Bruce Haring reports: Actress Rose Marie, whose trademark hair bow is in the Smithsonian and who had a long career spanning TV, Broadway, films, nightclubs and as a Hollywood Square, has died. She was 94 and passed away in Van Nuys, CA.
She was best known for her role as comedy writer Sally Rogers on TV’s The Dick Van Dyke Show, trading barbs with the boys club in quick-witted fashion after joining the show in 1961. After five seasons, she moved on to The Doris Day Show.
She received a star on the Hollywood Walk of Fame in October of 2001, later releasing a best-selling memoir, Hold the Roses, in 2006.
Born Rose Marie Mazzetta on Aug. 15, 1923, the same day when Broadway musical Rose-Marie opened, she started her career at age 3 by winning an amateur talent show as Baby Rose Marie.
She later segued to radio, becoming a popular guest star and eventually getting her own program on NBC. She also was a recording artist for Mercury Records. The popularity led her to a film career, where she appeared in some of the earliest talkies, including the 1929 short Baby Rose Marie the Child Wonder.
Marie appeared in several Paramount pictures, including International House and Big Broadcast of 1935.
The actor reflected on the landmark 2007-2015 series and his performance as Don Draper in a wide-ranging Q&A Saturday night held as part of the New Yorker Festival.
Hamm told New Yorker articles editor Susan Morrison that the AMC drama was a transformational experience, personally and professionally.
“To have that kind of omnibus experience is once in a lifetime, if you’re lucky,” he said during the session held at SIR Stage37. “Navigating the success, what the show became. that was the trickiest part,” Hamm added.
Now that the series has ended, Hamm told Morrison, he’s looking to branch out.
“The fun of being an actor is getting to different things” after playing Don Draper for seven seasons. “It wasn’t that I wanted to react against and play the opposite, but I definitely wanted to do different things,” he said.
Morrison asked Hamm about his comedy chops, showing clips from “Bridesmaids,” “Saturday Night Live,” and “30 Rock.” A self-described comedy geek, Hamm credited his creative journey from losing his mother at the age of 10 and eventually finding a nurturing environment in his “wildly progressive” St. Louis high school, John Burroughs School.
“We didn’t have cable TV,” he said. “You had to like, read books and listen to albums and cassette tapes.” Hamm cited Spy magazine, Monty Python, and comedians including Bob Newhart, George Carlin, and Richard Pryor as inspirations. He even liked Cheech and Chong, adding ruefully, “My grandmother did not like that one. It literally had a car-sized joint on it.” Read the rest of this entry »
The decision came after the network deleted and retracted a post on Friday.
Jon Passantino reports: CNN is imposing strict new publishing restrictions for online articles involving Russia after the network deleted a story and then issued a retraction late Friday, according to an internal email obtained by BuzzFeed News.
The email went out at 11:21 a.m. on Saturday from Rich Barbieri, the CNNMoney executive editor, saying “No one should publish any content involving Russia without coming to me and Jason,” a CNN vice president.
“This applied to social, video, editorial, and MoneyStream. No exceptions,” the email added. “I will lay out a workflow Monday.”
The new restrictions also apply to other areas of the network — not just CNNMoney, which wasn’t involved with the article that was deleted and retracted. Read the rest of this entry »
Greg Evans writes: Full-page ads in today’s The New York Times, The Los Angeles Times and The Washington Post feature a striking image and little text to explain: “The Russians Are Here” says a banner headline, above a Washington Monument shrouded in an old Soviet-style hammer and sickle flag.
Smaller text at the bottom of the page reads: THERUSSIANSAREHERE.ORG. An anti-Trump faction? An alarmist watchdog?
Nah. The ad actually is a well-disguised For Your Consideration ad for FX’s The Americans, and the web address opens with a photo of gun-toting stars Keri Russell and Matthew Rhys surrounded by laudatory critics’ quotes. Click on the page’s “FYC” icon and up pops a roster of 11 cast members FX suggests is Emmy-worthy.
Another click takes you to a page full of videos of Season 5 episodes, plus a few promos. Read the rest of this entry »
No one has been identified yet. These disclosures likely will trickle out once the people affected are told.
“A necessary component of managing change involves constantly evaluating how we best utilize all of our resources, and that sometimes involves difficult decisions,” ESPN President John Skipper says in a memo to staffers.
Changes in ESPN content must “go further, faster…and as always, must be efficient and nimble,” he says.
That means “we have been engaged in the challenging process of determining the talent—anchors, analysts, reporters, writers and those who handle play-by-play—necessary to meet those demands. We will implement changes in our talent lineup this week. A limited number of other positions will also be affected and a handful of new jobs will be posted to fill various needs.”
ESPN said in March that the layoffs announced today were a possibility.
Bewitched, Bothered & Beleaguered: Bill O’Reilly Signs with AMC to Play Zombie in Upcoming Episode of ‘The Walking Dead’Posted: April 11, 2017
Jimmy Kimmel made a fake United Airlines ad in response to Sunday’s incident on the airlines, in which a passenger was dragged off a plane.
The late-night host began by asking his audience who flew from out of town to come see his show, eliciting an unsurprisingly loud uproar from the crowd.
“I’m glad none of you were yanked off the plane,” he continued as he transitioned into a breakdown of what exactly happened in the United Airlines incident. Kimmel explained that United employees chose four passengers to remove from the flight since it was overbooked, and the airline needed to give seats to its employees. One man refused to leave, saying he was a doctor and needed to get to the hospital to attend to his patients in the morning. He was forcibly dragged out of the plane. Read the rest of this entry »
[BOOKS] On Howard Stern, Actress Lena Dunham Credits President Trump for Her Weight Loss Success, Debuts New Diet BookPosted: February 7, 2017
“Donald Trump became president and I stopped being able to eat food.”
— Actress and diet book author Lena Dunham
“Everyone’s been asking like, ‘What have you been doing?’ And I’m like, ‘Try soul-crushing pain and devastation and hopelessness and you, too, will lose weight.’”
“Donald Trump became president and I stopped being able to eat food,” she told Stern after he complimented her look. “Everyone’s been asking like, ‘What have you been doing?’ And I’m like, ‘Try soul-crushing pain and devastation and hopelessness and you, too, will lose weight.’”
The actress, who was on hand to promote the upcoming sixth and final season of Girls, has not been shy about her dislike for the President, and apparently, the feeling is mutual. Read the rest of this entry »
“Talking to Myself”: A segment from The Dick Van Dyke Show, Season 3, Episode 29, 1964, “Dear Mrs. Petrie, Your Husband Is in Jail“, displaying Dick Van Dyke‘s talent for solo comedic acting. Who needs dialogue? Who needs other actors, when you can get laughs by talking to yourself? A classic moment from TV sitcom history. Directed by Jerry Paris, writing credits: Jerry Belson, Garry Marshal, Carl Reiner….(more)
See her full interview here.
The vivacious brunette performer transformed the image of women on television first as Van Dyke’s sexy, vulnerable wife Laura Petrie and then as single career girl Mary Richards in her own series. Her work in the two series brought Moore five Emmy Awards, in 1965, 1966, 1973, 1974 and 1976. She won another Emmy for 1993 TV special “Stolen Babies.”
Moore was also a powerhouse producer via her MTM production company with then-husband Grant Tinker, producing her own series as well as “The Bob Newhart Show” and spinoff series “Rhoda” and “Lou Grant,” among others.
She combined wholesomeness and sex appeal with cracker-jack comedic timing. In many ways Moore was a throwback to Hollywood golden era leading ladies like Myrna Loy and Jean Arthur, but with a decidedly updated twist.
Her role as Laura Petrie, the suburban wife of comedy writer Rob Petrie, also represented a step forward for the portrayal of women on television. Though they maintained separate beds, the Petries otherwise shared an active, romantic marital life. And unlike Desi Arnaz on “I Love Lucy,” Van Dyke’s character was not threatened by his wife’s talents or her intelligence.
The series made Moore a star, and she worked on films under contract at Universal. With the exception of “Thoroughly Modern Millie,” in which she played third fiddle to Julie Andrews and the scene-stealing Carol Channing, the studio’s attempts to fashion her in the Doris Day mold was unsuccessful. Moore also tried her hand at the Broadway stage, co-starring with Richard Chamberlain in David Merrick’s musical version of Truman Capote’s “Breakfast at Tiffany’s.” Read the rest of this entry »
Mollie Hemingway on Trump Bashing Katy Tur: She’s Being Overly Sensitive.
“The sensitivity and defensiveness that we’re seeing among media people when they’ve done so much to destroy civil discourse and to disparage the views of so many people, I’m not that impressed.”
Kyle Olson reports: Barack Obama was out stumping for the ailing Hillary Clinton today, but that didn’t stop him from talking about himself.
The president rallied with Clinton supporters in Philadelphia and when doing so, managed to mention himself 137 times.
At one point, after running down a list of what he considered accomplishments of his presidency, someone in the audience shouted out about lower gas prices.
“Thank you for reminding me,” he replied. “Thanks, Obama,” he said to himself. Read the rest of this entry »
Charge: sequence in film was ‘work of fiction’ that damaged reputation of commentators.
Gun rights advocates don’t enjoy being falsely depicted as dimwits who can’t answer the most basic of questions about their No. 1 public policy issue.
Erik Wemple reports: That’s the takeaway from a defamation lawsuit filed today against Katie Couric and the producers of “Under the Gun,” a documentary about gun violence in the United States. Having debuted at the Sundance Film Festival in January, the documentary itself came under the gun in May, when members of the Virginia Citizens Defense League (VCDL) claimed that it slighted them by mal-editing an interview in which they’d participated. In response to a question from Couric, the film’s narrator, the gun rights advocates were depicted as sitting in baffled silence for nearly 10 seconds.
In fact, they had supplied an extensive response to Couric’s question.
Many onlookers, including the Erik Wemple Blog, blasted the film for this portrayal. Couric, the global anchor of Yahoo News, initially stood by the product but ultimately apologized for the “misleading” edit. The film’s director, Stephanie Soechtig, wasn’t so contrite. “I think it’s sad to say that these eight seconds didn’t give the VCDL a platform to speak. Their views are expressed repeatedly throughout the film; we know how they feel about background checks. They said it earlier in the film,” said Soechtig in an interview after the furor.
Intransigence of that sort may bedevil Soechtig in a legal action filed by the VCDL and two gun rights defenders in the film — Daniel Hawes and Patricia Webb — against Couric, Soechtig, Atlas Films and Epix, the documentary’s distributor. Filed in a Virginia federal court by Elizabeth Locke of Clare Locke LLP, the complaint states, “The Defendants manipulated the footage in service of an agenda: they wanted to establish that there is no basis for opposing background checks, by fooling viewers into believing that even a panel of pro-Second Amendment advocates could not provide one.” It seeks compensatory damages of $12 million, and punitive damages of $350,000 per plaintiff.
The filmmakers gave this particular lawsuit a galloping start, with a dreadful sequence that comes less than a half-hour into the one-hour-and-45-minute documentary. Seated in a circle are members of the VCDL against a dark backdrop. Couric asks this question: “If there are no background checks for gun purchasers, how do you prevent felons or terrorists from purchasing a gun?” In response, the VCDL members say precisely nothing. They stare into space, or at the floor. Brain-freeze appears to have enveloped them.
As the suit notes, this depiction is a “work of fiction.” The VCDL members actually filled Couric’s ear; Hawes, for example, said this:
The fact is we do have statutes, both at the federal and state level that prohibit classes of people from being in possession of firearms. If you’re under 18, in Virginia, you can’t walk around with a gun. If you’re an illegal immigrant, if you’re a convicted felon, if you’ve been adjudicated insane, these things are already illegal. So, what we’re really asking about is a question of prior restraint. How can we prevent future crime by identifying bad guys before they do anything bad? And, the simple answer is you can’t. And, particularly, under the legal system we have in the United States, there are a lot of Supreme Court opinions that say, “No, prior restraint is something that the government does not have the authority to do.” Until there is an overt act that allows us to say, “That’s a bad guy,” then you can’t punish him.
That argument, notes the complaint, is part of the six minutes that the gun rights advocates spent answering Couric’s question. Showing the VCDL as dumbfounded required some work on the part of the filmmakers. In coordinating the interview with the VCDL advocates, Couric and a cameraman from Atlas Films told them that they needed to sit in silence for 10 seconds so that the crew could calibrate the “recording equipment.” It was this passage that “Under the Gun” placed in the film instead of the actual answers supplied to the question about background checks. The suit alleges that this moment carried particular implications for each of the named plaintiffs in the case. Webb is a licensed firearms dealer (Gadsden Guns Inc.), and the edits indicate that “she lacks knowledge regarding background checks — a requirement for every gun sale she does,” argues the complaint. Hawes is an attorney who handles cases involving firearms, and the film suggests that “he lacks the legal expertise and oral advocacy skills required to perform his duties.” Read the rest of this entry »