[BOOKS] On Howard Stern, Actress Lena Dunham Credits President Trump for Her Weight Loss Success, Debuts New Diet BookPosted: February 7, 2017
“Donald Trump became president and I stopped being able to eat food.”
— Actress and diet book author Lena Dunham
“Everyone’s been asking like, ‘What have you been doing?’ And I’m like, ‘Try soul-crushing pain and devastation and hopelessness and you, too, will lose weight.’”
“Donald Trump became president and I stopped being able to eat food,” she told Stern after he complimented her look. “Everyone’s been asking like, ‘What have you been doing?’ And I’m like, ‘Try soul-crushing pain and devastation and hopelessness and you, too, will lose weight.’”
The actress, who was on hand to promote the upcoming sixth and final season of Girls, has not been shy about her dislike for the President, and apparently, the feeling is mutual. Read the rest of this entry »
“Talking to Myself”: A segment from The Dick Van Dyke Show, Season 3, Episode 29, 1964, “Dear Mrs. Petrie, Your Husband Is in Jail“, displaying Dick Van Dyke‘s talent for solo comedic acting. Who needs dialogue? Who needs other actors, when you can get laughs by talking to yourself? A classic moment from TV sitcom history. Directed by Jerry Paris, writing credits: Jerry Belson, Garry Marshal, Carl Reiner….(more)
See her full interview here.
The vivacious brunette performer transformed the image of women on television first as Van Dyke’s sexy, vulnerable wife Laura Petrie and then as single career girl Mary Richards in her own series. Her work in the two series brought Moore five Emmy Awards, in 1965, 1966, 1973, 1974 and 1976. She won another Emmy for 1993 TV special “Stolen Babies.”
Moore was also a powerhouse producer via her MTM production company with then-husband Grant Tinker, producing her own series as well as “The Bob Newhart Show” and spinoff series “Rhoda” and “Lou Grant,” among others.
She combined wholesomeness and sex appeal with cracker-jack comedic timing. In many ways Moore was a throwback to Hollywood golden era leading ladies like Myrna Loy and Jean Arthur, but with a decidedly updated twist.
Her role as Laura Petrie, the suburban wife of comedy writer Rob Petrie, also represented a step forward for the portrayal of women on television. Though they maintained separate beds, the Petries otherwise shared an active, romantic marital life. And unlike Desi Arnaz on “I Love Lucy,” Van Dyke’s character was not threatened by his wife’s talents or her intelligence.
The series made Moore a star, and she worked on films under contract at Universal. With the exception of “Thoroughly Modern Millie,” in which she played third fiddle to Julie Andrews and the scene-stealing Carol Channing, the studio’s attempts to fashion her in the Doris Day mold was unsuccessful. Moore also tried her hand at the Broadway stage, co-starring with Richard Chamberlain in David Merrick’s musical version of Truman Capote’s “Breakfast at Tiffany’s.” Read the rest of this entry »
Mollie Hemingway on Trump Bashing Katy Tur: She’s Being Overly Sensitive.
“The sensitivity and defensiveness that we’re seeing among media people when they’ve done so much to destroy civil discourse and to disparage the views of so many people, I’m not that impressed.”
Kyle Olson reports: Barack Obama was out stumping for the ailing Hillary Clinton today, but that didn’t stop him from talking about himself.
The president rallied with Clinton supporters in Philadelphia and when doing so, managed to mention himself 137 times.
At one point, after running down a list of what he considered accomplishments of his presidency, someone in the audience shouted out about lower gas prices.
“Thank you for reminding me,” he replied. “Thanks, Obama,” he said to himself. Read the rest of this entry »
Charge: sequence in film was ‘work of fiction’ that damaged reputation of commentators.
Gun rights advocates don’t enjoy being falsely depicted as dimwits who can’t answer the most basic of questions about their No. 1 public policy issue.
Erik Wemple reports: That’s the takeaway from a defamation lawsuit filed today against Katie Couric and the producers of “Under the Gun,” a documentary about gun violence in the United States. Having debuted at the Sundance Film Festival in January, the documentary itself came under the gun in May, when members of the Virginia Citizens Defense League (VCDL) claimed that it slighted them by mal-editing an interview in which they’d participated. In response to a question from Couric, the film’s narrator, the gun rights advocates were depicted as sitting in baffled silence for nearly 10 seconds.
In fact, they had supplied an extensive response to Couric’s question.
Many onlookers, including the Erik Wemple Blog, blasted the film for this portrayal. Couric, the global anchor of Yahoo News, initially stood by the product but ultimately apologized for the “misleading” edit. The film’s director, Stephanie Soechtig, wasn’t so contrite. “I think it’s sad to say that these eight seconds didn’t give the VCDL a platform to speak. Their views are expressed repeatedly throughout the film; we know how they feel about background checks. They said it earlier in the film,” said Soechtig in an interview after the furor.
Intransigence of that sort may bedevil Soechtig in a legal action filed by the VCDL and two gun rights defenders in the film — Daniel Hawes and Patricia Webb — against Couric, Soechtig, Atlas Films and Epix, the documentary’s distributor. Filed in a Virginia federal court by Elizabeth Locke of Clare Locke LLP, the complaint states, “The Defendants manipulated the footage in service of an agenda: they wanted to establish that there is no basis for opposing background checks, by fooling viewers into believing that even a panel of pro-Second Amendment advocates could not provide one.” It seeks compensatory damages of $12 million, and punitive damages of $350,000 per plaintiff.
The filmmakers gave this particular lawsuit a galloping start, with a dreadful sequence that comes less than a half-hour into the one-hour-and-45-minute documentary. Seated in a circle are members of the VCDL against a dark backdrop. Couric asks this question: “If there are no background checks for gun purchasers, how do you prevent felons or terrorists from purchasing a gun?” In response, the VCDL members say precisely nothing. They stare into space, or at the floor. Brain-freeze appears to have enveloped them.
As the suit notes, this depiction is a “work of fiction.” The VCDL members actually filled Couric’s ear; Hawes, for example, said this:
The fact is we do have statutes, both at the federal and state level that prohibit classes of people from being in possession of firearms. If you’re under 18, in Virginia, you can’t walk around with a gun. If you’re an illegal immigrant, if you’re a convicted felon, if you’ve been adjudicated insane, these things are already illegal. So, what we’re really asking about is a question of prior restraint. How can we prevent future crime by identifying bad guys before they do anything bad? And, the simple answer is you can’t. And, particularly, under the legal system we have in the United States, there are a lot of Supreme Court opinions that say, “No, prior restraint is something that the government does not have the authority to do.” Until there is an overt act that allows us to say, “That’s a bad guy,” then you can’t punish him.
That argument, notes the complaint, is part of the six minutes that the gun rights advocates spent answering Couric’s question. Showing the VCDL as dumbfounded required some work on the part of the filmmakers. In coordinating the interview with the VCDL advocates, Couric and a cameraman from Atlas Films told them that they needed to sit in silence for 10 seconds so that the crew could calibrate the “recording equipment.” It was this passage that “Under the Gun” placed in the film instead of the actual answers supplied to the question about background checks. The suit alleges that this moment carried particular implications for each of the named plaintiffs in the case. Webb is a licensed firearms dealer (Gadsden Guns Inc.), and the edits indicate that “she lacks knowledge regarding background checks — a requirement for every gun sale she does,” argues the complaint. Hawes is an attorney who handles cases involving firearms, and the film suggests that “he lacks the legal expertise and oral advocacy skills required to perform his duties.” Read the rest of this entry »
Erin Blakemore reports Forty-seven years ago, mankind achieved what was once unthinkable when Neil Armstrong stepped onto the surface of the moon. But getting him there involved more than strapping the astronaut to a rocket and pressing “go.” Armstrong and his colleagues headed to space in the most advanced spacecraft of their time: the Apollo 11 command module, Columbia. Now, you can explore the module without leaving your couch with the help of a newly-released 3D model that offers unprecedented access to one of history’s most important technological achievements—and the inside scoop on what it was really like to be an Apollo astronaut.
The model is the result of painstaking digitization efforts by the Smithsonian Institution, which houses Columbia at the National Air and Space Museum, and Autodesk, Inc. Given the complexity of the craft—and the fact that photographers weren’t allowed to actually touch it while capturing every nook and cranny—the 3D model is an impressive feat.
It’s available to anyone with an internet connection and offers glimpses unavailable to museum visitors, who are not allowed to explore the inside of the craft. The model can be viewed online, but also comes with publicly available data files for 3-D printing or viewing with virtual reality goggles.
Armstrong, Edwin “Buzz” Aldrin and Michael Collins lived in Columbia during their time in space on the Apollo 11 mission, which launched from Cape Kennedy on July 16, 1969. Four days later, Aldrin and Armstrong headed to the moon’s surface on the “Eagle” lunar module.
Columbia itself is filled with clues as to life as an early astronaut. While photographing the inside of the module, curators discovered markings made by the astronauts on their mission, including information relayed by mission control and a hand-drawn calendar that documents the journey. The men even scribbled notes to one another on the walls, including a warning about “smelly waste!” that presumably cautioned intrepid explorers to keep away from a certain panel on the cramped craft. Read the rest of this entry »