The series, the digital network’s biggest hit, returns with guests including Aziz Ansari, Robert Klein, Sarah Jessica Parker, Jon Stewart and George Wallace. In the shortform show, Seinfeld chats with the comedians in coffee shops and they drive around in classic autos to unlikely locales.
Last month Crackle announced that “Comedians in Cars Getting Coffee” will add on 24 new episodes, taking the series through season nine, all sponsored exclusively by Acura. Read the rest of this entry »
Some thoughts on the celebrity of Sarah Silverman.
Kevin D. Williamson writes: ‘I saw my father’s penis once. But it was okay, because I was so young . . . and sodrunk.” Thus one of the important cultural voices in modern American liberalism explores what our credulous Freudian friends would call her Electra complex. If, somewhere in this or another galaxy, an advanced alien race is monitoring the broadcasts of Sarah Silverman, we can be sure that they will not be much tempted to visit.
Silverman is a model American of the age, whose craft consists of taking a very old tradition, Jewish ethnic humor, and making it embarrassing. Barack Obama is a fan — it is not mere cultural accident that their careers are contemporaneous — while semi-serious intellectual salons host her, to their occasional regret. This is an age of infantile politics, the motto of which is: “I want!” It is only natural that this would be matched by an equally infantile popular culture — it is the infantile culture that brings about the infantile politics, not the other way around — and that one of the more significant evangelists for Barack Obama and Obamaism would be a woman who starred in a faux French New Wave film called Féte des Pets (Fart Party) and published Eat, Pray, Fart: Life Lessons from the Sarah Silverman Program.
Freud’s triune description of the human personality may be useless as a model of the mind, but it works as a method of classifying comedians. There are practitioners of the comedy of the superego, rare birds such as Bob Newhart, whose main subject, stated or not, is social convention. More common are the comedians of the ego, such as Richard Pryor, whose main subject is the comedian himself and his personality. Miss Silverman, with her fascination with all things squeamishly infantile — her father’s genitals, and her mother’s, too — is the reigning queen of the comedy of the id. Her career is considered in some quarters groundbreaking, on the theory that she has advanced the cause of feminism by demonstrating that women can be as gross and tacky as men, as though there were people to whom this fact needed to be demonstrated.