Fake News: Postmodernism By Another NamePosted: January 28, 2017 Filed under: History, Mediasphere, Politics, Think Tank | Tags: Ben Rhodes, Broadway theatre, Clintons, Cultural Marxism, Donald Trump, fake news, Federal Bureau of Investigation, Fiction, Hillary Clinton, James Comey, Jonathan Gruber, journalism, Marxism, Postmodern, Postmodernism, Progressivism, The New York Times, Twitter, Victor Davis Hanson Leave a comment
Victor Davis Hanson writes: After the election, Democrats could not explain the inexplicable defeat of Hillary Clinton, who would be, they thought, the shoo-in winner in November. Over the next three months until Inauguration Day, progressives floated a variety of explanations for the Trump win—none of them, though, mentioned that the Clinton campaign had proven uninspired, tactically inept, and never voiced a message designed to appeal to the working classes.
When a particular exegesis of defeat failed to catch on, it was mostly dropped—and then replaced by a new narrative. We were told that the Electoral College wrongly nullified the popular vote—and that electors had a duty to renege on their obligations to vote for their respective state’s presidential winner.
“Fake news is something quite different. It is not merely a public figure’s spinning of half-truths. It is largely a media-driven, and deliberate attempt to spread a false narrative to advance a political agenda that otherwise would be rejected by a common-sense public.”
Then followed the narrative of Trump’s racist dog-whistle appeals to the white working classes. When it was reported that Barack Obama had received a greater percentage of the white votes than did either John Kerry in 2004 or Hillary Clinton in 2016, the complaint of white chauvinism too faded.
“The methodology is to manufacture a narrative attractive to a herd-like progressive media that will then devour and brand it as fact—and even lobby for government redress.”
Then came the allegation that FBI Director James Comey had given the election to Trump by reopening the investigation of Hillary Clinton’s emails just days before Election Day. That fable too evaporated when it was acknowledged that Comey had earlier intervened to declare Clinton without culpability and would so again before November 8.
[Read the more here, at Hoover Institution]
Then came the trope that Vladimir Putin’s hackers stole the election—on the theory that the Wikileaks revelations had turned off the electorate in a way the Clinton candidacy otherwise would not have. That storyline then evolved into the idea of Russian propagandists and Trump supporters variously peddling “fake news” to websites to promulgate myths and distortions—as a grand plan to Hillary Clinton and give Trump the election.
More specifically, it was alleged that Trump’s exaggerations and fabrications—from his allegations about Barack Obama’s birth certificate to rumor-mongering about Ted Cruz’s father—had so imperiled journalism that the media in general was forced to pronounce there was no longer a need to adhere to disinterested reporting in the traditional sense.
“No one has described the methodology of fake news better than Ben Rhodes, a deputy national security advisor for Barack Obama and brother of the president of CBS News, David Rhodes.”
The New York Times’ Jim Rutenberg and CNN’s Christiane Amanpour confessed that they could not be fair in reporting the news in the era of Donald Trump. Apparently, being fair had become tantamount to being a co-conspirator in Trump falsity. The New York Times in a post-election op-ed explained why it had missed the Trump phenomenon, admitting, but not necessarily lamenting, that its own coverage of the election had not been fair and balanced.
“Ben Rhodes cynically bragged about how the Obama administration had sold the dubious Iran deal through misinformation picked up by an adolescent but sympathetic media (for which Rhodes had only contempt).
Yet all politicians fib and distort the truth—and they’ve been doing so since the freewheeling days of the Athenian ekklesia. Trump’s various bombastic allegations and claims fall into the same realm of truthfulness as Obama’s statement “if you like your health plan, you can keep it”—and were thus similarly cross-examined by the media.
“As Rhodes put it, ‘The average reporter we talk to is 27 years old, and their only reporting experience consists of being around political campaigns. That’s a sea change. They literally know nothing.’”
Yet fake news is something quite different. It is not merely a public figure’s spinning of half-truths. It is largely a media-driven, and deliberate attempt to spread a false narrative to advance a political agenda that otherwise would be rejected by a common-sense public. The methodology is to manufacture a narrative attractive to a herd-like progressive media that will then devour and brand it as fact—and even lobby for government redress.
[Read the full story here, at Hoover Institution]
Trump’s lawyer Michael Cohen has never been to Prague to negotiate quid pro quo deals with the Russians. Trump did not watch Russian strippers perform pornographic acts in the bedroom that Barack Obama once stayed in during a visit to Moscow. Yet political operatives, journalists, and even intelligence officers, in their respective shared antipathy to Trump, managed to lodge these narratives into the public consciousness and thereby establish the “truth” that a degenerate Trump was also a Russian patsy.
No one has described the methodology of fake news better than Ben Rhodes, a deputy national security advisor for Barack Obama and brother of the president of CBS News, David Rhodes. Read the rest of this entry »