defend contemporary art and its role in the reality that surrounds us, but in this case, I completely disagree with the inclusion of this work in an exhibition that reflects on the concept of sovereignty in all its aspects.”
The show was curated by Hans D. Christ and Iris Dressler, co-directors of Stuttgart’s Württemberg Kunstverein, along with writer Paul B. Preciado and Valentin Rome. Read the rest of this entry »
Andy Warhol on the May 1969 cover of Esquire magazine
via Ordinary Finds
NEW YORK (AP) — A triptych by Francis Bacon of his longtime companion is poised to sell for about $80 million at Christie’s as the spring art auction season revs up with sales of postwar and contemporary works.
A provocative image by Andy Warhol of the 1963 Birmingham, Alabama, race riots and a seminal painting by Jean-Michel Basquiat of a regal warrior figure are among other big-ticket items coming up for sale Tuesday evening.
Bacon’s “Three Studies for a Portrait of John Edwards” was executed in 1984 and comes on the market a year after Christie’s sold his 1969 “Three Studies of Lucian Freud” for $142.4 million, setting a world record for the most expensive artwork ever sold at auction. Read the rest of this entry »
Bidder Not Revealed
CBS NewYork/AP There’s a new record-setting piece of art. A 1969 painting by Francis Bacon set a world record for most expensive artwork ever sold at auction.
“Three Studies of Lucian Freud” was purchased for $142.4 million at Christie’s postwar and contemporary art sale on Tuesday night. The triptych depicts Bacon’s artist friend.
The work sold after “six minutes of fierce bidding in the room and on the phone,” Christie’s said in a statement. The price includes the buyer’s premium. Christie’s did not say who bought the painting.
More than 40 artworks by Andy Warhol are to be auctioned at Sotheby’s in Hong Kong, with the most expensive piece expected to fetch around $1m (£633,000).
The collection, From Warhol With Love, features the late pop artist’s ink-on-paper work from the 1950s.
Warhol travelled to Hong Kong in 1956, and according to Jacqueline Wachter of Sotheby’s New York the trip inspired some of the gold and butterfly themes in the exhibition. Read the rest of this entry »
By Jason Chow
A set of four hanging scrolls by 20th-century Chinese ink painter Zhang Daqian sold for $10.4 million, more than five times its pre-sale estimate, at a Christie’s auction in Hong Kong on Tuesday afternoon.
Titled “Lotus,” the four large paper scrolls – each more than five feet high and 2.5 feet wide – depict lotus flowers in various state of bloom. Completed in 1947, the work was estimated to achieve $1.9 million, but brisk bidding in the room pushed the price far above that figure before going to an Asian private buyer.
In 2011, Mr. Zhang was the top-selling artist in the world at auction, but sales of his works fell to $241.6 million in 2012 from $782.4 million the year before. As a result, the artist’s sales ranking dropped to No. 4 after Andy Warhol, Pablo Picasso and Gerhard Richter, according to figures compiled by Artnet.
Sales of Mr. Zhang’s works are once again going strong. On Monday night, Sotheby’s sold 25 works by the artist for $42 million at a sale in Hong Kong. The most expensive work sold was “Daoist Goddess Playing Panpipe,” a 1955 painting that fetched $9.5 million.
via Scene Asia – WSJ.