Bruce Haring reports: Actress Rose Marie, whose trademark hair bow is in the Smithsonian and who had a long career spanning TV, Broadway, films, nightclubs and as a Hollywood Square, has died. She was 94 and passed away in Van Nuys, CA.
She was best known for her role as comedy writer Sally Rogers on TV’s The Dick Van Dyke Show, trading barbs with the boys club in quick-witted fashion after joining the show in 1961. After five seasons, she moved on to The Doris Day Show.
She received a star on the Hollywood Walk of Fame in October of 2001, later releasing a best-selling memoir, Hold the Roses, in 2006.
Born Rose Marie Mazzetta on Aug. 15, 1923, the same day when Broadway musical Rose-Marie opened, she started her career at age 3 by winning an amateur talent show as Baby Rose Marie.
She later segued to radio, becoming a popular guest star and eventually getting her own program on NBC. She also was a recording artist for Mercury Records. The popularity led her to a film career, where she appeared in some of the earliest talkies, including the 1929 short Baby Rose Marie the Child Wonder.
Marie appeared in several Paramount pictures, including International House and Big Broadcast of 1935.
The vivacious brunette performer transformed the image of women on television first as Van Dyke’s sexy, vulnerable wife Laura Petrie and then as single career girl Mary Richards in her own series. Her work in the two series brought Moore five Emmy Awards, in 1965, 1966, 1973, 1974 and 1976. She won another Emmy for 1993 TV special “Stolen Babies.”
Moore was also a powerhouse producer via her MTM production company with then-husband Grant Tinker, producing her own series as well as “The Bob Newhart Show” and spinoff series “Rhoda” and “Lou Grant,” among others.
She combined wholesomeness and sex appeal with cracker-jack comedic timing. In many ways Moore was a throwback to Hollywood golden era leading ladies like Myrna Loy and Jean Arthur, but with a decidedly updated twist.
Her role as Laura Petrie, the suburban wife of comedy writer Rob Petrie, also represented a step forward for the portrayal of women on television. Though they maintained separate beds, the Petries otherwise shared an active, romantic marital life. And unlike Desi Arnaz on “I Love Lucy,” Van Dyke’s character was not threatened by his wife’s talents or her intelligence.
The series made Moore a star, and she worked on films under contract at Universal. With the exception of “Thoroughly Modern Millie,” in which she played third fiddle to Julie Andrews and the scene-stealing Carol Channing, the studio’s attempts to fashion her in the Doris Day mold was unsuccessful. Moore also tried her hand at the Broadway stage, co-starring with Richard Chamberlain in David Merrick’s musical version of Truman Capote’s “Breakfast at Tiffany’s.” Read the rest of this entry »