Snowflake: Naked Art Student Accidentally Hangs Herself From Tree, Wins AwardPosted: July 16, 2015 Filed under: Art & Culture, Humor, Mediasphere | Tags: Artist, Bloomberg New Contemporaries exhibition, China, Hilde Krohn Hus, London, naked, Nordic, Norway, Nude, Performance art, Special Snowflake, Tree, Twitter 1 Comment
Nordic Girl Strings Herself from Tree for Nearly Four Hours
Ryan Steadman reports: London-based artist Hilde Krohn Huse hung helplessly from a tree for 3.5 harrowing hours at the hands of… herself.
The artist, who is originally from Norway but has lived in London since she was young, decided to suspend herself from a tree with rope in a forest near Aukra, Norway as part of a video piece for an art class.
“I felt sick when I saw the video for the first time, I experienced everything anew. But I slept on it and realized that the video is quite decent.”
Award-winning artist Hilde Krohn Huse
Clearly, something went awry, and the 26-year-old Ms. Huse found herself strung out in the buff, unable to free herself.
[See the full video Hilde Krohn Huse’s website]
“The video ends when the camera shuts off, but I was there calling for help for another 30 minutes,” Ms. Huse told Norway’s VG newspaper about the incident. “I felt sick when I saw the video for the first time, I experienced everything anew. But I slept on it and realized that the video is quite decent.”
As luck would have it, Ms. Huse’s video was chosen for the prestigious Bloomberg New Contemporaries exhibition, where the work of 37 promising fine arts graduates in the U.K. is showcased…(read more)
Bonus: Enjoy this long, depressing, confessional, navel-gazing, “actuality of truthfulness’ video by the artist, from Nov 26, 2014
And for our multilingual readers, enjoy this original story from Norway’s vg.no
Hilde Krohn Huse (26) hang naken i et tre i en halv time før noen fant henne, men det ble litt av en video ut av det hele.
Videoen har vunnet Bloomberg New Contemporaries 2015, en konkurranse for engelske sisteårsstudenter. Premien er å få videoen utstilt i et storstilt galleri som åpnes opp i november – der vil verkene vises i ett år.
Hilde Krohn Huse er en av 37 andre som vil få sitt verk utstilt i galleriet som ligger på veien opp mot Buckingham Palace, men det var ikke planlagt at 26-åringen skulle lage vinnerfilm.
I utgangspunktet skulle Huse ut å filme en scene til en videoserie hun holdt på med. Hun gikk ut i skogen ved hjemstedet Aukra i Møre og Romsdal, rigget kameraet klart og begynte å henge i repet– så hektet foten seg fast.
– Der videoen slutter slo kameraet seg av, men jeg hang der og ropte på hjelp i 30 minutter, sier Huse til VG på telefon fra London.
En venn hørte til slutt ropene og kom til unnsetning. Read the rest of this entry »
[VIDEO] Performance Artist Searches for an Actual Needle in an Actual HaystackPosted: November 15, 2014 Filed under: Art & Culture, Entertainment, Mediasphere | Tags: Abuse, ARTnews, Columbia University, Jay-Z, Marina Abramović, Mattress, Museum of Modern Art, New York City, Performance art, Sexual assault 1 Comment
Sam Frizell reports: In a very literal interpretation of the idiom “finding a needle in a haystack,” performance artist Sven Sacselber tries to do exact that. For about two days in a gallery in Paris, he is attempting to find an actual needle in an actual mound of hay.
Performance art often straddles a fine line between brilliance and inanity. Marina Abramović adventurous “Rhythm” series and Joseph Beuys shamanic “I Like America and America Likes Me” are widely agreed to have achieved the former category. Read the rest of this entry »
The Picasso EffectPosted: August 13, 2013 Filed under: Reading Room | Tags: Art, Holy Grail, jayz, Magna Carta, Pablo Picasso, Paint, Performance art, Picasso 1 Comment
What The Success of Cubism Teaches Us About Radical Innovation
Paris, 1907. In a ramshackle studio in Montmartre, a twenty-six year-old Spanish artist presented the painting he had been working on day and night for the best part of a year to a small group of fellow artists, dealers and friends. They were visibly aghast.
One considered the work “a veritable cataclysm”. Another concluded that its creator must be on the brink of suicide. None could foresee that it would one day be considered the most influential artwork of the twentieth century.
The painting, then untitled, was later to become known as Les Demoiselles d’Avignon. It is credited as the first work of Cubism, and the catalyst for a revolution in Western art and culture.
The reaction of its first viewers that day was understandable. Les Demoiselles was ugly, chaotic and confusing: everything art was not supposed to be. It represented a wrenching, violent rupture with artistic convention. It flouted laws of perspective, representation and beauty that had endured for over four hundred years.
In a predictable world, Les Demoiselles would have been regarded as a regrettable aberration and quickly forgotten. Yet within a few years, Cubism had become the dominant art movement in Europe, and Cubist artists were commanding sky-high prices for their work.
The painting’s creator, at the time barely known outside of Montmartre, went on to become the most famous artist in the world. The name “Pablo Picasso” became synonymous with “genius”.