Marvel Comics to Abandon Social Justice Storylines?

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The customers seem to have gotten through.

Tom Knighton writes: For a lot of comics fans, Marvel just isn’t what it used to be. While the comic line that gave us Thor, Captain America, The Hulk, and the X-Men has often been tinged with a bit of politics — for example, discrimination liberal-huhagainst mutants is common in the Marvel universe — recent comics from the company have been overwhelmingly political, and always politically left.

[Meanwhile, sales of comics are nosediving.]

[Read the full story here, at pjmedia]

Many fans have been less than appreciative. Luckily, it now seems those days are over:

Of late this kind of storytelling has become more pronounced, probably kicked off with the likes of The Authority, Ultimates and Civil War, with more recent stories in comics such a s Captain America, The Champions and Ms. Marvel wearing their politics firmly on their spandex sleeves.There has also been reaction from some fan communities and retailers to these kind of stories as having no place in superhero comics, despite all the many examples that have preceded it. Maybe it’s a little more obvious now? Maybe everyone is interpreting everything politically? Maybe fans wish for a time when they didn’t realise their superhero comics had political elements? Read the rest of this entry »


[VIDEO] Why does Iron Man Support Government Oversight in ‘Civil War’? 

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Tony Stark‘s support of government oversight for the Avengers Team can be traced to the grieving mother, Miriam. After a speech at M.I.T., Stark met Miriam who lost her son in the Sokovia. Miriam puts a face to collateral damage the Avengers leave in their wake. She indicated that her son was planning to help the world but was killed in an Avengers mission gone wrong.

Miriam suggests that Stark has innocent blood on his hands. Following the encounter, Stark works with General Thaddeus Ross to develop and sign a bill, the Sokovia Accords. Read the rest of this entry »


Hollywood’s Superheroes, Family Movies Boosted by China in 2016 

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The revenue from the world’s second-largest movie market accounted for 13 percent of the $13.5 billion generated by the top 20 movies from U.S. studios.

Lisa Richwine reports: China’s moviegoers embraced big-screen superheroes, cartoon animals and a video game-turned-action flick in 2016, adding $1.8 billion in ticket sales to Hollywood’s 20 highest-grossing films of the year.

The revenue from the world’s second-largest movie market accounted for 13 percent of the $13.5 billion generated by the top 20 movies from U.S. studios, according to a Reuters analysis of data from tracking firm Box Office Mojo. That was triple the 4 percent level five years ago.

The numbers illustrate China’s growing importance to U.S. studios such as Walt Disney Co’s (DIS.N) Disney Studios, Time Warner Inc‘s (TWX.N) Warner Bros. and Comcast Corp’s (CMCSA.O) Universal Pictures.

While China’s booming box office growth stalled this year in single digits, the country remains vital for Hollywood studios, box office analysts said. In 2016, China overtook the United States as the country with the largest number of movie screens.

Most of the top Hollywood movies would have reached the top of the film charts without China. But the additional revenue is significant, especially for blockbuster films that can cost $200 million or more to make.

“You can grab an extra hundred million (dollars) of revenue from the Chinese market,” said Jonathan Papish, film industry analyst for China Film Insider. “You can’t do that anywhere else in the world.”

Walt Disney Co’s (DIS.N) animated “Zootopia,” known in China as “Crazy Animal City,” was Hollywood’s biggest hit there, with $236 million in ticket sales, and ranked as the third-highest-grossing movie worldwide. China’s film authorities extended the movie’s theatrical run by two weeks beyond the typical 30 days for foreign films. Read the rest of this entry »


Captain America Trilogy Motion Posters