An association of astronomers has convened to listen to the plan of Professor Barbenfouillis, their president, to fly to the moon. With the one dissenting voice quashed by Barbenfouillis and the other members, the plan is approved with Barbenfouillis choosing five others to accompany him. Most of the preparation for the trip is in building the vessel and launching mechanism, which resemble a large bullet and a large gun respectively.
Hitting the moon in the eye, the six land safely at their destination. They find that much about the moon is wonderful and fantastical, but also that much is not what they would have liked to encounter as it is life threatening. They have to find a way to get out of their alien predicament to get back home safely.
Can movement tell a story? Sure, if you’re as gifted as Akira Kurosawa. More than any other filmmaker, he had an innate understanding of movement and how to capture it onscreen. Join me today in studying the master, possibly the greatest composer of motion in film history.
It’s a very windy day, and the pedestrians passing by the Flatiron Building are having considerable difficulty in keeping their hats from flying off.
Directed by A.E. Weed
French Poster for the American film Noir ‘Gun Crazy’, which Premiered in France as ‘Le Démon des Armes’ today in 1950Posted: August 19, 2016
Above, a French promo poster for the American film noir Gun Crazy, which premiered in France as Le Démon des armes today in 1950.
[VIDEO] ‘Can We Take a Joke?’ Official Trailer HD, Featuring Adam Carolla, Lisa Lampanelli, Gilbert Gottfried, Penn JillettePosted: June 7, 2016
In the age of social media, nearly every day brings a new eruption of outrage. While people have always found something to be offended by, their ability to organize a groundswell of opposition to—and public censure of—their offender has never been more powerful. Today we’re all one clumsy joke away from public ruin. Can We Take A Joke? offers a thought-provoking and wry exploration of outrage culture through the lens of stand-up comedy, with notables like Gilbert Gottfried, Penn Jillette, Lisa Lampanelli, and Adam Carolla detailing its stifling impact on comedy and the exchange of ideas. What will future will be like if we can’t learn how to take a joke?
We love these awesomely terrible movie posters. They’re the work of artists from the West African nation of Ghana, where creating outlandish posters like this blossomed into an art form all its own that peaked during the 1980s and 90s, commonly referred to as the ‘Golden Age of Movie Posters’.
Although the title of each film is probably very familiar, the imagery in each poster might not be. That’s partially because sometimes the artists responsible for creating these posters hadn’t seen the movies themselves. Other times they simple allowed their awesome imaginations to run wild in effort to attract the biggest possible audience. They took impressive liberties with artistic license to add weapons, characters and scenes that didn’t exist in the actual movies. Painted on empty 50kg flour bags, the artists’ only creative restriction was the size of each poster, which was either the side of one bag or two sides stitched together.
Ernie Wolfe, an African art dealer who began noticing these movie posters in the early 1990s, said that the artists often have a very specific idea of the effect they were trying to create. “They are definitely very, very good artists and they paint exactly what they want,” he said. Wolfe admires their work so much that he has written two books on the genre – Extreme Canvas and Extreme Canvas 2. “Having looked at hundreds of them, you become aware of their individual hand, their idiosyncrasies and their brush strokes,” he added. Read the rest of this entry »
On set with Alfred Hitchcock – Amazing behind-the-scenes photos of the master at work. (more here)
Source: vintage everyday
The Outlaw (RKO, R-1950). Australian Daybill (13″ X 30″). Western.
Starring Jane Russell, Jack Beutel, Thomas Mitchell, Walter Huston, Mimi Aguglia, Joe Sawyer, Gene Rizzi, John Howard, and Ben Johnson. Directed by Howard Hughes and Howard Hawks…
Film processing company advertising, Business screen magazine, 1957
Plot: In this short feature by Bob Clampett, the story takes place at the Stitch in Time Hospital where their motto is “As ye sew so shall ye rip!” In the operating room Dr. Quack, assisted by Dr. Daffy Duck (“also a quack”) is about to perform surgery. As the operation starts and Dr. Quack asks for his instruments in an increasing rate, Daffy goes berserk and jumps around the room, tossing the instruments in the air and using the air bag as a punching bag.
He is then ejected from the room and ends up stuck in an iron lung. He fights his way out of it, but his body begins to inflate and deflate several times. Humiliated, Daffy insists that he will not take this lying down and states that he will soon get his own patient. Daffy opens the window and sees Porky Pig strolling by the hospital. Seeing his big chance, Daffy follows Porky around the corner and knocks him out with his mallet then carries him inside on a stretcher. Inside a hospital room, Daffy is examining Porky by checking his heartbeat with a ratty stethoscope and his temperature with a thermometer, which turn out to be a lollipop. Read the rest of this entry »
Jerry Lewis Never-Released Holocaust Film ‘The Day the Clown Cried’ Inches Closer to a Possible ScreeningPosted: August 7, 2015
Not much is known about the film’s plot except that Lewis plays a German circus clown named Helmut Doork who is sent to a concentration camp during World War II and ordered to entertain children.
Joe McGovern reports: Lovers of film history and legendary movies — even ones supposedly so tasteless that they’ve never been released—had their interest piqued this week when a piece of exciting news was dropped in the 21st paragraph of an Los Angeles Times article. The Day the Clown Cried, Jerry Lewis’ notorious unreleased Holocaust drama in which he stars as a clown playing with children before they are sent into gas chambers, has been acquired by the Library of Congress in Washington, D.C.
“After I’m gone, who knows what’s going to happen? …The only thing that I do feel, that I always get a giggle out of, some smart young guy…is going to come up with an idea and he’s going to run the f—ing thing. I would love that. Because he’s going to see a hell of a movie!”
What does this mean? Well, that we might finally see the film, though we shouldn’t hold our collective breath. According to the article, Rob Stone, the moving-image curator at the library, received the one known print of the film as part of a larger collection of Jerry Lewis work. Stone did not respond to EW’s requests for comment, but told a group of movie buffs at a festival of “lost” movies that the library has agreed not to screen the film for at least a decade.
See clips from The Day the Clown Cried, as seen in a 1972 TV documentary that aired in Belgium, below:
[Also see – interview with Jerry about the film]
Lewis, now 89, made The Day the Clown Cried in Sweden in 1971. Read the rest of this entry »
And mirroring Louie, C.K. will perform triple-duties for the film — writing, directing and starring in the indie I’m a Cop, which is being produced by heavyweight producer Scott Rudin.
“I don’t feel like I need anyone to tell me anything with a TV show because I know exactly what I’m doing, but I’d be arrogant to think that I can take someone’s $8 million and just turn in a movie. Movies are different. There’s a permanency to them.”
Rudin is producing with Dave Becky and Blair Breard, the latter an exec producer on C.K.’s Louie as well as a couple of the comedian’s specials, including the upcoming Louis C.K. Live From the Comedy Store.
“I was dealing with people every day whose pressures I didn’t understand, and I wasn’t very nice about how I said no to them. I put myself in a position I didn’t have to be in. A lot of what makes this kind of stuff work is empathy.”
The script tells of a depressed middle-aged man who is a volunteer police officer living in the shadow of his mother, a highly decorated retired officer. Read the rest of this entry »
TOYOTA PRESENTS: Baseball Party!
Graeme McMillan reports: Rarely does a certain galaxy seem quite as far, far away as it does when a new Star Wars trailer drops, as proven by Thursday’s release of the second peek at this year’s Star Wars: The Force Awakens.
The new trailer, released to coincide with the beginning of the four-day Star Wars Celebration event in Anaheim, Calif. (An event being live streamed at the official Star Wars site), gives audiences a closer look at what director J.J. Abrams has done to the space opera universe first unveiled by George Lucas in 1977’s original Star Wars. Read the rest of this entry »
RICHARD AVEDON (American, 1923-2004)
Alfred Hitchcock, Director, New York, March 16, 1956
Vintage gelatin silver studio work print
“Star Wars” is finally arriving on the world’s most wretched hive of scum and villainy: the Internet.
All six “Star Wars” movies will be available to download for the first time — legally, anyway — starting Friday, April 10, from major digital retailers like iTunes, Amazon, and Vudu.
“Hard-core fans will likely want to know that the digital versions will be the same ones that the always-tweaking George Lucas released on Blu-ray, not the original theatrical versions.”
Disney and 20th Century Fox, which together control rights to the films, will make them available to purchase for digital devices individually and as a set. Previously, “Star Wars” has been available on DVD and Blu-ray, but not online.
Prices will be set by retailers. The movies will only be available to buy, not to rent via video-on-demand. Read the rest of this entry »
- A gentleman never tells about conquests, private matters, or dealings. His business is nobody else’s.
- A gentleman doesn’t clash in public with enemies or exes, or worse, with out-of-fashion contrasts, colors or styles.
- A gentleman is always happy to serve, whether it’s opening the door, picking up the bill, or merely calling a cab the next morning. Ask him for help and he cannot refuse.
- A gentleman never reacts to rudeness. He pretends he doesn’t recognize it and moves on like it never happened, because it never should have.
- A gentleman is always on target with witty remarks, interesting facts, and conversation starters that bring the best out of everyone.
- A gentleman asks non-invasive questions to keep a conversation going and attention focused on others. He makes them feel like the most interesting person he’s ever met, whether that’s true or not.
According to The Hollywood Reporter, nine luxury cars, which were set to go to the Alps for filming on the upcoming Bond film SPECTRE, were stolen during a raid in Germany that occurred in October. Of those cars, five were Range Rover Sport models that had been customized for the film…(more)