Driven by the Spring Festival period, one of the golden times for Chinese productions, China’s domestic movies are gaining more momentum
The Chinese New Year is approaching an end, but the country’s movie industry boom seems to have just begun, thanks to record high box-office sales during the New Year holiday.
Statistics show that across the country there were over nine million Chinese going to the movies during that period. On the first day of the Spring Festival, there was a record high intake of 356 million yuan or about $57 million at the box office. That’s about 44 percent up on the same day last year.
Even on New Year’s Eve, a time traditionally devoted to family reunions, home banquets and the grand CCTV gala, Chinese moviegoers still spent 21 million yuan ($3.5 mln) in the country’s cinemas.
By Sunday, box offices for the Spring Festival holiday reached 924 million yuan ($154 mln), a 42.15% increase from last year. Industry experts say that China’s movie market is expected to gross nearly 2 billion yuan ($300 mln) during the period.
There were 7 new movies released on the first day of the Chinese New Year, which could be one reason for the high sales.
The costume action movie “Dragon Blade” starring Chinese Kungfu star Jackie Chan leads the box office charts, creating about one third of the total income. It’s followed by Chow Yun-Fat’s family comedy “The Man from Macao II” and fantasy adventure “Zhongkui: Snow Girl and the Dark Crystal”.
Rao Shuguang, the secretary-general of the China Film Association, says the recorded growth is also partly to do with the increased number of screens across the country, now at over 24,900.
Driven by the Spring Festival period, one of the golden times for Chinese productions, China’s domestic movies are gaining more momentum. Last year, Chinese domestic box-office revenue hit $4.7 billion, ranking the second largest in the world. Made-in-China movies accounted for 55 percent of the total. Read the rest of this entry »
“She has the ability to change the course of people’s lives with a click of her mouse.”
Interview with Actress Yao Chen
The Telegraph‘s Sarah Keenlyside: “Is it like having a superpower?” I ask the actress Yao Chen as she raises her coffee cup to her lips. She breaks into a broad smile as her translator explains my meaning. “I’m getting more mature,” she says, avoiding the question. “These days I am much more careful and cautious.”
China’s Answer to Angelina Jolie
“Stories abound of children’s operations that were paid for by donations from her Weibo followers.”
One could add the word “modest” to that list, because Yao, self-effacing as she is, has more followers on Weibo (China’s version of Twitter) than the population of Britain. That’s 71 million, in case you were wondering. And when five per cent of the population of one of the world’s most powerful (not to mention politically sensitive) countries is hanging on your every word, you have a lot of influence, no matter how cautious you are.
“When I was younger a family member shared the gospel with me. And over the course of that summer I read the Bible and it just answered all of the questions I had about life, so very soon after I was baptised.”
In fact, so great is that influence, she has the ability to change the course of people’s lives with a click of her mouse. Stories abound of children’s operations that were paid for by donations from her Weibo followers, of old ladies who put their entire savings into causes she supports – even of a condemned man who was suddenly hailed as a hero because of her impassioned online defence of his character (he was a friend of her father’s).
How did a nice middle-class actress conquer Weibo, China’s answer to Twitter, and turn herself into one of the most influential figures in the world?
A still from Color Me Love (2010)
So how did a 34-year-old from a small coastal city in south-east China rise from obscurity to become one of Time magazine’s 100 most powerful people on the planet? (Forbes ranked her 83rd among the world’s most influential women.) And, more to the point, why have we never heard of her?