Judgment Day: Harvey Weinstein Scandal Could Finally Probably Won’t Change Hollywood’s Culture of Secrecy

(Photo by Ray Tamarra/GC Images)

and report:  Harvey Weinstein’s implosion has been cathartic for Lauren Sivan, one of the dozens of women who have come forward in recent days alleging that the once-celebrated mogul was a serial sexual harasser and abuser. It’s a moment of justice and public condemnation that seemed all but impossible to imagine mere weeks ago when Weinstein enjoyed a position as one of the most powerful figures in media, a skilled operator whose connections stretched from Capitol Hill to Wall Street and whose sense of entitlement knew no bounds.

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“You reap what you sow,” says Sivan. “I know that he believed for years that he was untouchable, and a lot of people helped him be untouchable.”Weinstein’s precipitous fall has been stunning, if not a long time coming. He’s been fired from his own company, ostracized by his longtime friends and collaborators in the entertainment industry, transformed from power player to butt of late-night talk-show jokes, ditched by his wife and abandoned by the Democratic political leaders who once coveted his endorsement. The Weinstein Co. is weighing a sale to Colony Capital.

Along with Bill Cosby, Roger Ailes, Bill O’Reilly and L.A. Reid, Weinstein is a sign that the old methods that stars and top executives used to cover up their sins isn’t working. Their praetorian guards of lawyers and spin-makers, their penchant for paying hush money to victims and making them sign draconian nondisclosure agreements that prevent them from going public, can no longer buy silence.

[Read the full story here, at Variety]

Hollywood’s veil of secrecy has been pierced, and such complicity and enabling may no longer be tolerated in a company town that has long protected its own.

“We are shining a bright light on aggressors and powerful offenders as an example to every other employee out there,” says TV commentator Wendy Walsh, one of O’Reilly’s accusers.

CREDIT: PETER STRAIN FOR VARIETY

As the chorus of accusers grows daily and as Weinstein finds himself isolated and abandoned by the A-list stars and directors he once claimed as friends, the conversation in Hollywood is pointing to a major shift. The hope in the industry is that the alleged abhorrent behavior by Weinstein and the other perpetrators will trigger some genuine soul-searching across the entertainment business and beyond.

Instead of simply inspiring big names in the industry to release anodyne statements that are light on substance and heavy on synonyms for deplorable, there’s an urge to have a deeper conversation about how to improve the climate and culture in Hollywood so whistle-blowers are supported and predators aren’t rewarded with corner offices, private jets and a license to operate with impunity. Read the rest of this entry »


Weinstein Bonfire: Harvey Got Exposed Because He’s Not Profitable Anymore 

A collective jaw dropped this week as Asia Argento, Gwyneth Paltrow, Angelina Jolie, Mira Sorvino, Rosanna Arquette and a host of other women joined Ashley Judd and Rose McGowan in speaking publicly about being harassed, mauled and even allegedly raped by Hollywood’s heavyweight gorilla, Harvey Weinstein.

Media outlets ironically wrung their hands and asked in big, bold block letters: How could this have gone on for so long? If everyone knew, why didn’t anyone say anything? And the inevitable: What can be done?

To answer these questions, let’s look beyond the Harvey-shaped elephant in the room. Behind the touted veneer of creative genius and imagination, the Hollywood studio system (an umbrella term that now encompasses movie studios, television networks, news organizations, tech companies and new media) was built on top of the cushions of the casting couch. And, as we’ve seen several times this year, that couch was never retired.

Priceless Hollywood memorabilia including CHARLIE CHAPLIN's bowler hat, JUDY GARLAND's ruby slippers from THE WIZARD OF OZ, and a dress worn by MARILYN MONROE in the infamous "flashing" scene from THE SEVEN YEAR ITCH are to go up for auction this month (Jun11). Veteran actress Debbie Reynolds has built up an enormous collection of iconic artefacts worth millions of dollars and is selling the haul after plans to set up a movie museum fell through. Other incredible pieces in the auction are Audrey Hepburn's frock from My Fair Lady - which is expected to fetch up to 00,000 (£187,500) - the sweater worn by Julie Andrews in The Sound of Music (0,000/£37,500), and Cleopatra's crown famously sported by Elizabeth Taylor in the 1963 epic. Monroe's shimmering, red sequined dress from Gentleman Prefer Blondes is expected to raise up to 00,000 (£187,500), Barbra Streisand's Hello, Dolly! gown is valued at 0,000 (£50,000), Chaplin's hat is worth 0,000 (£18,750), and the ruby slippers are 50,000 (£93,750). But the star attraction of the sale is the white pleated frock worn by Monroe in the iconic New York "subway" scene in The Seven Year Itch - it's expected to sell for a cool million (£1.25 million). The auction will be held in Beverly Hills on 18 June (11). (ZN/WN) The Wizard of Oz (1939) Directed by Victor Fleming Shown: Judy Garland (as Dorothy Gale), wearing the ruby slippers This is a PR photo. WENN does not claim any Copyright or License in the attached material. Fees charged by WENN are for WENN's services only, and do not, nor are they intended to, convey to the user any ownership of Copyright or License in the material. By publishing this material, the user expressly agrees to indemnify and to hold WENN harmless from any claims, demands, or causes of action arising out of or connected in any way with user's publication of the material. Supplied by WENN.com When: 13 May 1939 Credit: WENN

I witnessed a lot at Page Six — only a fraction of which ever hit the paper (for a multitude of reasons). But I will share one incident in May 2004 that has always summed up for me how this industry really feels about women.

[Read the full story here, at the New York Post]

I had gone to dinner with a friend who was in town for the upfronts (the big annual congregation where television network executives fly in from Los Angeles and present their upcoming slates of new shows). He worked at United Talent Agency and was psyched when I scored us an 8 p.m. reservation at the hottest place in town, Jean-Georges Vongerichten’s Spice Market, unfortunately, next to a table of three drunk and loud television executives, one of whom I knew headed up a cable network.

“I need a hooker while I’m in town,” one man quasi-yelled.

“Dude — the top-shelf whores go for $1,000 an hour, $5,000 a night,” the cable exec bragged to his friends.

“That’s all? All night?”

“All night — whatever you want — and these are working actresses.”

“No way — who are we talking about?”

The executive, in between ordering more bottles of Patron silver, proceeded to bray out the names of women who were indeed working actresses as well as models — including one woman who was cast in a show on his network. He was her boss.

“How do you think she got the job?” the executive joked, as the others high-fived him.
That incident always ate at me — it was the crystallization of just how lousy it is out there for women trying to either get a job, do their job or advance in one of the most powerful industries in America. Read the rest of this entry »


[VIDEO] Captain Kirk Meets Ashley Judd 

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