The Evolution of the Japanese Ego: Part I 

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Michael Hoffman writes: When Adam and Eve defied God, creator and master of the universe, and ate the fruit of the tree of knowledge, what did they learn? To say “I.”

They learned that they were “naked” — they were selves, egos. As such, there was no place for them in paradise. Their expulsion was “the fall of man,” narrated in the biblical Book of Genesis.

This seems a long way from Japan. It is. Japanese myth records no “fall,” no defiance of the undefiable, no primeval descent into selfhood. The Japanese ego evolved very differently from the Western one.

This is the introductory installment of a four-part series examining what the Japanese mean when they say “I.”

A peculiarity of the Japanese language gives it many first-person pronouns, varying with circumstances, rank, age and gender, but comparatively few occasions to use them. Japanese often leaves sentence subjects
unspoken. You can speak of yourself without emphasizing and reinforcing, as Western languages force you to do, your “I-ness.”

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Japanese tradition denigrates not only selfishness but selfhood. To Buddhism it was a delusion; to Confucianism, an object of “self-cultivation” whose ultimate object is self-denying, society-dedicated “benevolence.” Bushido, the “way of the warrior,” was especially hard on the self. “The way of the warrior is death,” declared the grim 18th-century military treatise known as the “Hagakure.” “This means choosing death whenever there is a choice between life and death.” The self that instinctively protests51e9jgsshl-_sl250_ its death sentence must be rigorously suppressed: “Every day without fail one should consider oneself as dead.”

[Check out Michael Hoffman’s book, “In The Land of the Kami: A Journey Into The Hearts of Japan at Amazon.com]

The first “I” in Japanese literature is identifiable but not nameable — her name is unknown. A noblewoman and poetess, she lived in 10th-century Kyoto and left posterity a diary — the “Kagero Nikki” (“Gossamer Diary”). It’s a brilliant portrait of a soul in torment. Her “I” is her suffering; her suffering forces her into the black hole of selfhood. Hers is no plea for individualism; if anything she pleads for release from it. She would be anyone other than herself, if only she could. Other people were like other people; only she was different, condemned to the morbid isolation of selfhood by an insufficiently attentive husband and the perversity (which she admits) of her own feelings. Sharing a husband was gall to her. Polygamy among the aristocracy was the norm. Other noblewomen resigned themselves to it, more or less graciously. Why couldn’t she? Why did she alone torture herself over slights and neglect that others shrugged off? Because she was she. She wanted a husband “30 days and 30 nights a month,” and, knowing she demanded the impossible, refused to settle for less. “If only the Buddha would let me be reborn in Enlightenment,” she prays. In other words: If only the Buddha would release me from the agony of selfhood. It never happens.

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Between the long peace of her time and the long peace of the Edo Period (1603-1868) stand 500 years of war — civil war, mostly — in which bushido prevailed. Life was nothing, death everything, the self a mere sacrifice to be laid on the altar of loyalty. Read the rest of this entry »


Japan: Votive Mask of the God of Stoves

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Votive mask of the god of stoves (Kamadomen), Japan, Tohoku region, wood, 60 x 39 x 19 cm, Edo period, 18th to early 19th century, Japan

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Anything and Everything on Wheels: The Trippy Ad Trucks of Tokyo

I’ve seen some delightful examples of this when visiting Tokyo, but none as outlandish as The Grudge figure. If you’ve been in Tokyo maybe you’ve seen them too. If not…RocketNews24 has photos:

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 If you spend some time walking around the Shibuya, Shinjuku, or Ikebukuro districts of Tokyo, at some point you’re bound to spot a lavishly decorated truck blasting music from its speakers. These “ad trucks” as they’re known in Japanese are just what they sound  like – gigantic, mobile billboards with no purpose other than to drive around promoting the latest music and products.

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…While these trucks do raise some legitimate environmental concerns, there’s no denying that this eye-catching (and deafening) marketing strategy is an effective way to grab everyone’s attention…. You might be surprised by some of the wacky and suggestive things they can get away with…

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