Bibliothèque Nationale, Paris
LOS ANGELES — Accidentally discovered by a French farmer plowing his field near the village of Berthouville in rural Normandy in 1830, the spectacular hoard of gilt-silver statuettes and vessels known as the Berthouville Treasure was an ancient offering to the Gallo-Roman god Mercury.
Following four years of meticulous conservation and research in the J. Paul Getty Museum’s Antiquities Conservation Department, the exhibition Ancient Luxury and the Roman Silver Treasure from Berthouville, on view at the Getty Villa November 19, 2014, to August 17, 2015, will present this unique collection of ancient silver in its full splendor and offer new insights about ancient art, technology, religion, and cultural interaction. Read the rest of this entry »
Abstract master Zao Wou-ki, one of China’s most significant artists whose works routinely fetch millions of dollars at auction, has died in Switzerland aged 93.
Zao, who suffered from Alzheimer’s, died on Tuesday and had been in hospital for 10 days in the western Swiss town of Nyon, his widow’s lawyer Marc Bonnant told Reuters.
[…]“He mixed Western influences with his Chinese identity to give his work a universal scope,” [French Foreign Minister] Fabius said in a statement. “With him, we are losing an emblematic figure of lyrical abstraction whose work made an outstanding contribution.”
The New York Times outlines Zao’s emigration to France, his artistic lineage, and the popular reception of his work in the west:
Mr. Zao, who was born in Beijing in 1921, moved to France in 1948, just before the 1949 Communist takeover of China. He became a French citizen in 1964.
[…]Mr. Zao’s abstract works — influenced by both European abstraction and traditional Chinese brushwork — quickly drew the attention of galleries in New York and Paris, where he was regularly showing by the 1950s. He befriended contemporaries like Alberto Giacometti and Joan Miró. Read the rest of this entry »