A woman, accidentally caught in a dark deal, turns the tables on her captors and transforms into a merciless warrior evolved beyond human logic.
A hand-cranked sculpture that makes a mean manhattan? Yes please. Come with us inside Instructables’ Kooky Creative Warehouse Workshop.
Now in its third year, Seattle Symphony‘s critically acclaimed Sonic Evolution project creates a bridge between the Symphony and Seattle’s storied reputation as launching pad for some of the most creative musicians on the popular music scene. Each year, in celebration of the past, present and future of our city’s musical legacy, Ludovic Morlot and the Seattle Symphony commission world-class composers to write orchestral world premieres inspired by bands and artists that launched from, or are related to, Seattle.
In addition to writing a brand new composition inspired by Seattle’s own Sir Mix-A-Lot, composer Gabriel Prokofiev also orchestrated two of the legendary rapper’s most famous hits for this year’s concert, including “Baby Got Back,” for which Sir Mix-A-Lot joined Ludovic Morlot and the Orchestra on stage at Benaroya Hall. Read the rest of this entry »
“Today you can do everything…from writing your film, from getting financing, from distributing by yourself. It is like you are your own gatekeeper as a filmmaker.”
“The world is changing and I think adapting is good,” explains Clara Massot, coordinator for the Next Pavilion at the Marché du Films, the expansive marketplace that each year coincides with the Cannes Film Festival… Read the rest of this entry »
May Day, the first day of May, was a time to celebrate the arrival of spring. In the Middle Ages it was the custom to gather wildflowers and green branches, weave floral garlands, and dance around a Maypole.
image: Folio 5v: the calendar page for May of Les Trés Riches Heures du Duc de Berry.
— BBC News (UK) (@BBCNews) April 18, 2014
From Pretty Sinister Books: Helen McCloy would have made a great writer of TV crime show scripts these days. While readingThe Man in the Moonlight (1940), her sophomore detective novel featuring Dr. Basil Willing, I was struck by the abundance of arcane bits of scientific knowledge that made up the clues and evidence in her usual fascinating plot. She introduces biochemistry, anatomy, abnormal psychology, symbology, and even the construction of heating and air conditioning units in to her multi-layered plot. The story of the murder at Yorkville University could easily have been an episode onHouse or Elementary or any of the dozen of shows in which the plot hinges on little known medical, psychological and historical facts.
Of all the “isms” that are out there, racism is one of the most enduring, and in this supposedly post-racial age, the most pernicious.
It can be hard for people of different races to even talk openly with each other about how race has impacted them without the conversation devolving into accusations. And that makes any change in race relations that much more difficult to achieve.
Listen to a scene from “Race” featuring David Cecsarini and Tiffany Renee Johnson.
A wealthy white man is accused of assaulting a young black woman. He denies the charge, claiming it was consensual. Two law partners – one white, one black – are considering the case, but they’re doubtful of the man’s veracity, and highly concerned about racial politics. Mamet pulls no punches as he cross-examines our views and prejudices of what is, arguably, the most complex and intransigent socio-political issue in America.
Mamet is known for his biting and unsparing dialogue, and he is true to form here. Director Edward Morgan says the playwright offers a fresh take on the subject.
From The Daily Caller: If you are a single, white female who is planning to pop in your 2004 copy of “The Notebook” into your DVD player on Valentine’s Day night and go to town on some Pinot Grigio, just remember that “The Notebook” is terrible.
Read more here…
Found on PopWatch: The latest sketch from New York-based comedy group POYKPAC features a very public breakup between a cheating husband and his pregnant wife. The plot twist to this seemingly overplayed scenario? The couple’s entire breakup conversation is had using only movie titles.
February 1, 1902: Langston Hughes Is Born
On this day in 1902, James Mercer Langston Hughes was born in Joplin, Missouri. A poet and novelist, he became known as the “Shakespeare of Harlem” during the 1920s and 1930s.
Originally from the Midwest, Hughes traveled the world and worked in a great variety of jobs. He is especially well-known for his perceptive and sympathetic portrayals of life in black America.
Learn more about Langston Hughes with Masterpiece’s Langston Hughes biography.
The Ukulele Orchestra Of Great Britain – Miss Dynamitee – Anarchy In The UK – Teenage Kicks, played at Cheltenham Town Hall for Lincs Cancer Charity
Joan entertains Greg’s colleagues with her hidden talents. Ooh la la!
[Check out Amazon’s Herbie Hancock selection]
Evgeny Morozov writes: In January of 1903, the small Boston magazine Handicraft ran an essay by the Harvard professor Denman W. Ross, who argued that the American Arts and Crafts movement was in deep crisis. The movement was concerned with promoting good taste and self-fulfillment through the creation and the appreciation of beautiful objects; its more radical wing also sought to advance worker autonomy. The problem was that no one in America seemed to need its products. The solution, according to Ross, was to provide technical education to the critics and the consumers of art alike. This would stimulate demand for high-quality objects and encourage more workers to take up craftsmanship. The cause of the Arts and Crafts movement would be achieved, he maintained, only “when the philosopher goes to work and the working man becomes a philosopher.”
In a long rebuttal, Mary Dennett, who later became an important advocate for women’s rights, pointed out that the roots of the problem were economic and moral. Reforming the school curriculum wouldn’t do much to change the structural conditions that made craftsmanship impossible. The Arts and Crafts movement was spending far too much time on “rag-rugs, baskets, and . . . exhibitions of work chiefly by amateurs,” rather than asking the most basic questions about inequality. “The employed craftsman can almost never use in his own home things similar to those he works on every day,” she observed, because those things were simply unaffordable. Economics, not aesthetics, explained the movement’s failures. “The modern man, who should be a craftsman, but who, in most cases, is compelled by force of circumstances to be a mill operative, has no freedom,” she wrote earlier. “He must make what his machine is geared to make.”
Note: I saw this band live in the 1990s, inspired by this album: John McLaughlin and the Free Spirits: Tokyo Live — I highly recommend it, especially if you dig McLaughlin’s shredding and Joey‘s Hammond B. organ sound. If you do decide to get it, order through my link! As an Amazon affiliate, it helps support my site.
Live at Juan Les Pins – July 1996
“Lonesome Octopus” by Bob Bellem and Mel Millar, 1946
Written and produced by Bob Bellem with art by Mel Millar. Comic is full-color, 20-pages in standard-size comic format. From the “Talking Komics” series published by Belda Record & Publishing Co., Pasadena, Ca.
Swing over to Graphic Swing for a well-selected collection of Vintage Sci-Fi comic book covers. This one–Captain Future, Man of Tomorrow–started in WW2, 1940, there’s a tag for war bonds in the lower right corner. What is that cube, with connections to his head? Who is that beautiful woman? Pre Hayes-code pulp comics were so lurid, so obscenely frightening and racy. This one, with rich color inks and bold illustration, is well-preserved.
Captain Future is a science fictional hero pulp character – a space-traveling scientist cum adventurer – originally published in self-titled American pulp magazines between 1940 and 1951. The character was created by editor Mort Weisinger and principally authored by Edmond Hamilton. There have subsequently been a number of adaptations and derivative works, most significantly a 1978-79 anime adaptation, which was dubbed into several languages and proved very popular, particularly in French and Arabic.
Joe Pappalardo writes: Real scientists can be the harshest critics of science fiction. But that doesn’t mean they can’t enjoy a movie just because it bends the laws of nature. We polled dozens of scientists and engineers to discover the sci-fi movies they love…
Check it out at Popular Mechanics
Stevie Ray Vaughan의 Little Wing을 가야금으로 연주하였습니다.
중간부분의 후렴에는 오버드라이브를 걸었습니다.
그리고 컴프레서외에 부분적으로 딜레이를 걸어서 서스테인을 살려보았습니다.
어려운 플레이가 많은곡이라서 조금 힘들었지만 완성하고나니까 보람이있네요.
“…that’s also the essence of drama to follow the truth of human interaction where it leads. You can’t do that while you’re also trying to promote a political agenda…”
Mamet’s appearance was brief, I happened to catch the segment, which was only a few moments. (artists and authors are rarely the lead guest on news programs, even dramatists of Mamet’s stature) Mamet’s comments, summarized here in this RealClearPolitics item, appear to focus on one minor comment, that Hollywood conservatives are “legitimately frightened for their jobs“, but that’s just a provocative headline, not a reflection of his commentary. After the jump is a transcript of the Mamet interview. Mamet’s new book, “Three War Stories“, is available in paperback, and also as a Kindle edition.
Screenwriter and playwright David Mamet tells FOX News’ Megyn Kelly why there seems to be so few conservatives in Hollywood. Mamet said that people in Hollywood who fake being liberal do so because they’re “legitimately frightened for their jobs.” [VIDEO]
Mamet explained why he believes there are few open conservatives in Hollywood. “Conservatives believe in smaller government and in the power of the electorate. So I think that we’re less likely to try to use a dramatic forum to warp people’s political views.” —RealClearPolitics
Today they’re particularly milfed by Japan’s beauty contests honoring women over 30. It must be upsetting to discover that the Japanese don’t conform to the correct standards of propriety that righteous monocultural western feminists are trained to focus their flippant fury on. Their disapproval is a badge of honor! And their critique is colorful. Hint: it involves biscuits, and how they’re taken.
We’re aware that we live in a world of seriously offensive and sexist things, but the National Beautiful Witches Contest for the over-35s simply has to take the biscuit.
Housewife Mayumi Nishimura, 39, won the prize, for her “cheerful disposition” reported Rocket News 24…
That really takes the cake, doesn’t it? The biscuit, I mean.
Fear not, it’s all in good fun. Their complaint is peppered with harmless insults, and is preceded by a hilariously over-the-top headline, revealing that they aren’t as serious as they pretend to be.
No matter what your opinion is on the Jimmy Kimmel “Kill China” skit fiasco, I think we can all agree that this attempt by CCTV to grill Jimmy Kimmel is the most bumbling, unintelligible mess you’ll see all week. Not to mention that accusations of racism are pretty rich coming from CCTV.
Tweet Darren and tell him you want him to perform at your birthday party. I haven’t seen this kind of brilliant amateur flair since Johnny Carson used to feature non-showbiz guests doing amazing self-taught things.
“We’re impressed that Toronto actor Darren Drouin can not only improvise a finger-snapping routine for about two-and-a-half minutes, but also do it while generally maintaining a straight face and barely blinking…”
As more brands get into the entertainment business by producing their own films, TV shows and web series, Virgin America is showing that even the mundane safety video some airlines show on their planes can be fun to watch.
via Sten Stinus
The first thing you need to know about the Internet is that it is amazing
Oh man, I could not stop laughing at this old “Kids Guide to the Internet” video from the 90s. My thanks to my former colleague Amy Smorodin for tweeting it out today. I just had to post it here so that everyone could enjoy.
(Note: You can turn this video into a great drinking game. Just make everyone in the room raise their glass each time the lines “Does your computer have a modem?” and “Not all that cybernet stuff, OK?” are uttered.) And yes, as the opening line of the video notes, “the first thing you need to know about the Internet is that it is amazing.”
It’s time to reexamine the role of government in the arts.
David Marcus writes: In 1989 Jesse Helms, the contentious and controversial conservative senator from North Carolina, launched an attack on the National Endowment for the Arts for its support of shows that included work which he deemed offensive. Ten years later as Mayor of New York, Rudy Giuliani engaged in a similar attack, threatening to cut off the city’s support of the Brooklyn Museum because of its show “Sensation” which featured Chris Offili’s painting “The Holy Virgin Mary”, a depiction of of the Blessed Mother emblazoned with elephant dung.
These two controversies have come to frame the perception of conservative opposition to public funding for the arts. It is viewed as a battle between liberals who value free speech and broad access to the arts and conservatives who want to censor art and cut funding to those institutions that bring art to the people. It is a battle that conservatives have been soundly losing. It is the wrong battle. The better argument against the current model of federal arts spending is much more simple, and much closer to the heart of the conservative movement. What conservatives should be saying is that the NEA and the tax exempt status of many arts organizations are hurting the very art forms they purport to support. They are in fact making American art less relevant to American’s lives. Read the rest of this entry »
Recalling Don Draper’s creative peak, his most poignant pitch, to Kodak. Before his unresolved personality disorder, cracked identity and mid-life crisis led him to his epic season 5 meltdown.