There is perhaps no other film festival in the world whose annual poster is so anticipated, dissected and collected as the Cannes Film Festival. After paying homage last year to Marcello Mastroianni in Federico Fellini’s 8 1/2, this edition has chosen to honor Ingrid Bergman at the centenary of her birth. The Cassablanca star and three-time Oscar-winner was jury president in Cannes in 1973.
She worked with such directors as Alfred Hitchcock, Roberto Rossellini and Ingmar Bergman; and starred opposite iconic actors including Cary Grant, Humphrey Bogart and Gregory Peck. A documentary by Stig Björkman, Ingrid Bergman, In Her Own Words, will feature in the Cannes Classics section in May, the fest said today….(read more)
A Movie for All Time: Groundhog Day
Re-running this Feb. 2005 cover story, year after year, is a tradition at NRO. It’s a thoughtful and entertaining review, for a beloved cult movie that’s gotten an unusual amount of attention, for a comedy, over the years, since its release in 1983. Both serious and funny (it’s funny first) Groundhog Day is also moral, and spiritual, in ways we don’t expect. Every religion, creed, faith, philosophy known to man claims the movie’s message as its own. In scholarly theological circles, no less, it’s generated a lot of ink, and a lot of discussion. This article is a good summary of all that.
Jonah Goldberg writes:
Here’s a line you’ll either recognize or you won’t: “This is one time where television really fails to capture the true excitement of a large squirrel predicting the weather.” If you don’t recognize this little gem, you’ve either never seen Groundhog Day or you’re not a fan of what is, in my opinion, one of the best films of the last 40 years. As the day of the groundhog again approaches, it seems only fitting to celebrate what will almost undoubtedly join It’s a Wonderful Life in the pantheon of America’s most uplifting, morally serious, enjoyable, and timeless movies.
When I set out to write this article, I thought it’d be fun to do a quirky homage to an offbeat flick, one I think is brilliant as both comedy and moral philosophy. But while doing what I intended to be cursory research — how much reporting do you need for a review of a twelve-year-old movie that plays constantly on cable? — I discovered that I wasn’t alone in my interest.