Governor Greg Abbott today signed House Concurrent Resolution 85 (Wray, R-Waxahachie; Birdwell, R-Granbury) to posthumously award the Texas Legislative Medal of Honor to Chief Petty Officer Chris Kyle, a native Texan and Navy SEAL who served four tours in Iraq and is recognized as the most lethal sniper in United States military history. During the legislative session, Governor Abbott also dedicated a portion of Highway 287 in Midlothian, TX as “Chris Kyle Memorial Highway” and proclaimed February 2nd to be “Chris Kyle Day” in the State of Texas.
“Since its inception, the Texas Legislative Medal of Honor has been awarded to those in the State of Texas who have demonstrated extraordinary heroism as a member of state or federal military forces, and there is no one more deserving of this year’s award than Chief Petty Officer Chris Kyle,” said Governor Abbott. “Kyle is one of the legions of valiant warriors who made the ultimate sacrifice for our country and served our great nation with unrivaled honor, bravery and heroism. For his remarkable valiancy, it is my honor to posthumously award the 2015 Texas Legislative Medal of Honor to Chief Petty Officer Chris Kyle.”
“Ladies and gentleman, that is not insanity. That is just cold, calculated capital murder. He is guilty of capital murder. He is not in any way insane.”
— Attorney Jane Starnes during closing arguments
A jury has found Eddie Ray Routh guilty of capital murder in the deaths of two men, including Chris Kyle, the author of the bestselling book “American Sniper.” He was immediately sentenced to life in prison without the possibility of parole.
[Previous story, posted at 10:17 p.m. ET]
A verdict has been reached in the trial of the man accused of killing Chris Kyle, subject of the hit film “American Sniper,” and Kyle’s friend at a Texas firing range two years ago.
The reading of the verdict is expected to begin soon. The jury began deliberations at 7:36 p.m. ET.
No one disputes that Eddie Ray Routh shot and killed the men. But defense attorneys say Routh was insane.
Prosecutors dismiss that claim outright.
“Ladies and gentleman, that is not insanity. That is just cold, calculated capital murder. He is guilty of capital murder. He is not in any way insane,” said attorney Jane Starnes during closing arguments.
She claimed Routh knew the difference between right and wrong.
Starnes urged jurors to “follow the law,” allowing the law to guide them “to the true and correct verdict.”
For its part, the defense pointed to Routh’s long history of mental illness.
“He killed those men because he had a delusion. He believed in his mind that they were going to kill him,” said attorney J. Warren St. John.
Routh’s trial comes in the wake of the release of the film about Kyle, a former Navy SEAL who claimed to be the deadliest sniper in U.S. history, with 160 confirmed kills in Iraq. Read the rest of this entry »
Little is known about Routh, except that attorney J. Warren St. John will attempt to make the case that his client is not guilty by reason of insanity
Since being diagnosed with post-traumatic stress disorder in July 2011, her son had been in and out of Veterans Affairs clinics, she said. He showed no progress in two years, and his erratic behavior continued to spiral out of control.
Jodi Routh worked as an aide at the same Midlothian, Texas, elementary school that Chris Kyle’s children attended. Kyle, of course, wrote “American Sniper,” the basis for the blockbuster Clint Eastwood film, and she had heard that The New York Times bestselling author worked with fellow veterans who were having a hard time adjusting to life back home.
“Shortly after his apprehension, Routh confessed to authorities and family members that he killed both men. After becoming aggressive with guards and refusing to give up a spork and dinner tray, he was placed on suicide watch under 24-hour surveillance in the Erath County Jail.”
After the deaths of Kyle and his friend, Chad Littlefield, Beil, who also is a contributing editor for Men’s Health magazine, spent almost four months with Eddie Routh’s family detailing the Marine’s struggles after serving in Iraq and Haiti.
“At the end of the conversation, (Kyle) said, ‘I’m going to do everything I can to help your son.’ She actually cried at that point because it was the first time in over a year that anyone had said that,” Beil told CNN.
Eddie Ray Routh, 27, grew up in the Dallas suburb of Lancaster, about 20 miles east of Midlothian, Kyle’s hometown. He faces murder charges in the 2013 deaths of Kyle, 38, and Littlefield, 35.
The two men had picked Routh up that fateful day and, as a form of therapy, took him to a remote 11,000-acre resort with a gun range in Glen Rose, Texas. Read the rest of this entry »
This is the latest black eye for the Peacock Network, which has been in panic mode since its star anchor, Brian Williams, backtracked on his story that he had been shot at during his 2003 trip to Iraq
NBC is once again under fire from Iraq War veterans — this time for a correspondent’s claims that sniper Chris Kyle was “racist.”
“Mohyeldin’s statements were an inexcusable slap in the face to the widow of Chris Kyle and to all those in the armed forces who continue to serve our country in harm’s way.”
“Some of what people have described as his racist tendencies towards Iraqis and Muslims when he was going on some of these, you know, killing sprees in Iraq on assignment,” Mohyeldin said of Kyle, whose career was recently the subject of the blockbuster movie “American Sniper.”
Host Joe Scarborough was taken aback by his colleague’s comments, saying, “All right, when we come back, Ayman is going to kick around Santa Claus.” Read the rest of this entry »
Islamic State proves Kyle was right about the ‘savage’ enemy
“Savage, despicable evil. That’s what we were fighting in Iraq.” Those were among the words the late Chris Kyle, of “American Sniper” fame, used to describe the enemy he and fellow veterans of the Iraq war faced. After seeing images this week of Islamic State jihadists murdering a caged Jordanian pilot by burning him alive, can there be any real doubt that Kyle was right?
“The kidnappers then tied the Egyptian’s hands behind his back and asked him to state his name. . . . After complying, he was about to apologize for his acts, but a man gave a sign to the ‘executioner’ standing behind the hostage, who grabbed the man’s tongue and cut it off, stating that the time for excuses was past.”
We say this as a corner of liberal America has fallen over itself denouncing Clint Eastwood ’s blockbuster biopic of Kyle, who was killed in 2013 by a deranged Marine veteran. HBO’s Bill Maher called him a “psychopath patriot,” and other Hollywood action heroes like Michael Moore have weighed in similarly. Their view is that Kyle must have been inhumane since he killed scores of enemy fighters without being burdened by a guilty conscience.
“After seeing images this week of Islamic State jihadists murdering a caged Jordanian pilot by burning him alive, can there be any real doubt that Kyle was right?”
Yet the kind of butchery that Islamic State likes to advertise via YouTube was the reality Iraqis routinely faced when the Islamic State’s forbear, al Qaeda in Iraq, terrorized entire cities and towns during the height of the Iraq war. Read the rest of this entry »
‘I lost track of how many soldiers and Marines told me of their frustration with an American media that so often describes them as either nuts or victims’
Michael J. Totten writes: Clint Eastwood’s new film, American Sniper, is a blisteringly accurate portrayal of the American war in Iraq. Unlike most films in the genre, it sidesteps the politics and focuses on an individual: the late, small-town Texan, Chris Kyle, who joined the Navy SEALs after 9/11 and did four tours of duty in Fallujah, Ramadi, and Baghdad. He is formally recognized as the deadliest sniper in American history, and the film, based on his bestselling memoir, dramatizes the war he felt duty-bound to fight and his emotionally wrenching return home, with post-traumatic stress.
“All psychologically normal people feel at least some hatred for the enemy in a war zone. It’s not humanly possible to like or feel neutral toward people who are trying to kill you. Race hasn’t the faintest thing to do with it.”
The movie has become a flashpoint for liberal critics. Documentary filmmaker Michael Moore dismissed the film out-of-hand because snipers, he says, are “cowards.” “American Sniper kind of reminds me of the movie that’s showing in the third act of Inglorious Basterds,” comic actor Seth Rogen tweeted, referring to a fake Hitler propaganda film about a Nazi sniper, though he backtracked and said he actually liked the film, that it only reminded him of Nazi propaganda. Writing for the Guardian, Lindy West is fair to Eastwood and the film but cruel to its subject. Kyle, she says, was “a hate-filled killer” and “a racist who took pleasure in dehumanizing and killing brown people.”
The Navy confirms that Kyle shot and killed 160 combatants, most of whom indeed had brown skin. While he was alive, he said that he enjoyed his job. In one scene in the movie, Kyle, played by a bulked-up Bradley Cooper, refers to “savages,” and it’s not clear if he means Iraqis in general or just the enemies he’s fighting.
“What would you think of a man who kills a kid with a power drill right in front of you? Would you moderate your language so that no one at a Manhattan dinner party would gasp? Maybe you would, but Kyle wasn’t at a Manhattan dinner party.”
But let’s take a step back and leave the politics aside. All psychologically normal people feel at least some hatred for the enemy in a war zone. This is true whether they’re on the “right” side or the “wrong” side. It’s not humanly possible to like or feel neutral toward people who are trying to kill you. Race hasn’t the faintest thing to do with it.
“Here’s a medical fact: psychopaths don’t suffer from post-traumatic stress or any other kind of anxiety disorder. And cowards don’t volunteer for four tours of duty in war-torn Iraq.”
Does anyone seriously believe Kyle would have felt differently if white Russians or Serbs, rather than “brown” Arabs, were shooting at him? How many residents of New York’s Upper West Side had a sympathetic or nuanced view of al-Qaida on September 11, 2001? Some did—inappropriately, in my view—but how many would have been able to keep it up if bombs exploded in New York City every day, year after year?
What ‘American Sniper’ Tells You About Its Critics
A veteran reviews ‘American Sniper’
Matthew Braun writes: I am not at all surprised that Michael Moore and Seth Rogen don’t like American Sniper . For them, the idea of military sacrifice is absurd. We get an idea of how badly they understand the motivation of the modern American fighting man and woman when they can’t tell the difference between someone like me, with 15 years of experience in law enforcement, military intelligence, and counterterrorism, and a Nazi. No. Seriously.
American Sniper kind of reminds me of the movie that’s showing in the third act of Inglorious Basterds.
That movie is “Nation’s Pride,” the faux Nazi propaganda film-within-a-film directed by Eli Roth that plays during the film’s climactic theater scene. Moore, for his part, offered these thoughts:
My uncle killed by sniper in WW2. We were taught snipers were cowards. Will shoot u in the back. Snipers aren’t heroes. And invaders r worse
“The American Left has never been able to find the line between patriotism and jingoism.”
He later said, implausibly, he just happened to tweet this while “American Sniper ” was pulling in a massive $105 million opening weekend box-office haul and wasn’t talking at all about “American Sniper .”
An Oscar statuette earned by Frank Capra’s 1942 documentary “Prelude to War,” the first film in the United States Army Special Services’ seven-picture “Why We Fight” series, has been removed from the auction block and was returned to the care of the U.S. Army. Pictured: Frank Capra and John Ford
“Where John Ford and Frank Capra once did propaganda films during World War II, Hollywood today is irredeemably corrupted by a worldview that blames America for all the ills of the world.”
Moore’s experience with martial matters is exactly zero, and his understanding of snipers is based on a tragic anecdote from World War II. Moore never allows for the possibility that Nazi snipers might have been cowards, and that American snipers might be saving lives.
Newsflash: Like the Nazis, Al Qaeda Is Bad
War movies have changed a lot since the 1940s. War movies in the 1940s didn’t have to explain that the Nazis were bad. We take Nazis as evil for granted now; with 65 years of hindsight there are far more people around now who were never alive for Hitler’s Reich, but all of us understand that Nazis are bad.
“The American Left can’t imagine a person who actually fights to protect other Americans, who actually believes America is the greatest country on Earth, and who does it all with a Bible in his pocket. That’s a farce to them.”
Film has been, perhaps, the best teacher of this simple truth. Nazis were just Nazis in movies, even when their evil was supernatural or no longer based in reality.
“…It’s too far off from the people they have known and deal with every day to be real, so they think it’s propaganda for the Right, for America, for war.”
Unlike the war films of generations past, ‘American Sniper’ actually has to explain onscreen that al Qaeda insurgents were (and still are) bad.
The Left continues to think of the American military and foreign illegal fighters as basically being two sides of the same coin. Worse, they can’t seem to tell the difference between American service members and al Qaeda. Unlike the war films of generations past, “American Sniper” actually has to explain onscreen that al Qaeda insurgents were (and still are) bad. In explaining, and in depicting, Kyle’s firm and unflinching lack of remorse or understanding for the plight of the torturing, ambushing, child-murdering insurgent, we see a fun word on Twitter: Jingoistic.
The American Left has never been able to find the line between patriotism and jingoism. Read the rest of this entry »
Brendan Bordelon writes: As American Sniper achieves enormous box-office success, NBC reporter Ayman Mohyeldin accused Navy sniper Chris Kyle of perpetrating racially-motivated “killing sprees” during his tours of duty in Iraq.
The Egyptian-American reporter told MSNBC’s Morning Joeon Thursday that if audiences “don’t know anything about Chris Kyle — don’t know if it was a true story — this is a great movie.”
[Ayman Mohyeldin (Arabic: أيمن محيى الدين) is an Egyptian-American journalist based in Los Angeles for NBC News. He previously worked for Al Jazeera and CNN. You can send a message to compliment his fine reporting and insightful analysis @AymanM]
But, Mohyeldin argued, the heroic way Chris Kyle is portrayed in the film is “very far from reality.”
“A lot of his own personal opinions about what he was doing in Iraq,” he explained. “How he viewed Iraqis. Some of what people described as his racist tendencies towards Iraqis and Muslims as he was going on some these killing sprees in Iraq.”
Rorke Denver writes: ‘American Sniper,” the new movie about Navy SEAL Chris Kyle, has opened to staggering box-office success and garnered multiple Academy Award nominations. But not all the attention has been positive. The most vocal criticism came in the form of disparaging quotes and tweets from actor-director Seth Rogen and documentary-maker Michael Moore . Both have since attempted to qualify their ugly comments, but similarly nasty observations continue to emanate from the left.
“The very term ‘sniper’ seems to stir passionate reactions on the left. The criticism misses the fundamental value that snipers add to the battlefield. Snipers engage individual threats. Rarely, if ever, do their actions cause collateral damage.”
The bulk of Chris Kyle’s remarkable exploits took place in the Al Anbar province of Iraq in the summer of 2006. He and I were teammates at SEAL Team Three. Chris had always been a large figure in the SEAL teams. He became a legend before our eyes in Ramadi.
My fellow special-operations brothers might be shocked, but I think the comments by Messrs. Rogen and Moore have had the ironic effect of honoring Chris Kyle’s memory. They inadvertently paid Chris a tribute that joins the Texas funeral procession and “American Sniper” book sales and box office in testifying to the power of his story. I’ll get to the punch line shortly, but first please let me lay the groundwork.
“Snipers may be the most humane of weapons in the military arsenal. The job also takes a huge emotional toll on the man behind the scope. The intimate connection between the shooter and the target can be hard to overcome for even the most emotionally mature warrior. The value of a sniper in warfare is beyond calculation.”
The very term “sniper” seems to stir passionate reactions on the left. The criticism misses the fundamental value that snipers add to the battlefield. Snipers engage individual threats. Rarely, if ever, do their actions cause collateral damage. Snipers may be the most humane of weapons in the military arsenal. The job also takes a huge emotional toll on the man behind the scope. The intimate connection between the shooter and the target can be hard to overcome for even the most emotionally mature warrior. The value of a sniper in warfare is beyond calculation.
“My fellow special-operations brothers might be shocked, but I think the comments by Messrs. Rogen and Moore have had the ironic effect of honoring Chris Kyle’s memory. “
I witnessed the exceptional performance of SEAL, Army and Marine snipers on the battlefields of Iraq and Afghanistan. They struck psychological fear in our enemies and protected countless lives. Chris Kyle and the sniper teams I led made a habit of infiltrating dangerous areas of enemy-controlled ground, established shooting positions and coordinated security for large conventional-unit movement. Read the rest of this entry »
Like many movie goers I prefer to avoiding reading detailed reviews of movies before I see them, then enjoy reading a series of them right after. With the controversy surrounding American Sniper, it’s almost impossible to avoid exposure to what’s being said and written (and we’ve covered plenty of that controversy in the last few weeks) so it made even more of a challenge to stay away from reviews until I had an opportunity to see it myself.
A few hours ago, I finally saw American Sniper. I’ve only read a few reviews so far–and I plan add some of our own commentary soon–but this New Yorkerreviewimmediately struck me, because I prejudged the source. Admittedly unfair, but I don’t see the island of Manhattan as a place to expect anything but veiled score for Clint Eastwood, dislike of war films in general, and snarling distaste for this movie in particular. I’m happy to be completely wrong. Though it’s a short capsule double-movie review, given second-billing to Selma, all due credit to New Yorker film critic David Denby, for a positive, respectful, and insightful review of American Sniper.
“Clint Eastwood’s ‘American Sniper‘ is both a devastating war movie and a devastating antiwar movie, a subdued celebration of a warrior’s skill and a sorrowful lament over his alienation and misery.”
The following comment is one of the most admiring things a critic can say about a filmmaker:
“Eastwood’s command of this material makes most directors look like beginners. As Kyle and his men ride through rubble-strewn Iraqi cities, smash down doors, and race up and down stairways, the camera records what it needs to fully dramatize a given event, and nothing more.”
And this characterization of Eastwood’s skill and talent as a director is perfectly summarized:
“There’s no waste, never a moment’s loss of concentration, definition, or speed. The general atmosphere of the cities, and the scattered life of the streets, gets packed into the action…” Read the rest of this entry »
The political-themed Oscar firestorm season—or is it Oscar-themed political firestorm season?—has reached its height of late, with Clint Eastwood’s war flick American Sniper overtaking Ava DuVernay’s Selma as the preeminent flashpoint for all the grousing. (The film is up for Best Picture and Best Actor, among other awards.)
Thanks to their tweets, Michael Moore and Seth Rogen both spent the week on the receiving end of criticism from the pro-Sniper crowd, most notably Kid Rock. On Friday night’s Real Time with Bill Maher on HBO, the reliably cantankerous Maher suggested that Chris Kyle, the Navy SEAL played in the film by Bradley Cooper, is a “psychopathic patriot.” Maher also read excerpts from Kyle’s 2013 autobiography, the book on which the film is based, in which he called Iraqis “savages.”
But his critique may not have had much of an impact at the box office: Deadline reports the film…
Demand to seeAmerican Sniperis so great that it will expand to 3,705 screens this weekend, making it the most widely screened R-rated movie in history. The controversial war movie starring Bradley Cooper as a Navy SEAL made $105 million over the four-day weekend instead of the expected $50 million…(read more)
National Review Buckley fellow Ian Tuttle addressed the seething discontent on the American left over the popular success of American Sniper, saying the backlash against the story of Navy SEAL sniper Chris Kyle represents continuing “derangement” over the Bush years and the Iraq War.
“One of the reasons that Chris Kyle has garnered so much animus is because there remains a derangement when it comes to Iraq and the Bush years, against which Chris Kyle stood…”
Tuttle spoke with Fox News’ Bill O’Reilly on Wednesday about the vitriolic outpouring against Kyle by left-wing bloggers and pundits like Michael Moore and Max Blumenthal, who accused the sniper of being a coward and a mass murderer. Read the rest of this entry »
Dan Henninger writes: Barack Obama was 15 minutes into his State of the Union speech when I arrived home to watch it, having just walked back from seeing “American Sniper.”
“Watching a movie about a Navy SEAL who served four tours fighting in Iraq was not the best way to enhance the experience of a Barack Obama speech. As a matter of fact, it was pretty unbearable.”
Because Clint Eastwood directed “American Sniper” the movie is about more than the story of Chris Kyle, the highly skilled rifle marksman from Texas. In 2006, Mr. Eastwood presented two movies about the famous World War II battle of Iwo Jima. “Letters from Iwo Jima” told the story from the perspective of Japanese soldiers, and “Flags of Our Fathers” from the Americans’ side.
“Watching “American Sniper,” it is impossible to separate these catastrophes from seeing what the Marines did and endured to secure northern Iraq. Again, anyone is entitled to hate the Iraq war…”
So “American Sniper” is not a crude paean to “our boys” in the Iraq war. What it does is convey the extraordinary personal, psychological and physical sacrifice of the U.S. Marines who fought al Qaeda i”n Fallujah, Ramadi and the other towns of Iraq’s Anbar province beginning in 2003 and through the period of the Anbar Awakening, which ended with the Marines pacifying the province.
“…But no serious person would want a president to make a decision that would allow so much personal sacrifice to simply evaporate…”
It’s just a movie, so even “American Sniper’s” small slice only hints at the price America paid—some 3,500 combat deaths and another 32,000 wounded—to bring Iraq to a point of relative, if fragile, stability in 2011.
“…Which, in his serene self-confidence, is what Barack Obama did. That absolute drawdown was a decision of fantastic foolishness.”
Opinions will differ, often bitterly, on the war in Iraq and the reasons for it. In the movie, a painful funeral scene captures that ambivalence. But what is just not possible to choke down is President Obama’s decision in 2011 to reduce the U.S.’s residual military presence to virtually zero. It was a decision to waste what the Marines and Army had done. Read the rest of this entry »
Resonating With People in Smaller Cities, Military Film Has Huge $105.3 Million Debut Weekend
Ben Fritz and Dan Molinski Steve Smith: an Army veteran and schoolteacher, walked out of a movie theater in Plano, Texas, on Saturday with tears in his eyes. After years of movie studios getting the military experience wrong with films like “The Hurt Locker,” the 33-year-old said, “American Sniper” had nailed it.
“’American Sniper’ garnered better reviews than ‘Lone Survivor’ or ‘Unbroken’ and, unlike the latter two, received multiple Academy Award nominations, including for best picture—helping to ensure it performed well across the country and wasn’t exclusively a ‘red state’ phenomenon.”
Based on the memoir of Chris Kyle, reputed to be the deadliest sniper in the American military during the Iraq war, “American Sniper” opened to a phenomenal $105.3 million in the U.S. and Canada over the four-day holiday weekend, according to an estimate from distributor Warner Bros., owned by Time Warner Inc.
“What these movies share is they’re utterly unironic. They treat American values honorably.”
— Michael Moses, Universal’s co-president of marketing
Its success was driven in large part by moviegoers like Mr. Smith who live in smaller cities and don’t regularly go to the multiplex.
“Chris Kyle was a fellow veteran, a fellow Texan. He’s very much a true legend,” Mr. Smith said while holding hands with his wife, Crystal. “So it was basically a foregone conclusion I’d be here as soon as it opened.”
“When the phone calls started coming in from exhibitors, I realized we had something special happening in the South and in small towns where our movies sometimes find it difficult to resonate.”
— Dan Fellman, president of domestic distribution for Warner Bros.
Such a massive opening for a mid-budget drama was perhaps Hollywood’s biggest surprise since “Avengers” blew away box-office records by opening to $207 million in 2012. “Sniper,” directed by Clint Eastwood and starring Bradley Cooper, enjoyed the largest opening ever for a drama or R-rated film and more than doubled the prior record for Martin Luther King Day weekend.
“Its success is the strongest evidence yet that audiences including veterans and cultural conservatives who are more concentrated in the South and Midwest feel underserved by Hollywood and will turn out in droves for movies that are inspiring, patriotic and sincere.”
Comcast Corp.’s Universal Pictures also had surprising success last month with the historical military drama “Unbroken” and last year with the Afghan war movie “Lone Survivor.”
“Opening-night audiences gave “Sniper” an average grade of A+, according to market-research firm CinemaScore.”
Eight of the top 10 markets for “American Sniper” were in the South or Midwest, including San Antonio, Oklahoma City, Houston, Nashville and Albuquerque. Typically, major cities like New York and Los Angeles dominate the top theater rankings for a successful film because they have larger concentrations of frequent moviegoers and higher ticket prices.
All five of the top theaters for “Lone Survivor” were in Texas, Oklahoma and New Mexico, while “Unbroken” performed extremely well in small cities such as Mesa, Ariz., and Lehi, Utah. Meanwhile, all three movies underperformed in the Northeastern U.S. and Canada, compared with the norm. Read the rest of this entry »
Michael Moore called him a “coward.” Peter Mass of Glenn Greenwald’s the Intercept slammed him for calling Iraqis “savages.” Former Daily Beast reporter Max Blumenthaldescribed him as a “mass murderer” — a sentiment later echoed on a defaced billboard that’s advertising the most popular movie in America.
Murdered by a mentally ill veteran he was counseling in February 2013, Kyle is no longer here to defend himself. But a C-SPAN video from April 2012 does a pretty good job of putting the lie to the Left’s portrait of a remorseless sociopathic killer. Read the rest of this entry »
In a Facebook post later that day, the director, 60, defended his statements about snipers – but also attempted to distance the Tweets from the the Oscar-nominated film about real-life Navy SEAL Chris Kyle….(blah blah blah) (read more)
From director Clint Eastwood comes “American Sniper,” starring Bradley Cooper as Chris Kyle, the most lethal sniper in U.S. military history. In theaters December 25th.
Box office opening weekends: Valley of Elah $133k Rendition $4mm The Green Zone $14mm Lions for Lambs $6.7mm American Sniper $94mm
Kipp Jones reports: Clint Eastwood’s Iraq War biopic shattered box office records over the extended holiday weekend, after only debuting in four theaters nationwide.American Sniper, which was directed by Eastwood and stars Bradley Cooper as famed navy SEAL sniper Chris Kyle, became the top specialty debut of the year and the best ever for a limited Christmas release.The film reportedlå
Clint Eastwood’s Iraq War biopic shattered box office records over the extended holiday weekend, after only debuting in four theaters nationwide.
“This was the perfect film for Clint, and Bradley Cooper is one of the great American actors of today.”
— Dan Fellman, the head of domestic distribution for Warner Bros.
American Sniper, which was directed by Eastwood and stars Bradley Cooper as famed navy SEAL sniper Chris Kyle, became the top specialty debut of the year and the best ever for a limited Christmas release.
The film reportedly brought in $850,000 from four theaters over a period of four days, an average of $212,000 per location for Warner Bros.
Clint Eastwood’s Navy SEAL drama, which stars Bradley Cooper, is set to get an Oscar-qualifying run on Dec. 25
Clint Eastwood’s latest film, American Sniper, will get a sneak peek screening at AFI Fest. The drama will be shown at a screening on Tuesday, Nov. 11, at 9 p.m. at the Egyptian Theatre.
“Clint Eastwood is an American icon. His are stories that stand the test of time, and we are proud and honored to unveil his latest masterpiece.”
— A statement from AFI president Bob Gazzale
The Navy SEAL drama, which stars Bradley Cooper, is set to get an Oscar-qualifying run on Dec. 25 in select theaters before expanding Jan. 16. The film, a Warners/Village Roadshow co-production, is based on a 2012 autobiographical book written by Chris Kyle.
Eastwood is in early talks to direct the movie, based on the autobiography of Navy SEAL Chris Kyle, The Hollywood Reporter has confirmed.
Steven Spielberg was previously on board to direct the project but left earlier this month after he and the studio couldn’t come to agreement on a budget. (The parting of ways was quite amicable, according to several sources.) Bradley Cooper is attached to star and has been developing the project as a producer.
If a deal is made, that puts Eastwood in a tight schedule squeeze. The veteran filmmaker is about to begin directing Jersey Boys, the adaptation of the Broadway musical about the rise and fall of Frankie Valli and the Four Seasons.
Sniper must shoot early next year because of Cooper’s many commitments. But Eastwood is famously known for his short and efficient shoots, so the studio has no fear that he won’t be able to pull it off.
Sniper is an adaptation of Kyle’s book American Sniper: The Autobiography of the Most Lethal Sniper in U.S. Military History. It reveals how Kyle came to record the highest number of sniper kills for an American. The book has been praised for its frankness in telling a first-person account of a warrior who shoots from far and close distances.
Kyle was killed at a shooting range by a fellow veteran in February.
demonstrated extraordinary heroism as a member of state or federal military forces, and there is no one more deserving of this year’s award than Chief Petty Officer Chris Kyle,” said Governor Abbott. “Kyle is one of the legions of valiant warriors who made the ultimate sacrifice for our country and served our great nation with unrivaled honor, bravery and heroism. For his remarkable valiancy, it is my honor to posthumously award the 2015 Texas Legislative Medal of Honor to Chief Petty Officer Chris Kyle.”
of Islamic State jihadists murdering a caged Jordanian pilot by burning him alive, can there be any real doubt that Kyle was right?
Navy SEALs after 9/11 and did four tours of duty in Fallujah, Ramadi, and Baghdad. He is formally recognized as the deadliest sniper in American history, and the film, based on his bestselling memoir, dramatizes the war he felt duty-bound to fight and his emotionally wrenching return home, with post-traumatic stress.
Like many movie goers I prefer to avoiding reading detailed reviews of movies before I see them, then enjoy reading a series of them right after. With the controversy surrounding 
