Moon landing! Moon landing! For everyone who wondered whether we’d see the moon landing, it’s all over “Waterloo”—the lead-up to it, where people worried about the astronauts, and the landing itself. The title “Waterloo” is made explicit by Bert in a conversation with Roger about Don’s attempt at a comeback.
The episode looks at defeats and comebacks.
Ted takes Sunkist clients in a plane and, for kicks, cuts the engine. Jim and Pete yell at him over the phone about how Ted expressed a death-wish. Turns out that what Ted really wants is for Jim to buy him out, so he can leave advertising.
The Don comeback comes to a head after Lou storms in Jim’s office, furious that they didn’t get Commander cigarettes. Jim snipes at him that “you’re only a hired hand,” but then writes a letter with all the partners’ names on it, firing Don for his breach of contract meeting with Commander. Don is furious and stomps into Jim’s office, then shouts for Roger, Joan and Bert. There’s an impromptu partners’ meeting in he hall—Joan sends Harry away, reminding him he’s not a partner yet. Don says they should raise their hands if they want to play parliamentary procedure. Jim says he has Ted’s vote by proxy (we know he may not), but only he and Joan vote Don out. Pete, Bert, Roger and Don vote he stays. And though Joan says she’s tired of Don losing them money, she also tells Jim, “You shouldn’t have done that.” Read the rest of this entry »
One of the more involved and insightful deep-dish Mad Men pieces I’ve seen this season, from an unlikely source, it’s a pleasure to read TV show analysis this dedicated. If you’re a Don Draper fan like me, read the whole thing.
Are Don and Megan Draper finally over? In the major arc before the first commercial break, Don speaks long-distance to Megan’s agent and learns that Megan has been exhibiting desperate (stalker-like) behavior toward industry types in L.A. Don flies out unannounced in the middle of the week. Megan’s libidinal delight upon his arrival turns to melancholy as she reflects on her rejections (“It’s sunny here for everyone but me”) and then to outrage when she learns the reason for Don’s visit (“You came out here to, what, pull me out of a bathtub where I slit my wrists?”) and then to suspicion and accusation (“You’re never [in the office] when I call. … Who’s your new girl, Don?”—by which she means mistress, not secretary). Don confesses, not to having an affair, but to having been on leave from SC&P since Thanksgiving (it is now early spring). Megan is furious over the secrecy, and furious that all this time he could have been with her in L.A. but chose not to. She throws him out, with “This is the way it ends.”
I indulge in bald plot-summary here because I have waited so long in patience for these two to split up. As Megan ca. 1968-69, Jessica Paré is a tedious screen presence in hideous clothes. Their crackup has always seemed a foregone conclusion, given how impulsively Don proposed (at Disneyland!) in Season Four and how incapable he is of husband-like qualities (sustained honesty, loyalty, sobriety). The writers have been flirting with it since the midpoint of Season Five. Get on with it! A long-distance phone call later in the episode may or may not herald a rapprochement; let us hope not. Read the rest of this entry »