Washington Times‘ Jessica Chasmar reports: More details are surfacing about the apparent drug overdose of Academy Award-winning actor Philip Seymour Hoffman, who was found dead inside his New York City apartment on Sunday, police said.
Mr. Hoffman, a 46-year-old New York native, won an Oscar for best actor for his portrayal of American author Truman Capote in “Capote.” He starred in many other notable films, including “Charlie Wilson’s War,” “The Master,” and the “Hunger Games” franchise.
Investigators found more than 50 glassine-type bags containing what is believed to be heroin in his apartment, along with several bottles of prescription drugs and more than 20 used syringes in a plastic cup, sources told CNN.
Mr. Hoffman reportedly had suffered from drug addiction for years. After 23 years sober, he admitted in interviews that he relapsed and developed an addiction to heroin. He checked into a rehabilitation facility last year.
Law enforcement officials said the actor’s body was discovered in the bathroom of his Greenwich Village apartment by an assistant and a friend, who called 911. Mr. Hoffman’s family called his death “tragic and sudden.”
“We are devastated by the loss of our beloved Phil and appreciate the outpouring of love and support we have received from everyone,” his family said in a statement Sunday afternoon. “This is a tragic and sudden loss and we ask that you respect our privacy during this time of grieving. Please keep Phil in your thoughts and prayers.”
Mr. Hoffman was not blessed with matinee-idol looks but his meticulous craft made him one of Hollywood’s most respected actors, able to straddle both the multiplex and the film festival audiences. He won raves for both franchise tentpoles such as the third “Mission: Impossible” film and a career-long collaboration with director Paul Thomas Anderson in such films as “Magnolia” and “Boogie Nights.”
“Philip Seymour Hoffman wasn’t just a great actor in great roles. He was a great actor in crap roles. He took dead material and gave it life. Probably the best example is his turn as the baddie in [Mission: Impossible III]. As written, it’s an utterly empty, generic villain character.
There’s a growing consensus among filmmakers that television, not film, offers the more hospitable climate for innovative work. While this might be true, here’s the anomaly: The very innovators who brought about this change still go back to movies to create their “personal” projects.
David Chase, who turned TV around with “The Sopranos,” shot his own personal story in his 2012 movie “Not Fade Away,” which pulled a fast fade earning less than $650,000 domestically. And now Matthew Weiner, who is prepping his seventh and final season of “Mad Men,” is unveiling his first significant feature directing effort, “You Are Here,” at the Toronto fest next week. His new film is a far cry from his first feature, a low-budget black-and-white pic in which he also starred, which was never released.
And while Weiner commands an imperial presence in TV land, he arrives at Toronto as a humble near-first time director, aspiring for some good reviews and, more importantly, for a distributor.